Thursday, March 12, 2026

The Factory Reading Series @ VERSeFest: Nada Gordon + Lydia Unsworth, March 29, 2026!

The Factory Reading Series
as part of the sixteenth annual VERSeFest poetry festival presents: 
The Factory Reading Series Lecture Series; two talks/readings by:
Nada Gordon (Brooklyn NY)
+
Lydia Unsworth (Manchester UK)
lovingly hosted by rob mclennan
Sunday, March 29, 2026
3-4pm, Arts Court Black Box Studio
A FREE EVENT / check link for info on tickets/passes: https://verseottawa.ca/en/versefest
as well as for the full schedule of readers and events!
March 24-30, 2026


Nada Gordon:
 [see a new interview here] I live in Brooklyn and work too hard and too much, teaching courses like “Tyranny and the Absurd” and “The Glamour of Language.” Actually, they are just comp, but isn’t that what all art is, actually? I have two Siberian cats. I make things besides poems: garments, baubles, toys. My Etsy shop is https://www.etsy.com/shop/ScentedRushes. I’ve published nine books and lots of chapbooks besides. My selected, The Sound Princess: Selected Poems 1985-2015 found its way into the world last year by way of SubPress. “The Sound Princess” is a literal translation from the Japanese of “Otohime,” the button you push in a toilet stall to make the sound of rushing water so that others don’t hear you pee. It does sound grand, doesn’t it? I was in the hysterico-transgressive poetry movement called Flarf in the 2000s. Before that, I lived in Japan for over a decade. Before Japan, I wrote a thesis on Bernadette Mayer’s work. I studied with Language Poets in Bay Area in the 80s. I was a hardcore punk after I was a flower child. As an actual child I sometimes wrote poems. I was born in Oakland in 1964.

Lydia Unsworth
 [see a new interview here] is a poet from Manchester, UK. Her work has appeared in many journals and anthologies including Dreaming Awake: New Contemporary Prose Poetry from the United States, Australia, and the United Kingdom. She is a PhD candidate at the Centre for Place Writing in Manchester, looking at kinship with disappearing post-industrial architecture. She has 6 poetry collections and 4 above / ground chapbooks, and has two new poetry collections coming out in 2026, Stay Awhile (April, Knives Forks and Spoons Press) and This Now Extends to My Daughter (May, Blue Diode Press).

Thursday, March 5, 2026

new from above/ground press: Now When, A Poem, by Travis Sharp

Now When, A Poem
Travis Sharp
$6


when the reminder
when the junk mail piles
when the door’s a knockin
when it’s Monday
when the flowers breathe again
when the sound of trees in wind
when the flight gets cancelled
when the present can, in fact, be long
when the sun speaks out
when it snows so early
when there’s cops on every corner
when the metro is locked and guarded
when the escalator gets stuck mid-journey
when there’s another strike
when there’s banners out the windows
when I mean it this time
when the power goes out
when really
when you’re so late again
when the shining is the point
when feelings learn to fester
when the winter market opens
when wind so cold it burns the cheek
when your hair gets tussled
when the grinding labors you

published in Ottawa by above/ground press
March 2026
a/g subscribers receive a complimentary copy

cover image: Bradley W. Johnson
, 4th of 7 Days, 7 Pieces (detail)

Travis Sharp is the author of the poetry books Monoculture (Unicorn Press, 2024) and Yes, I Am a Corpse Flower (Knife Fork Book, 2021), a poetry pamphlet, Behind the Poet Reading Their Poem Is a Sign Saying Applause (Knife Fork Book, 2022), and the chapbooks Sinister Queer Agenda (above/ground press, 2018) and One Plus One Is Two Ones (Recreational Resources, 2018). He’s a lecturer in the Department of English at Howard University and is an editor at Essay Press.

This is Sharp's second title with above/ground press, after Sinister Queer Agenda (2018).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, March 4, 2026

Lit Balm: An Interactive Livestream Reading Series: A tribute to Larry Sawyer, March 7, 2026

Lit Balm : An Interactive Livestream Reading Series presents:
A Tribute to Larry Sawyer

Saturday, March 7, 5pm EST on Zoom: https://us04web.zoom.us/j/461603228
see the facebook event page here

Featuring Friends Reading and Reminiscing by:

Vincent Katz : Paul Hoover : Sheila Murphy : Dale Smith : Tony Trigilio : rob mclennan

With Lina Ramona Vitkauskas


Hosted by Jefrey Cyphers Wright
And the Lit Balm crew : Marc Vincenz, Cassandra Atherton, Jonathan Penton and Jon Wesick.

Friday, February 27, 2026

new from above/ground press: Vast Spaces, by John Levy

Vast Spaces
John Levy
$6

YUKI
                                               for Angella Kassube

The Japanese word for snow, plus the name Angella gave her cat. When it snows in Minneapolis, the snow never completely fills the u in Yuki’s name. Nor the opening at the top of the Y. Both spaces are too vast, as is Yuki’s spirit, an immensity which animates her entire body and which Angella understands better than anyone when she looks into Yuki’s eyes.


published in Ottawa by above/ground press
February 2026
a/g subscribers receive a complimentary copy


cover photo by the author: “Half Moon Bay”

John Levy lives in Tucson. He is married to the painter Leslie Buchanan. His collection of poems, 54 poems: selected & new, was published by Shearsman Books in 2023. 

This is Levy’s second chapbook with above/ground press, after To Assemble an Absence (2024).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, February 25, 2026

new from above/ground press: The Unknotter, by Christina Wells


The Unknotter
Christina Wells
$6

Spilling Suns

First, a ghostly trace of head,
then stomach, then paintbrush tail,
emerging from the Atlantic,
an image sharpening like a Polaroid.
My father hauling in a 50-pounder,
big mama, old and fat, fabled.
The charm of her freckles, scorched
smudges in the light, her lateral lines, silver
arrows pointing to the sun.

She can lay out more eggs
than 28 smaller ones just like her.
Longlines, draggers couldn't hold
her back. For a quarter-century
she skirted past gillnets, box-shaped
traps, sharks, the cannibals
of her own kind, surviving below
pinkish shale crevices, the dense
gelatin of the deep rushing her on.

Then, the quickness
of the act: his haul.
The gaff.
(Oh, that sharp hook.)
Slide over, belly fat glistening.
The cut.
(Oh, the ready knife.)

Sun beats its fire into her round eye
for the first time. The whole of her
belly rich, roe-distended.

Back at the dock, we children cheer, clamour.
Mother gets the camera, makes us pose
with father as he holds her up by the hook,
knot-tight, two thumbs up next to the split form,
eggs spilling
                        and spilling
                                               and spilling,

orange pricks of light.

published in Ottawa by above/ground press
February 2026
a/g subscribers receive a complimentary copy

cover image: 

To Sea Agin I Won’t, 2025 by Kym Greeley https://www.kymgreeley.com

Christina Wells (she/her) is a multi-genre writer from Northern Arm, NL/Ktaqmkuk. Her award-winning work, which explores memory and place, has appeared in The New Quarterly, ROOM, Riddle Fence, Horseshoe Magazine, The Newfoundland Quarterly, The Fiddlehead, and Yolk. She holds an MA from Memorial University and is now a PhD student at MUN. She currently lives in St. John’s, NL.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com