Jay Miller reviews Sarah Burgoyne's The Tentaculum Sonnets (2020)

Montreal poet, translator and reviewer Jay Miller was good enough to provide the first review for Sarah Burgoyne's The Tentaculum Sonnets (2020) over at Bibelotages. Thanks so much! You can read the original post here.

some author activity: O'Reilly, Gurton-Wachter, Reid, Dardis, Boyle + Aube,

Nathanael O'Reilly has a poem included in Red Room Poetry's Phone-a-Poem project; Anna Gurton-Wachter has a poem in the debut issue of the newly-revived LONG NEWS; Monty Reid has a new poem suite up at IceFloe Press; Colin Dardis has three new poems up at The Pi Review; Frances Boyle has two new poems up at Obindo; and Gwen Aube launches their above/ground press chapbook this week in Montreal! oh, and did you see that above/ground press now has a substack?

new from above/ground press: I'll try this hour, by Sandra Doller

I’ll try this hour
Sandra Doller
$5

They say Credence is
the best American band and
I am in its pocket now
First of now a first of may I
Decembered poem in the pile
Movember may be better
than June for roasting huck
nuts but soon it’s a line like
that that will get you kicked
out of Johnny B’s in a hot
March may I make a
suggestion a pill is not
my name too bad she said
keep driving the car with
no hands and I will surfeit
something out of it serve
it up good I sung from the
back loud and clingy
hear my hymn

published in Ottawa by above/ground press
March 2025
a/g subscribers receive a complimentary copy

Cover art by Alphie Doller

Sandra Doller is the author of several books of poetry, prose, translation, and the in-between from the most valiant and precarious small presses—Les Figues, Ahsahta, Subito, and Sidebrow Books. Her newest book, Not Now Now, is forthcoming from Rescue Press. Doller is the founder of an international literary arts journal and independent press, 1913 a journal of forms/1913 Press, where she remains éditrice-in-chief, publishing poetry, poetics, prose, and all else by emerging and established writers. She lives in the USA, for now.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Catherine Marcotte reviews Micah Ballard's Busy Secret (2024)

Kingston, Ontario-based reader, editor and writer Catherine Marcotte was good enough to provide the first review for Micah Ballard's Busy Secret (2024) at The Miramichi Reader. Thanks so much! You can read the original post here. As Marcotte writes

Micah Ballard’s latest chapbook Busy Secret is a quippy, somewhat resigned meditation on the liminal spaces between life and death, and wealth and work. For Ballard’s narrators, these themes are central, presenting the questions that both create and disrupt the everyday textures of our lives. Through its repeated allusions to failed occupations, a distrust of wealth, and a meandering sense of self, the collection considers the relationship between our inner and outer lives and ultimately demonstrates the fragility of the relationship between the two.

In “Moscow on the Hudson,” the speaker treats poems like “diamonds cut for consignment,” gesturing to the modern devaluation of poetics. “Anything misleading count me in,” the speaker adds, as if to confirm that the life of the poet is not often what it appears to be. Indeed, the inner life of the dedicated poet does not always (or even often) translate to the successful outer life of an established one. “Whatever I had to become I became,” the speaker muses, gesturing to the necessity of adaptability in the arts. For Ballard’s narrator, and perhaps Ballard himself, a poet must be ready for a chameleon career, must be willing, as the speaker has been, to not only be a poet, but to be an aspiring poet, an artist cloaked under labels such as student, academic, or even, as in “Moscow on the Hudson,” unlicensed fortune teller.

In “Name Value,” the speaker similarly contemplates life in academia, commenting on the policing of poetry and subtly integrating a metanarrative into the text — a secondary narrative that breaks the so-called fourth wall between the reader and the poem. “Name Value” both acknowledges the supposedly dwindling state of the poetic genre and the fact that the text itself is a poem, beckoning readers to consider the seemingly endless possibilities of the poetic form. Here, Ballard is honest and reflective, imbuing his work with a compelling vulnerability and nuance. Although melancholic about the state and status of modern poetics, Ballard’s narrator is, in a way, also deeply hopeful. Despite his fears for the genre, he continues to write, affirming the writing form’s value in the face of its hardships. In a way, Busy Secret rejects binary organizations, presenting failure and success, as well as delight and disgust, not as opposing states but as conjoined ones. While a “rotting mansion” and a well-populated “Museum of Death” are central scenes, delightful images of mouth-watering “gumbo,” “jambalaya” and “crawfish etouffee” regularly compete for the reader’s (and the speaker’s) attention. The text’s dealings in both extremes are as compelling as they are off-putting, creating a unique blend of short, punchy narratives that spur reflection (and re-reading). A short, impactful read, Micah Ballard’s Busy Secret is a strange, almost enigmatic chapbook that considers the boundaries between our lives and our selves. It is just as sure to resonate as it is to disconcert.

new from above/ground press: The Peter F Yacht Club #35 : 2025 VERSeFest Special

The Peter F Yacht Club #35
2025 VERSeFest Special
lovingly hand-crafted, folded, stapled, edited and carried around in bags of envelopes by rob mclennan,
$6

With new writing by a host of Peter F Yacht Club regulars, irregulars and VERSeFest 2025 participants, including Kimberly Quiogue Andrews, Susan J. Atkinson, Frances Boyle, Jason Christie, Michelle Desbarats, Em Dial, AJ Dolman, Amanda Earl, Cara Goodwin, Phil Hall, Jessica Hiemstra, Rebecca Kempe, Laurie Koensgen, Margo LaPierre, Karen Massey, rob mclennan, Pamela Mosher, Salem Paige, Terese Mason Pierre, Pearl Pirie, Monty Reid, stephanie roberts + Grant Wilkins;

published in Ottawa by above/ground press
March 2025
a/g subscribers receive a complimentary copy
[a small stack of copies will be distributed free as part of the fifteenth annual VERSeFest, March 25-29, 2025]
[see the prior issue here; see last year's VERSeFest issue here]

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

VERSeFest 2025 : Andy Weaver, Phil Hall + Eileen Myles

above/ground press authors Andy Weaver, Phil Hall and Eileen Myles read in Ottawa this week as part of VERSeFest 2025! Tickets are still available! And Myles even reads at Carleton on Friday at noon at a free event! Might we see you there?

some author activity: Robinson, Banks, Ross, Hall, mclennan, Weaver + Boyle,

Ben Robinson has some new poems up at the temz review; Chris Banks posts an essay over at The Woodlot, on how he still believes in National Poetry Month; Stuart Ross has a bunch of new poems up at Mercurius; Phil Hall is interviewed by rob mclennan for periodicities: a journal of poetry and poetics, as is Andy Weaver; and Frances Boyle has a new poem up at Concision.