Two different dimensions of aging are explored in Monty Reid's Vertebrata (Turret House) and Hope Anderson's Family Chronicles from Muffin Land (above/ground press). In the former, the poet writes in the poem "CV5": "The long string of bones I hang from / was never right according to doctors / who looked at the scans." The series of poems takes us from the top of the vertebrae down, reflecting on the physiological construction of the body, the Latinate and Germanic naming of parts, and Reid's own history with spinal issues. The tone and divergent subject matter are stunning fluid and touching. Hinging less on physiology, Anderson's Family Chronicles from Muffin Land are poems of family lore and slipstream lullabies dedicated to the author's grandchildren and family written from his new home in "that town, hermetically / Known as Muffin Land" (known to the rest of us as Victoria, BC). What I love in this unique blend of myths and fables is how I'd often finish a poem with a sense that the last line rhymed, only to look back and see it didn't. (What is the secret to Hope's ghost rhymes?) My favourite poem in the collection, "The Rolling Calf", reads as a lullaby that simultaneously presents danger and the promise of safety to the poet's granddaughter Nadja.
In a photo taken in Victoria in 1984, Hope Anderson is in a group of poets that include Amiri Baraka, George Bowering and bpNichol. The event was organised by Hope Anderson and in a recent interview with Wayde Compton for the Capilano Review, Anderson explains the context of Sunfest and how "Poetry always comes back to us."
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