Showing posts with label Jordan Abel. Show all posts
Showing posts with label Jordan Abel. Show all posts

Tuesday, May 19, 2026

report: Writer-in-Residence 50th Anniversary Alumni Showcase : Abel, Marlatt, Wah, mclennan, Carpenter, fitzpatrick, etc

In case you hadn't heard, above/ground press was well represented this past week at the Banff Centre for Arts and Creativity, as part of the University of Alberta's Writer-in-Residence 50th Anniversary Alumni Showcase, held near the end of a full week when a slew of us prior writers-in-residence got to spend time together at the Banff Centre, up in them mountains (there was a full two days of snowfall, if you can imagine).

Hosted by Jordan Abel [who currently runs the w-i-r program], Jason Purcell and Julianna Wager [above, who organized the entire week as well], the event had opening remarks on a (very) brief history of the University of Alberta writer-in-residence program [remember when I conducted all those interviews for the fortieth, with every still-living uAlberta writer-in-residence I could find?]
 by Thomas Wharton, and readings by Daphne Marlatt, Fred Wah, Marilyn Dumont, Makda Mulatu, rob mclennan, Joshua Whitehead, January Rogers, J.R. Carpenter, ryan fitzpatrick, Cody Caetano, Jana Pruden, Kaitlyn Purcell and Hiromi Goto. There was a livestream that one can catch here, which unfortunately missed Wharton, picking up only mid-point through Marlatt's reading, but the full event was recorded, and should be up soon.


[J.R. Carpenter, above] With everyone reading roughly five minutes each, it truly was a remarkable event overall, including singing, staccato, lyric, chanting and prose, and even some tears. As you already know, the event was also a kind of launch for a handful of recent above/ground press titles specifically made for the event, by myself, Fred Wah, Daphne Marlatt, J.R. Carpenter, ryan fitzpatrick and Derek Beaulieu (Director of the Literary Arts at Banff, but not actually reading, although in the audience), although Wah was the only one of the group that actually read from his new title (I mean, I didn't even do that, so I've no business throwing shade). There were a handful of copies of all of these titles on site for free distribution, both through the event specifically and across the whole week, with a mound of copies still available gratis through the Department of English and Film Studies at the University of Alberta (just prod at Jordan Abel, if you are up that way), or just order direct from the press, of course. And did you hear I'm even back at the Banff Centre this November? I've already got a new slew of above/ground press publications in the works, just you wait.


[ryan fitzpatrick, above] It was good, also, to see various audience I hadn't been expecting (amid our packed house), including poet and former Tsunami Editions publisher Michael Barnholden, driving in from Edmonton with his wife, or poet Ryanne Kap, driving in from Calgary with a friend. Separately, Winnipeg poet Sharanpal Ruprai was actually at Banff as part of a playwriting retreat, and Vancouver poet Adèle Barclay was there as well, working a couple of weeks in one of the Leighton cabins, retreating. Edmonton writer Conor Kerr, who teaches at the University of Alberta, was also part of our group for most of the week. It still doesn't feel real, how good it all was.


Thursday, December 28, 2017

I. Rattan reviews Jordan Abel’s TIMELESS AMERICAN CLASSIC (2017) in Broken Pencil #77

I. Rattan was good enough to review for Jordan Abel’s TIMELESS AMERICAN CLASSIC (2017) in Broken Pencil #77. Thanks so much! (Although why complain that a conceptual work isn't emotional enough?) This is the second such review after Toronto writer Cary Fagan was good enough to review the same at his Word Music. As Rattan writes:

There are no easy readings of Jordan Abel's collection of conceptual poetry. Like his previous works The Place of Scraps and Injun, Timeless American Classic takes a canonical, colonial text [and] shreds it to pieces.

This time, Abel lifts and reorients passages from James Fenimore Cooper's 19th-century novel The Last of the Mohicans. The result is concrete poems created through a combination of machine reading, visualization and algorithmic allocation. Each piece stubbornly resists traditional interpretations, admittedly making it a frustrating read. But the value of Abel's work lies in its operation.

Timeless American Classic appropriates a timeless American classic. Abel reclaims Cooper's original appropriation and, more critically, disrupts the colonialist mythologizing of the novel. It's a sly and subversive tactic with mixed results. In a series of six poems, which all share the title "Indian," Abel isolates Cooper's use of the term, taking sentences out of context and placing them one after another. Rendered meaningless, Abel deftly weakens Cooper's stereotypical depictions. In the series "Blood Quantum," which features overlapping circles of text, the points where text collides is unreadable. Again, it's an operation that divests the original text of its power.

But appreciating Abel's theoretical moves is largely an intellectual exercise. In its mathematical operation, the work lacks an emotional entryway, which might have gone a long way in combatting a novel whose dramatic thrust (it spawned Hollywood's Daniel Day-Lewis version, after all) and imperialist romanticizing has been key to its staying power.

Friday, June 9, 2017

Jordan Abel wins the 2017 Griffin Poetry Prize!

Last night, above/ground press author Jordan Abel was announced as the Canadian winner of the 2017 Griffin Poetry Prize for his third trade collection, Injun (Talonbooks, 2016). Congratulations, Jordan! It was also an absolute pleasure to see you win the prize in person!

And, by the by, his two above/ground press chapbooks are still very much available: Scientia (2013) and TIMELESS AMERICAN CLASSIC (2017). And then, of course, there was his interview a while back in Touch the Donkey, as well...

Tuesday, March 14, 2017

new from above/ground press: Jordan Abel, TIMELESS AMERICAN CLASSIC

TIMELESS AMERICAN CLASSIC
Jordan Abel
$5




published in Ottawa by above/ground press
March 2017
a/g subscribers receive a complimentary copy

Jordan Abel
is a Nisga'a writer from BC. Currently, he is pursuing a PhD at Simon Fraser University where his research concentrates on the intersection between Digital Humanities and Indigenous Literary Studies. Abel’s creative work has recently been anthologized in Best Canadian Poetry (Tightrope), The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation (Arbiter Ring), and The New Concrete: Visual Poetry in the 21st Century (Hayword).  Abel is the author of  Injun, Un/inhabited, and The Place of Scraps (winner of the Dorothy Livesay Poetry Prize and finalist for the Gerald Lampert Memorial Award).

[Produced for Abel’s participation in Ottawa's 7th annual VERSeFest, March 21-26]

This is Abel’s second title with above/ground press, after Scientia (2013).

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com

Thursday, September 1, 2016

above/ground press at WORD Vancouver, September 25, 2016: Collis, Saklikar + timewell,

Stephen Collis, lary timewell and Renée Sarojini Saklikar will be launching their new above/ground press titles in Vancouver, British Columbia as part of WORD Vancouver on Sunday, September 25, 2016!
ABOVE/GROUND PRESS READINGS (Host: Heidi Greco)
4:15 pm Stephen Collis (Adopted by: book’mark, The Library Store)
New Life (above/ground press $4.00)
4:20 pm Renée Sarojini Saklikar (Adopted by: Hager Books)
After the Battle of Kingsway, the bees (above/ground press $4.00)
4:25 pm lary timewell
Odds Are (above/ground press $4.00)
copies of the three titles will be available in limited numbers on site, and of course, are still available for order.

other above/ground press authors participating this year include ryan fitzpatrick (author of, most recently, the 2015 title dealingwithit.gif) and Jordan Abel (author of the 2013 title Scientia) (both of which are still in print).

for further details, including a full schedule of participating authors and where they'll be, check out the WORD Vancouver website, here.

Monday, December 21, 2015

Amanda Earl : A Celebration of Canadian Visual / Concrete Poetry : Brick Books

Amanda Earl's expansive two-part post, A Celebration of Canadian Visual / Concrete Poetry, is now online [see part one here and part two here] as part of Brick Books' ongoing Celebration of Canadian Poetry. As part of her post, she features statements and work by an array of above/ground press authors (and not-yet-authors), including: Chris Turnbull, Jordan Abel, Gary Barwin, Derek Beaulieu, Michael e. Casteels, Judith Copithorne, Helen Hajnoczky, Donato Mancini, Billy Mavreas, kevin mcpherson eckhoff, gustave morin, michèle provost, a rawlings, Shane Rhodes, Eric Schmaltz [above: his “Desire — an extract from The Assembly Line Babel”] and Eric Zboya.