The British e-newsletter
Fucking Poetry solicited me as a guest-editor recently, and I thought it would be interesting to include, as my issue, poems from five recent above/ground press titles:
Natalie Lyalin's Short Cloud (2019),
Alice Burdick's A Holiday for Molecules (2019),
Jane Virginia Rohrer's Fake Floating (2019),
Stuart Ross' 10 TINY POEMS (2019) and
John Newlove's THE TASMANIAN DEVIL and other poems: Twentieth Anniversary Edition (2019).
You can find a web version of the issue here, with the five poems, as well as an excerpt of my needlessly-long introduction, which I include in full, below (why would you include that? ugh):
Given my
chapbook press, above/ground press,
recently celebrated twenty-six years, I thought it would be interesting to
select five poems from titles that have appeared with the press throughout this
year. This was tricky, given I’ve already produced some three dozen titles or
more since January. For the length and breadth of the press, it has run entirely
around my enthusiasms as a reader, with new titles appearing as often as my
energies and cash-flow might allow. I produce works that excite me, so I can
then distribute them to others, in the hopes that they, too, will become
excited.
2018, the
press’ twenty-fifth year, saw the publication of sixty-seven chapbooks, as well
as four issues of the quarterly Touch the
Donkey [a small poetry journal], an issue of The Peter F. Yacht Club, and the debut issue of G U E S T [a journal of guest editors] (a
new issue of which appears every two months), as well as further bits of
ephemera. With the press some three dozen titles away from an accumulated one
thousand titles, I would offer that my enthusiasms are more than most, and I’ve
been fortunate enough to be able to produce numerous first chapbooks by now
well-known writers, as well as new publications by an array of established
poets, with half the titles any given year by Canadian authors, and the
remaining by American authors (with the occasional further-flung poet appearing
as well).
In 2019, alone,
I’ve felt incredibly fortunate to be able to produce chapbooks by poets such as
Natalie Lyalin, Zane Koss, Michael Dennis, Jane Virginia Rohrer, Pearl Pirie,
Stuart Ross, Marilyn Irwin, Conyer Clayton, Michael Sikkema, Julia
Polyck-O'Neill, Gary Barwin, Kate Siklosi, Mairéad Byrne, Kimberly Campanello,
Stephen Cain, Kyle Kinaschuk, Paul Perry, Gregory Betts, Gil McElroy, Renée
Sarojini Saklikar, Stephanie Gray, Billy Mavreas, Alice Burdick, Heather
Sweeney, Franco Cortese, Dale Smith, Virginia Konchan and Laura Farina, with
forthcoming titles soon by John Newlove, Jessica Smith, Ben Robinson, N.W. Lea,
Lydia Unsworth, Allyson Paty, Guy Birchard, Simina Banu, Hawad (trans. Jake
Syersak), Susanne Dyckman, Dennis Cooley, Ben Meyerson, Isabel Sobral Campos,
Mary Kasimor, Amanda Earl and Andrew K Peterson.
There is an
incredible amount of great writing that exists out there in the world. Is it
any wonder I’m enthused?
