Showing posts with label The Mercury Lounge. Show all posts
Showing posts with label The Mercury Lounge. Show all posts

Friday, February 13, 2015

The Factory Reading Series @ VERSeFest: Armand Garnet Ruffo and Lisa Jarnot, March 28, 2014!

The Factory Reading Series
as part of the fifth annual VERSeFest poetry festival presents:

The Factory Reading Series Lecture Series, two talks and readings by:
Armand Garnet Ruffo (Kingston ON)
Lisa Jarnot (Jackson Heights NY)

lovingly hosted by rob mclennan
Saturday, March 28, 2014
FREE ADMISSION!
2:30pm at Pressed, 750 Gladstone Avenue, Ottawa
check the VERSeFest link for the full schedule of events!
March 24-29, 2015

Armand Garnet Ruffo was born in Chapleau, northern Ontario, with roots to the Sagamok Ojibwe First Nation and the Chapleau Fox Lake Cree First Nation. Ruffo's first collection of poetry, Opening In The Sky (1994), reveals an abiding interest in the complexities of Aboriginal identity in a multi-cultural society. His second book, the acclaimed Grey Owl: the Mystery of Archie Belaney (1997), is a creative poetic biography that further raises difficult questions about voice and identity, Aboriginal culture, human rights and the environment.  Ruffo won the Archibald Lampman Poetry Award for his third collection of poetry, At Geronimo’s Grave (2001), in which he uses Geronimo’s life as a metaphor for resistance and survival.  His latest writing project is the much anticipated Norval Morrisseau: Man Changing Into Thunderbird, a creative biography based on the life of the acclaimed Ojibway painter Norval Morrisseau, which will be released in the fall of 2014 through Douglas & McIntyre; The Thunderbird Poems, based on the paintings of the artist, which will appear in the spring of 2015.

In addition to writing poetry, Ruffo has written plays, short fiction and critical essays on Aboriginal literature, which continues to appear in literary periodicals and anthologies both in Canada and abroad.  His numerous publication credits include editing a collection of critical essays, (Ad)addressing Our Words: Aboriginal Perspectives on Aboriginal Literatures (2001), co-authoring the “Indigenous writing “ entry for The Cambridge History of Canadian Literature (2009) and co-editing the latest edition of Oxford University Press’ An Anthology of Canadian Native Literature in English (2013).

Ruffo returned to filmmaking after making experimental ‘video-poems’ in the 1980s and 1990s, and wrote and directed a feature film about the intergenerational impact of the residential school system. Released in 2010, A Windigo Tale won Best Picture at the American Indian Film Festival in San Francisco, and at The Dreamspeaker’s Film Festival in Edmonton, and went on to screen internationally.

He currently teaches Aboriginal literature and creative writing at Queen’s University in Kingston, Ontario.

Lisa Jarnot was born in Buffalo, New York in 1967 and studied at the State University of New York at Buffalo and Brown University. Since the mid-1990s she has been a resident of New York City.

She has edited two small magazines (No Trees, 1987-1990, and Troubled Surfer, 1991-1992) as well as The Poetry Project Newsletter and An Anthology of New (American) Poetry (Talisman House Publishers, 1997).

She is the author of four full-length collections of poetry: Some Other Kind of Mission (Burning Deck Press, 1996), Ring of Fire (Zoland Books, 2001 and Salt Publishers, 2003), Black Dog Songs (Flood Editions, 2003) and Night Scenes (Flood Editions, 2008). Her biography of the San Francisco poet Robert Duncan was published by the University of California Press in 2012 and was shortlisted for the National Book Critics Circle Award, the Randy Shilts Award for Gay Non-Fiction, and received Honorable Mention in Literature from American Publishers Awards program. A Selected Poems was published by City Lights in May of 2013.

She currently lives in Jackson Heights, New York with her husband and daughter. She works as a teacher, writer, and freelance gardener.

Monday, September 2, 2013

the above/ground press 20th anniversary reading / launch / party! : a (small) report,

I'm still wiped out from the above/ground press 20th anniversary reading / launch / party held at The Mercury Lounge on August 23, with readings and launches by Marthe Reed, Gary Barwin, Marcus McCann, Wanda O'Connor and Monty Reid. Pearl Pirie was good enough to post a report on the event, as well as various photos on her flickr account. We had a packed house on the second floor "lounge level" of The Mercury Lounge, with a crowd of some sixty people or more, with five readers eacch reading under sparkly lights. The crowd included various above/ground press authors, numerous other writers and friends of the press including Amanda Earl, Rhonda Douglas, Rod Pederson, Vivian Vavassis, Steven Artelle, Jason Camlot, Cameron Anstee, Alexander Monker, Stephen Brockwell, Gwendolyn Guth, Frances Boyle, Charles Earl, Pearl Pirie, Jeff Blackman, Marilyn Irwin, JM Francheteau, Roland Prevost, Janice Tokar, Craig Calhoun, Brian Pirie, Mark Schaan and tons of others. Even my father-in-law was there, with his wife. Amazing! Thanks so much to the readers, the entire audience, and Sara Ainslie of The Mercury Lounge for their generous support.

Sometimes I really do find it amazing that I've managed to keep the press going for as long as I have, twenty continuous years of publishing. The other day, I even realized I'm most likely about five or six publications away from having produced seven hundred items through above/ground press. I've been amazed over the years at the wealth of writing and writers I've been fortunate enough to publish through the press, and the enormous support that I've received, both locally and far, far beyond.
Christine spent a couple of days beforehand building leather-bound cases for above/ground press "poem" broadsides, and she ended up making a "fetish object" of thirty "poem" broadsheets in a numbered edition of ten copies. Absolutely beautiful! All but two were immediately snapped up, and we think we're holding those back for something to come, soon (watch for announcements). Aslo, Cameron Anstee was good enough to produce a chapbook through Apt. 9 Press of the interview he spent six weeks or so conducting with me on the history of the press. Copies were available at the anniversary reading, and can now be ordered directly from him (while supplies last, obviously).
Local favourite Marcus McCann returned to town to launch his new above/ground press chapbook, constructed as an essay-through-poems on the work of Montreal poet David McGimpsey. Did I mention how much we miss him since he left for Toronto and Law School?
American poet Marthe Reed came to Ottawa to do her first Canadian reading, and read from a chapbook produced from a much larger work-in-progress. Now that she's recently moved with her family from Lafayette, Louisiana to New York State, hopefully this will simply be the first of many Canadian readings. 
And can you imagine, Christine even ordered a cake? It isn't a birthday party without a cake. (I do have the most amazing wife.)
Monty Reid launched a sequence of poems, and brought a calming, meditative effect to the evening. It's been interesting to see that most of Monty's published work over the past few years have been stretched-out, meditative sequences. It's long been a thread of Reid''s work, but it seems to be far more prominent now.

It might have taken nearly a decade of soliciting, but it was well worth the wait to be able to produce a chapbook by Wanda O'Connor, long moved from Ottawa to Montreal. This is easily the strongest work I've seen from her so far, and I'm excited to see what she releases next. She was also kind enough to present me with a gift-bag of Concordia-related items, and a t-shirt she had made for me, using the photo Brian Pirie took of an above/ground press "poem" broadside.
The last of the five readers, Gary Barwin, grew up in Ottawa (he attended the same high school as actress Sandra Oh and my daughter Kate, although at very different times), and always brings a variety of Barwi (what his father, Dr. Barwin and I have agreed is the plural of "Barwin") to any event, and this event was no different. The only regret is that Gary doesn't manage to come visit us more often.

Tuesday, August 6, 2013

above/ground press TWENTIETH ANNIVERSARY reading and launch: Reid, Barwin, Reed, O’Connor + McCann



above/ground press twentieth anniversary reading and launch
readings and new titles by Monty Reid, Gary Barwin, Marthe Reed, Wanda O’Connor + Marcus McCann

Friday, August 23, 2013
The Mercury Lounge, Lounge Level (second floor)
doors 7pm; reading 7:30pm
$8 cover / includes the new issue of The Peter F Yacht Club
Monty Reid (Ottawa ON) ~ Moan Coach
Gary Barwin (Hamilton ON) ~ Seedpod, Microfiche
Marthe Reed (Syracuse NY) ~ After Swann
Wanda O’Connor (Montreal QC) ~ damascene road passaggio, selections
Marcus McCann (Toronto ON) ~ Labradoodle: An Essay on David McGimpsey
The event will also be the launch for the limited-edition chapbook I simply began: above/ground press at 20 [an interview with rob mclennan]. Conducted by Cameron Anstee, the interview chapbook will be producedby his Apt. 9 Press.

Author bios:

Monty Reid is an Ottawa writer. His most recent full-length collections are Disappointment Island (Chaudiere) and The Luskville Reductions (Brick). Recently he has published chapbooks with various small presses, including above/ground, Apt. 9, Gaspereau, corrupt, red ceilings, and many others. His new mistranslation of Nicolas Guillen’s El Gran Zoo is forthcoming from BuschekBooks. He currently works as Managing Editor of Arc Poetry Magazine and plays guitar and mandolin in the band Call Me Katie.

He will be launching the chapbook Moan Coach (2013), his fourth above/ground press chapbook after Six Songs for the Mammoth Steppe (2000), cuba A book (2005) and In the Garden (sept series) (2011).

Gary Barwin is a writer, composer, multimedia artist, and the author of 15 books of poetry and fiction. His books include Franzlations (with Craig Conley and Hugh Thomas; New Star), The Obvious Flap (with Gregory Betts; BookThug), The Porcupinity of the Stars (Coach House). He is winner of the 2013 City of Hamilton Arts Award (Writing), the Hamilton Poetry Book of the Year 2011, and co-winner of 2011 Harbourfront Poetry NOW competition, the 2010 bpNichol chapbook award, and the KM Hunter Artist Award. Barwin’s work has been published and performed in Canada and internationally. He received a PhD in music composition from SUNY at Buffalo. He lives in Hamilton, Ontario. garybarwin.com

He will be launching the chapbook Seedpod, Microfiche (2013), his second above/ground press item after “SYNONYMS FOR FISH,” STANZAS #26 (March, 2001).

Marthe Reed is the author of three books: (em)bodied bliss (Moria Books 2013), Gaze (Black Radish Books 2010) and Tender Box, A Wunderkammer (Lavender Ink 2007). A fourth book, Pleth, a collaboration with j/j hastain, will appear in September 2013 from Unlikely Books; a fifth will be published by Lavender Ink (2014). She has also published four chapbooks as part of the Dusie Kollektiv. Her poetry has appeared in New American Writing, Golden Handcuffs Review, New Orleans Review, HOW2, MiPOesias, Fairy Tale Review, Exquisite Corpse, BlazeVOX, and The Offending Adam, among others. Her manuscript, an earth of sweetness dances in the vein, was a finalist in Ahsahta Press’ 2006 Sawtooth Poetry Contest; her manuscript Nights Reading was a finalist for the Elizabeth P. Braddock Prize (Coconut Books). An essay on Claudia Rankine’s The Provenance of Beauty: A South Bronx Travelogue appears in American Letters and Commentary.

She will be launching the chapbook After Swann (2013).

Wanda O’Connor is a graduate of Concordia’s Creative Writing and Classics programs, and most recently completed an MA in Literature with a considerable focus on Robin Blaser’s stunning carmen perpetuum. damascene road passaggio, selections is an excursus through transitions of semi-tones and silence, possessing no address nor addressee nor gaze nor superior flattery. Wanda is currently at work on a long poem manuscript and is an editor at Lemon Hound.

She will be launching the chapbook damascene road passaggio, selections (2013).

Marcus McCann is the author of two previous above/ground titles: Heteroskeptical (2007) and Town in a Long Day of Leaving (2010). Labradoodle is his ninth chapbook. He is a winner of the John Newlove Award and the EJ Pratt Medal for poetry. His two trade collections Soft Where (2009, Chaudiere Books) and The Hard Return (2012, Insomniac) can be found at Glad Day, a bookshop he co-owns with some 20 queer radicals in Toronto. marcusmccann.com

He will be launching the chapbook Labradoodle (2013), his third above/ground press chapbook after Heteroskeptical (2007) and Town in a long day of leaving (2010).

Friday, August 2, 2013

new from APT. 9 PRESS; I simply began: above/ground press at 20 [an interview with rob mclennan]

above/ground press author (and friend of the press) Cameron Anstee spent a few weeks working on an interview with me for the upcoming above/ground press 20th anniversary, now available (for pre-order) as a chapbook through his own small press, Apt. 9!

The publication sees official launch on Friday, August 23, 2013 at The Mercury Lounge (second floor lounge) as part of the 20th anniversary above/ground press reading/launch/party! I'm still waiting on a final confirmation before announcing, so watch this space over the next little bit for the announcement of readers and new publications!


Here's the announcement Anstee posted today:
This month, Apt. 9 Press is thrilled to be publishing an extended interview with rob mclennan: I simply began: above/ground press at 20. rob’s above/ground press is celebrating itstwentieth anniversary in August 2013. For any small press activity, this would be a stunning accomplishment. In Ottawa, a city that hasn’t always been as active as some others in the Canadian landscape, it takes on greater significance. Apt. 9, so often concerned with its Ottawa-specific context, could not let this anniversary go by without doing something to mark the occasion. So, we set up with rob over email for eight weeks and asked him about the origins of the press, what was happening in Ottawa when he got going, what his ambitions were, what they’ve become, what he’s proud of and what he regrets, how many staplers he’s gone through, how he’s funded the entire operation for twenty years, the material aesthetics of what he does, and an awful lot more.
The chapbook will be ready and available on Friday, August 23 at the above/ground press twentieth anniversary reading at The Mercury Lounge. rob is still lining up his readers, but from what we’ve heard so far you won’t want to miss it. We’ll post all the details here as they emerge.
Congratulations, rob, and congratulations, above/ground press! Hey, you can almost drink in the US.






Tuesday, April 30, 2013

above/ground press authors Amanda Earl + Phil Hall at Layton Reloaded!

Layton Reloaded is an evening of poetry readings presented as part of Whatever Else: An Irving Layton Symposium, the 41st Annual Canadian Literature Symposium in the Department of English at the University of Ottawa. Full symposium information is available here: http://www.canlit-symposium.ca/index.html

Readings will be inspired by the work and life of Irving Layton. Come out and listen to creative reconstructions, reimaginings, and reloadings of Layton’s source material.

Lineup:

Amanda Earl
Amatoritsero Ede
Phil Hall
Seymour Mayne
Sandra Ridley
David Solway
Saturday, May 4, 2013 ; The Mercury Lounge, Ottawa
Doors at 8:00 ; Readings at 8:30 ; No cover

Tuesday, September 25, 2012

The Factory Reading Series presents: a VERSeFest fundraiser; lectures/talks by Anstee, Pirie + Brockwell,



The Factory Reading Series presents:

A VERSeFest Fundraiser

with lectures/talks on writing by

Cameron Anstee (Ottawa)
Pearl Pirie (Ottawa)
+ Stephen Brockwell (Ottawa)


lovingly hosted by rob mclennan
Thursday, November 15, 2012;
10$ door cover / includes a copy of The Peter F Yacht Club #17
doors 7pm; reading 7:30pm

Cameron Anstee lives and writes in Ottawa ON where he runs Apt. 9 Press and is pursuing a PhD in English Literature at the University of Ottawa. Recent chapbooks have been published by above/ground press (Ottawa), The Emergency Response Unit (Toronto) and St. Andrew Books (Ottawa). He blogs at www.cameronanstee.wordpress.com.

Pearl Pirie [photo credit: Charles Earl] has been organizing the Tree Seed Workshop Series for the Tree Reading Series since 2009. She is always on the lookout for new facilitators to bend their poetic passion to mentor local writers there. She tweets, photographs and verbs about town. Her blogs include pesbo, Humanyms, and Eaten Up. Her poetry collections include Thirsts (Snare, 2011) Mammals of Hoarfrost (Corrupt Press, 2011), Between Stations (epiphany press, 2011), been shed bore (Chaudiere, 2010) and over my dead corpus (AngelHouse, 2010). She is working on a couple full-length manuscripts. Her author site is www.pearlpirie.com

Stephen Brockwell is the author of 4 books of poems. Fruitfly Geographic won the 2004 Archibald Lampman Award for the best book of poetry by an Ottawa writer. His Excerpts from Impossible Books is an interminable work in progress, with two (one, two) sections of such appearing with chapbooks by above/ground press. Brockwell runs the small business www.brockwellit.com from his basement, borrowed office space and coffee shops.

Tuesday, July 24, 2012

The Factory Reading Series: Anstee, Irwin, Earl + Brockwell: above/ground press at nineteen,


The quintessential poet’s micro-press, above/ground press — founded and published by poet, writer, and editor rob mclennan out of Ottawa, Ontario — publishes chapbooks by both newly emerging and established poets alike. What makes above/ground press titles stand apart from other micro-press poetry chapbooks (besides their nondescript covers, that is) is that they offer the reader glimpses into collaborations as well as individual works in progress. It’s these glimpses which above/ground gives that makes their titles unique, revealing the process of the poet’s composition, their collaborations, as each waltz’s their muse along the thin razor’s edge of creation. […] It takes guts to write without a net, and particularly to publish those early efforts for all to see. Guts, indeed
                                                Mark McCawley, Fresh Raw Cuts

Ottawa’s above/ground press, a one-man operation run by writer, editor, publisher and critic rob mclennan, celebrates nineteen years of publishing in August with a reading and launch party at The Mercury Lounge.

Thursday, August 9, 2012
Door 7pm / readings 7:30pm
Cover $5 (includes a recent above/ground press title)

With readings and launches by:

Cameron Anstee (Ottawa ON),
            launching Regarding Renewal

Marilyn Irwin (Ottawa ON),
launching flicker

            Amanda Earl (Ottawa ON),
                        launching Sex First & Then A Sandwich

and Stephen Brockwell (Ottawa ON),
launching Excerpts from Impossible Books, The Crawdad Cantos

Part of the aesthetic of above/ground press has closely followed mclennan’s own interest in encouraging and showcasing a combination of emerging and local Ottawa poets alongside more established writers from across Canada, the United States and beyond, and in introducing new writers to the local community. Through over six hundred and fifty publications so far, the press has been fortunate to be able to be part of a number of early publications by now-established writers, including Stephanie Bolster, Gil McElroy, Stan Rogal, Natalee Caple, Stephen Brockwell, Michael Holmes, Clare Latremouille, derek beaulieu, Pearl Pirie, Jay MillAr, Marcus McCann and Anita Dolman.

Over the past eighteen months alone, above/ground press has produced limited-edition poetry chapbooks by three Governor General’s Award winners—Phil Hall (including a section of his award-winning Killdeer, as well as a collaboration he did with Australian poet Andrew Burke), George Elliott Clarke and Robert Kroetsch—and other titles by Kingston’s first poet laureate Eric Folsom, and Pulitzer Prize-winning American poet Rae Armantrout, as well as Marilyn Irwin, Amanda Earl, Barry McKinnon, derek beaulieu, Michael Blouin, Deanna Young, j/j hastain, Fenn Stewart, Kathryn MacLeod, Sarah Mangold, Stephen Brockwell, Jay MillAr, Robert Hogg, Paige Ackerson-Kiely, Rob Manery, Monty Reid, Ken Norris, Lea Graham, Ben Ladouceur, Dennis Cooley, Hugh Thomas, Camille Martin and Shannon Maguire.


Cameron Anstee lives and writes in Ottawa ON where he runs Apt. 9 Press and is pursuing a PhD in English Literature at the University of Ottawa. Recent chapbooks have been published by above/ground press, The Emergency Response Unit, and St. Andrew Books. He blogs on things Ottawa, literary, and ephemeral at www.cameronanstee.wordpress.com.

Praise for Frank St.:

“Cameron Anstee’s serial poem Frank St. (March 2010, $4.00) is a study of house, history (‘in 1878 this address / was at the city limit’), art and self. He moves through his new/old home precisely but gently, instructing himself and us how to relax, ‘learn to stop,’ in order to then ‘see better, poem.’”
Allan Brown, Jones Av.

This is Anstee’s second above/ground press title, after the collection Frank St. (2010).

Marilyn Irwin partook in two of Ottawa poet rob mclennan’s poetry workshops in 2010, and graduated from Algonquin College’s Creative Writing Certificate Program this Spring. Marilyn self-published her first chapbook for when you pick daisies (2010) which was immediately re-issued by above/ground press. Extrapolated fragments of her musings can be found in issues of Bywords, Bywords Quarterly Journal, ottawater and Peter F. Yacht Club.

Praise for for when you pick daisies:

            “…out of this complexity grows linguistic beauty.”
                        Roxanne Hathway-Baxter, Broken Pencil

This is Irwin’s second above/ground press title, after the collection for when you pick daisies (2010).

Amanda Earl’s poems appear most recently or are forthcoming in the Puritan, fillingStation, Rampike, In/Words Magazine, & ripple(s): a postcard press. Her chapbooks have been published by above/ground press, BookThug, Chapbook Publisher, Free Poetry For, Laurel Reed Books & Puddles of Sky Press. Amanda is the managing editor of Bywords.ca & the Bywords Quarterly Journal, & the (fallen) angel of AngelHousePress. For more information please visit www.amandaearl.com or follow her on Twitter @KikiFolle.

Praise for Eleanor:

There is something musical here. something that, like Jeanette Armstrong’s “Winds,” operates like wind chimes, notes hitting and resounding. Earl’s text jousts images and expectations, mundane glasses emptying, histories, feuds, mostly self-referential, domestic images, but still enough surprise here to keep me grasping through.
            Sina Queyras, lemonhound.blogspot.com

This is Earl’s third above/ground press title, after Eleanor (2007) and The Sad Phoenician’s Other Woman (2008).

Stephen Brockwell is the author of four trade collections of poems. Fruitfly Geographic won the 2004 Archibald Lampman Award for the best book of poetry by an Ottawa writer. His Excerpts from Impossible Books is an interminable work in progress. Brockwell runs the small business www.brockwellit.com from his basement, borrowed office space and coffee shops.

Praise for Excerpts from Impossible Books: The Crawdad Cantos:

Stephen Brockwell’s Excerpts from Impossible Books: The Crawdad Cantos is the latest installment of Brockwell's ongoing work-in-progress. At times pithy, sometimes brilliant, Brockwell's poems run the entire gamut in this ongoing project.
                        Mark McCawley, Fresh Raw Cuts

Praise for Impossible Books (the Carleton Installment):

“Stephen Brockwell’s ‘Impossible Books project’ (this above/ground book is its second installment) is an ongoing series of individual poems that are presented as excerpts from imagined ‘impossible’ books. The impossible books of this installment range from Prime Minister’s Nursery Rhymes for Insolent Children, to the Evangelical Handbook for Engineers, to Metonymies: Poems by Objects Owned by Illustrious People, and Pindaric Odes to the Objects of Science, among others. This brief collection of ten poems is imaginative and surprising on every page.
                        Cameron Anstee, ottawa poetry newsletter

This is Brockwell’s third above/ground press title, after Marin County Poems (2001) and Impossible Books (the Carleton Installment) (2010).

For further information on the authors, event or the press, contact rob mclennan at 613 239 0337 or rob_mclennan@hotmail.com