Wednesday, September 30, 2026

new from above/ground press: Spirit House, by Ken Norris

Spirit House
Ken Norris
$6


Being me, it’s hard
to believe. Faith

so often seems like
a scam. Forget

about this life. Be humble,
be poor, don’t delve

into revolution.
The orthodox stories

are so lame, smell strongly
of lying. Priests

in black gowns
always have a lot to say

about renunciation. They
gave up on living years ago.

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover drawing: Marlene Konyves
Cover graphic design: Janet Kennedy

Ken Norris was born in New York City in 1951. He came to Canada in the early 1970s, to escape Nixon-era America and to pursue his graduate education. He completed an M.A. at Concordia University and a PhD in Canadian Literature at McGill University. He became a Canadian citizen in 1985. Norris is Professor Emeritus at the University of Maine, where he taught Canadian Literature and Creative Writing for thirty-three years. He currently resides in Toronto.

This is Ken Norris’ fifteenth above/ground press chapbook, after Windward – St. Lucia Poems (1995), The Commentaries (1999), Songs For Isabella (2000), Green Wind (2010), Looking Into It (2011), Hong Kong Blues (2019), Hawaiian Sunrise (2021), Stray Dog Café (2021), The Traveling Wilburys Collection (2021), False Narratives (2022), Echoes (2023), Broken River (2024), What’s Left (2025) and Traveller (2026). See his 2025 above/ground press substack interview here.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, September 28, 2026

new from above/ground press: Self-Portrait in a kaleidoscope, by Pete Smith

Self-Portrait in a kaleidoscope
Pete Smith
$6

SELF-PORTRAIT IN A KALEIDOSCOPE.

I, clad
in clown-costume:
down-turned, exaggerated 
white lips glabbering
with the antiphrastic glow of sadness.
It isn't the spotlight, the ring or the whoopie cushion;
it isn't the kinder section letting rip
tides of guffaws and rippled applause;
it's the geometry of the trapeze artists,
the arcs and loops and dissected sectors,
fallen angles, the gibbous death pinch
mirroring an unself 
filled with true/false sequinned memories,
light-years from any known galaxy,
that calls me
home. 

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Bio. Born in Coventry, England, & raised there during its post-war boom years. Worked for forty years in institutional & community settings with people dually diagnosed with intellectual & psychiatric issues. They taught him a lot. A piece of slow writing under the working title Among Us is in progress.

Has lived in & around Kamloops, BC, since emigrating from England in 1974. Poetry is what he thinks he thinks & feels with. A ListServ of poets with closely shared interests revived his writing practice in the late 1990s. Agenda, Wild Honey Press, Poetical Histories, the Gig, Oystercatcher, Great Works, Alterran Poetry Assemblage, fortnightly review, Dispatches from the Poetry Wars, Capilano Review, W, Shearsman Books (Bindings with Discords) in 2015, & the various outposts of the whirlwind known as rob mclennan, are among the places he has published poems, essays & reviews. A comprehensive list is found at peripetyandortronies.blogspot.com in the October 2025 archive.

This is Pete Smith's fifth chapbook with above/ground press, after Strum Of Unseen (2008), A New Love/ An Aching Stone (2016), Sing . . . Despite (2019) and Some Failed Eternity (2024).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, September 25, 2026

new from above/ground press: MUTTER, by Peter Carl Anderson

MUTTER
Peter Carl Anderson
$6

CONCEPTION

We could not conceive of such a thing and yet it came to be, carrying its own luggage with it. A tray of seedlings from the windowsill of a past life, flowers of reincarnation blooming but once a century. The desert deep inside us waits for an opening in the conversation to spread across the landscape and soak up rivers until the fish are left nowhere to spawn. Each day’s count less than the day before. Numbers falling like dandruff. We try to understand but we’re like one-armed backstrokers swimming in circles. Maybe a rise in screen time is yoking us to a downward trend. Maybe our underwear’s too tight, our cycles not monthly enough. We adopt an air of resignation, bury our miscarried explanations and try to look satisfied.

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover design: S. Grand Black / Alias Ink

Peter Carl Anderson is an actor and writer, author of the chapbook Indistinct Chatter & Character Breakdown (our teeth imprint) and a finalist in the 2023 Raven Chapbook contest. He has written more than twenty plays, available on the Canadian Play Outlet, and is the recipient of multiple awards for his acting and playwriting. He lives in Vancouver with his wife, artist and playwright Melody Anderson.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, September 24, 2026

report: Fisher Small and Fine Press Fair 2026

This past Saturday, above/ground press participated, once more, in the Fisher Small and Fine Press Fair in the Thomas Fisher Rare Book Library at the University of Toronto, which was pretty cool. I mean, I've been there a few times [see my report on the 2022 fair here], but this is my first visit since Star Trek: Discovery filmed part of an episode in this space, which made it far cooler (naturally). They've been holding small press fairs in the space every two years or so since 2013, and I think this either my third or fourth fair, after the first, the 2022 event and now (I think I also attended the 2015 fair, but I can't find a record for such).


The fair leans into more letterpress works, so publishers such as myself have been invited on more of a rotating basis, given the space is only so large, but this time around, the first floor space was held as an overflow, featuring more of the small chapbook presses, including myself, Knife Fork Book [above], Anstruther Press [above] and Proper Tales Press (Gap Riot Press had been scheduled, but they were unable). The main floor, below us, held many of the usual suspects, including Flycatcher Press, Book*hug Press, Wesley Bates, Grayweathers Press/The MacOdrum Library Book Arts Lab at Carleton University, George A. Walker and Coach House Books.


There was even Jason Dewinetz [above; above/ground press author of a quarter century back] of Greenboathouse Press, who I hadn't seen in person in some two decades-plus, so that was quite nice.

It was good to see above/ground press author Ken Norris (one of the most published authors through the press, at this point; his new title is forthcoming momentarily) and Toronto writer, artist and lawyer Kate Sutherland [above], who I hadn't seen in a while. Poet and critic Bruce Whiteman came by, briefly, as did Canadian poet Sheila Stewart, Victoria writer/editor Kathryn Mockler, former Ottawa-based poet Barâa Arar, above/ground press authors Cary Fagan and Lillian Nećakov and Mark Goldstein and plenty of others. It was far busier than I might have thought, given the small press material was a bit of a side-bar for the letterpress publishers, but there was a consistent crowd most of the day. above/ground press author Conal Smiley (with a new title with Anstruther, by the way) came by to introduce himself, which I appreciated. Always good to actually meet my own authors, face to face. Although it was rather odd to have a couple of tour groups float through, twenty-plus circling our tables, taking photos of the space. Keep moving, keep moving. But an impressive day, all in all.

[Jay MillAr, Book*hug]
A young person floated through, introducing themselves as the partner of above/ground press author Noah Sparrow (I didn't catch his name), in Toronto for two years for school; we ended up in a half-hour long conversation on late 1980s Montreal punk bands, which was cool. As well, Brendan Allen introduced himself as a long-time admirer of the press, having been mentored by above/ground press author Megan Kaminski in Kansas, as well as spending time at Temple University, interacting with such as Philadelphia poet Pattie McCarthy and above/ground press author Kevin Varrone, among others. Clearly this fella, in Toronto studying digital poetics, has some very good taste in mentors.



Wednesday, September 23, 2026

new from above/ground press: ignite, by Lori Anderson Moseman

ignite
Lori Anderson Moseman
$6

dismantling the trebuchet


we must save the flywheel
the sling

boulders can be guest stones
in memorial gardens

scaffolding can become ladders

the counter weight?
is it immovable enough 
to tether oligarchs’ greed?

an anchor we can corral
on neutral ground

measured stillness
as hope

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy

Lori Anderson Moseman’s
earlier chapbooks from above/ground press include: Whittle Gristle (2025) plus Okay and Too Few Words (2023). Quietly Between, a 2022 poetry/photography collaboration, is available from A Viewing Space. Her experimental poetry collections include Darn (Delete Press, 2021) and Y (Operating System, 2019). For her earlier prose poems see Full Quiver (Propolis Press, 2015) and Flash Mob (Spuyten Duyvil, 2016). She lives on Kalapuya Ilihi, the traditional indigenous homeland of the Kalapuya people whose descendants are citizens of the Confederated Tribes of the Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians of Oregon.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, September 14, 2026

above/ground press participates in the Fisher Fine and Small Press Fair at the University of Toronto, Sept 19, 2026

Given the success of their prior small press book fairs, The Thomas Fisher Rare Book Library is once again holding a small press fair in their space! See my report on their 2022 fair (I wasn't able to make their 2024 event).

Come by and see what above/ground press (and numerous other publishers) have been up to lately. I mean, there's a lot happening, quite honestly (and watch soon for 2027 subscription information).
"The Fisher Library will again be hosting some of Canada's finest book and print makers and artists when it hosts the 2026 Fisher Small & Fine Press Fair. A biennial event since 2013, this year's fair will be larger than ever, with plans to use the library's seminar room, the Maclean Hunter Room, as well as the exhibition area."

The date: Saturday September 19, 2026
The time: 10am-5pm

Location: Thomas Fisher Rare Book Library, University of Toronto, 120 St. George St. (corner of St. George and Harbord)

https://library.utoronto.ca/event/fisher-small-fine-press-fair


Tuesday, September 8, 2026

new from above/ground press: The Thought Lawn, by Mark Tardi

The Thought Lawn
Mark Tardi
$6

Cztery Kwartety


1.
As close as 
we are I 
don’t remember 

what you look like


2.
Calm 
does not come 
every day

Lamps are calm


3.
Even if I’m no longer 
sure what 

Craig meant 
by “life raft in Hell”


4.
Wiosna lato jesień 

zima part 
blue sky part 

cretaceous coyote
published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover art by Małgorzata Myk, from Duration Series (2024).  

Mark Tardi is a writer, runner, and translator whose awards include a 2023 PEN/Heim Translation Grant and a 2022 National Endowment for the Arts Translation fellowship. His translations include Viscera: Eight Voices from Poland (Litmus Press, 2024), Unsovereign by Kacper Bartczak (above/ground press, 2024), The Squatters' Gift by Robert Rybicki (Dalkey Archive, 2021), and Faith in Strangers by Katarzyna Szaulińska (Toad Press, 2021). Recent writing and translations have appeared in Conjunctions, Poetry, Poetry Northwest, MAYDAY, Ilanot Review, Denver Quarterly, Interim, Cagibi, Full Stop, and elsewhere. His newest book, Recapitulation in the Wrong Key, is out from BlazeVOX Books. He is on faculty at the University of Lodź.

This is Tardi’s second title from above/ground press, after his translation of Kacper Bartczak’s Unsovereign (2024).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, September 2, 2026

Montreal chapbook launch! Sept 10: Sarah Burgoyne and Clara Yeager,


above/ground press authors Sarah Burgoyne and Clara Yeager are launching their collaborative chapbook, TAKE COVER EVERYONE (2026), at Pulp Books in Montreal, 7pm on Thursday, September 10th! If you can go to this, you should go to this.

Tuesday, September 1, 2026

Words on the Water / Murmures sur l’eau, eds./dir. David O’Meara and/et Véronique Sylvain,

Words on the Water / Murmures sur l’eau
eds./dir. David O’Meara and/et Véronique Sylvain
Poète officielle francophone et poète officiel anglophone de la Ville d’Ottawa
Poets Laureate, Francophone and Anglophone, The City of Ottawa
translations by/traductions de Myriam Legault-Beauregard
$10
including new poems in English (alongside French translation) and new poems in French (alongside English translation) by:

Jean Marc Dalpé
David Galvaude
Harold Hoefle
Christine McNair
Sarah Migneron
stephanie roberts
Alexis Rodrigue-Lafleur

Mahaila Smith


Introduction

J’ai la conviction que la poésie peut nous inciter à regarder les lieux qui nous entourent et à prendre conscience des liens (précieux) qui nous unissent. De l’enfance, à l’adolescence, jusqu’à l’âge adulte, la nature a toujours occupé une place importante dans ma vie (et dans ma poésie !). 

Des lacs et des rivières du Nord de l’Ontario, au fleuve Saint-Laurent, jusqu’à la rivière des Outaouais, ces éléments naturels nourrissent, depuis longtemps, mon paysage intérieur et mon écriture. 

Ces exemples de cours d’eau sont essentiels dans l’équilibre des écosystèmes. La poésie, je crois, peut contribuer à sensibiliser toutes et tous à la grande beauté, à la fragilité palpable de ces écosystèmes.

Après le succès, en 2025, de la première édition du projet que David O’Meara et moi avons coordonné avec Garde-rivière des Outaouais, nous avons eu l’idée de replonger dans l’aventure et d’inviter à nouveau huit poètes – quatre francophones et quatre anglophones – à créer un poème original inspiré du bassin versant de la rivière des Outaouais.

Ces voix poétiques retentiront comme un écho, d’une rive à une autre...

Introduction

I strongly believe that poetry can make us observe our surroundings and notice the invaluable relationships between us all. As a child, as a teenager, and still as an adult, I always reserved a special place for nature in my life (and in my poetry!)

From the lakes and rivers of Northern Ontario to the Saint-Lawrence River, with the Ottawa River in between, these natural features have—for a long time—nourished my inner landscape, and the way I write.

These waterways are essential to the balance of our ecosystems. Poetry, I think, can make us all aware of the great beauty, as well as the utmost fragility of these ecosystems.

Building on the success of the first edition of the project David O’Meara and I coordinated in 2025 with Ottawa Riverkeeper, we decided to dive anew in this adventure and to invite eight other poets—four francophones and four anglophones—to create an original poem inspired by the Ottawa River watershed.

These poetic voices will resonate, like echoes, from one shore to the other…
published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy
produced for an event at the Ottawa River Boathouse, September 2, 6-8pm [see ticket information here]


Ce recueil est le troisième ouvrage collectif bilingue dirigé par David O’Meara et Véronique Sylvain à paraître chez above/ground press dans le cadre de leur mandat comme poètes officiels de la ville d’Ottawa. Il fait suite à Verse on the Banks / Poèmes sur le rivage (2025) et à Words and Image / Entre mots et images (2026), avec des traductions réalisées par Myriam Legault-Beauregard. À cette sélection s’ajoute également Planting Seeds : Fletcher Garden Poems (2026), en anglais seulement, qui a été dirigé par David O’Meara.

This is David O’Meara’s and Véronique Sylvain’s third bilingual edited title through above/ground press, all part of their tenure as Ottawa’s English-language and French-language Poet Laureates, following Verse on the Banks / Poèmes sur le rivage (2025) and Words and Image / Entre mots et images (2026), both of which included translations by Myriam Legault-Beauregard. Also available is David O’Meara’s Planting Seeds: Fletcher Garden Poems (2026), in English only.

Author biographies/Notices biographiques:

Jean Marc Dalpé
est auteur dramatique, romancier, poète, scénariste, traducteur et comédien. Trois fois lauréat du Prix du Gouverneur général, il a traduit des œuvres contemporaines ainsi que Shakespeare, Brecht et des œuvres autochtones majeures. Codirecteur artistique du Wild West Show de Gabriel Dumont, il est l’auteur de nombreuses pièces marquantes. Docteur honoris causa de l’Université d’Ottawa, il est membre de l’Ordre du Canada et de l’Ordre des francophones d’Amérique.

A playwright, novelist, poet, scriptwriter, translator and actor, Jean Marc Dalpé is a three-times winner of the Governor General’s Literary Awards. He has translated contemporary works, as well as Shakespeare, Brecht and major Indigenous voices. He was one of the artistic directors of the Wild West Show de Gabriel Dumont, and has authored many remarkable plays. He holds an Honorary Doctorate from the University of Ottawa, and he is a member of the Order of Canada and of the Ordre des francophones d’Amérique.

David Galvaude a déjà habité en face de la rivière Kitchissippi. Il a publié deux recueils de poésie (Démonologie de jardin, La Note Verte, 2022, et Pigeon rouge, La Maison en feu, 2025). Il a aussi été publié dans Estuaire et a autopublié plusieurs zines. Depuis 2024, il co-organise la soirée poésie Une pinte ou un vers à la brasserie À la Dérive à Gatineau.

David Galvaude used to live right in front of the Kitchissippi River. He is the author of two poetry collections (Démonologie de jardin, La Note Verte, 2022, and Pigeon rouge, La Maison en feu, 2025). His poetry is also featured in the magazine Estuaire, and he is the creator of several zines. Since 2024, he co-organizes the monthly Une pinte ou un vers poetry readings in Gatineau, at the brewery À la Dérive.

Harold Hoefle's debut collection of poems, The Night Chorus, was published by McGill-Queen's University Press.  His chapbook, Leaning In, has just been published by above/ground press.  Harold lives in Ottawa.

Le premier recueil de poèmes d’Harold Hoefle, The Night Chorus, est paru aux presses universitaire McGill-Queen’s. Son court recueil Leaning In vient d’être publié chez above/ground press. Harold vit à Ottawa.

Christine McNair is the author of two books of poetry and a hybrid poetic memoir, Toxemia (2024). Her work has been shortlisted for the Archibald Lampman award, the City of Ottawa book award, the Robert Kroetsch award for innovative poetry, and the Relit award. Her book Charm (2017) won the Archibald Lampman award. She works as a book doctor in Ottawa.

Christine McNair est l’autrice de deux livres de poésie et de Toxemia, des mémoires poétiques hybrides. Ses livres ont été finalistes au prix Archibald-Lampman, au Prix du livre d’Ottawa, au prix Robert-Kroetsch pour la poésie innovante ainsi qu’au prix Relit. Son œuvre Charm (2017) a remporté le prix Archibald-Lampman. Son travail consiste à soigner des livres, à Ottawa.

Sarah Migneron est une autrice et traductrice d’Ottawa. Elle écrit pour les publics de tous âges. Ses textes de théâtre jeunesse comprennent Mots de jeux (VOX Théâtre, 2017), Dans tous les sens (VOX Théâtre, 2019 ; Prise de Parole, 2025), Jaune comme joie (VOX Théâtre, 2025) et Quand maman sourit (Le Théâtrophone, 2024; L’UniThéâtre, 2025). Pour les adultes, elle signe À tu et à moi (L’Atelier, 2013 ; Prise de parole, 2015) et Maman bleue (Prise de Parole, 2025).

Sarah Migneron is an author and translator from Ottawa who writes for people of all ages. Her plays for young audiences include Mots de jeux (VOX Théâtre, 2017), Dans tous les sens (VOX Théâtre, 2019 ; Prise de Parole, 2025), Jaune comme joie (VOX Théâtre, 2025) and Quand maman sourit (Le Théâtrophone, 2024; L’UniThéâtre, 2025). For older audiences, she wrote À tu et à moi (L’Atelier, 2013 ; Prise de parole, 2015) and Maman bleue (Prise de Parole, 2025).  

stephanie roberts is the prize-winning author of UNMET and rushes from the river disappointment. She has never been featured in Best Canadian Poetry.

stephanie roberts est une autrice primée à qui l’on doit les recueils UNMET et rushes from the river disappointment. Elle n’a jamais fait partie de l’anthologie Best Canadian Poetry.

Né à Montréal, Alexis Rodrigue-Lafleur a fait des études en muséologie et en français écrit, a habité en Bolivie, au Maroc et au Vietnam. Il réside actuellement en Outaouais et travaille au Musée des beaux-arts du Canada. Il a publié deux romans, L’odeur du gruau (2018) et Rêve-creux (2021), aux Éditions L’Interligne. Sa poésie émerge ici et là sous différents formats au gré des saisons.

Born in Montréal, Alexis Rodrigue-Lafleur has an academic background in French and Museum Studies. He has lived in Bolivia, Morrocco and Vietnam. He now lives in the Outaouais region and works for the National Gallery of Canada. He is the author of two novels: L’odeur du gruau (2018) and Rêve-creux (2021), published by the Éditions L’Interligne. His poetry emerges here and there, in different forms, throughout the seasons.

Mahaila Smith (they/them) is the author of the speculative novelette-in-verse, Seed Beetle, published by Stelliform Press in 2025. You can find more of their work on their website: mahailasmith.ca.

Mahaila Smith (iel/ellui) a écrit Seed Beetle, une novella en vers publiée chez Stelliform Press en 2025. Pour en savoir plus sur ses œuvres, visitez le site mahailasmith.ca.

David O’Meara is the author of five collections of poetry, most recently A Pretty Sight and Masses On Radar (Coach House Books, 2013, 2021). His novel, Chandelier, is published by Nightwood Editions (2024). He is the current Poet Laureate (Anglophone) of the City of Ottawa.

David O’Meara est l’auteur de cinq recueils de poésie, dont les plus récents sont A Pretty Sight et On Radar (Coach House Books, 2013 et 2021). Son roman, intitulé Chandelier, a été publié chez Nightwood Editions en 2024. Il est actuellement le poète officiel anglophone de la Ville d'Ottawa.

Véronique Sylvain habite à Ottawa, où elle travaille dans le milieu de l’édition. Ses poèmes ont paru dans plusieurs revues de création littéraire, ainsi que dans des collectifs. Son premier recueil, Premier quart (Prise de parole, 2019), lui a permis de remporter le Prix de poésie de Trillium, le Prix du livre d’Ottawa, en 2020, le prix Champlain et le Prix littéraire émergence AAOF 2021. Son plus récent recueil de poésie, En terrain miné, est paru en septembre 2024 chez Prise de parole. Elle occupera, jusqu’à l’automne 2027, le poste de poète officielle francophone de la Ville d’Ottawa

Véronique Sylvain lives in Ottawa, where she works in the publishing sector. Her poems appear in several literary journals and collectives. Thanks to her first collection, Premier quart (Prise de parole, 2019), she was rewarded with the Prix de poésie Trillium and the Prix du livre d'Ottawa, in 2020, as well as the prix Champlain and the Prix littéraire émergence AAOF, in 2021. Her most recent collection, En terrain miné, also published by Prise de parole, was launched in September 2024, She will be, until fall 2027, the Francophone Poet Laureate of the City of Ottawa.

Myriam Legault-Beauregard est traductrice, poète et slameuse. Elle termine actuellement son doctorat à l’Université d’Ottawa. Ses propres créations et certaines de ses traductions ont été publiées dans diverses revues, et son premier recueil de poésie, intitulé Comme un myosotis, est paru en septembre 2023. Sa première traduction de roman, De plâtre et de platine (version française de The Most Precious Substance on Earth de Shashi Bhat), a été finaliste au prix John-Glassco. Elle vit à Gatineau avec son conjoint et leurs deux filles.

Myriam Legault-Beauregard
is a translator, a poet and a spoken-word artist. She is currently completing her PhD at the University of Ottawa. Her own works and shorter translations have been published in various magazines and journals, and her first poetry collection, Comme un myosotis, was launched in September 2023. Her first book-length translation, De plâtre et de platine (French version of Shashi Bhat’s The Most Precious Substance on Earth), was a finalist to the John-Glassco prize. She lives in Gatineau with her partner and their two children.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com