Showing posts with label Gwendolyn Guth. Show all posts
Showing posts with label Gwendolyn Guth. Show all posts

Thursday, April 24, 2025

Jay Miller reviews the suitcase poem, ed. Amanda Earl (2025)

Montreal poet, translator and reviewer Jay Miller was good enough to provide the first review of the suitcase poem, ed. Amanda Earl (2025) over at Bibelotages. Thanks so much! You can read Miller's original post here. As Miller writes:
The Baggage Handlers, The Suitcase Poem

This is something only Canadian small press poetry could produce. The baggage handlers.

The Baggage Handlers is a shorthand for: Marie-Andrée Auclair, Gregory Betts, Jeff Blackman, Ellen Chang-Richardson, AJ Dolman, Amanda Earl, Doris Fiszer, Gwendolyn Guth, Jenna Jarvis, Chris "Stop" Johnson, Tanis MacDonald, Roz Toner, MW (Matthew Walsh).

This is an eight-page poem without a title, published by rob mclennan's above/ground press in 2025 and compiled by Amanda Earl.

What is this document and what is the nature and meaning of it?

George Steiner mentioned something similar Octavio Paz collaborated on 50 years ago with each collaborator producing something in their own language and appending it on to the original before passing it on. Steiner mentioned it in After Babel but I can't be arsed quite frankly. If you've read it, you already know exactly what I mean.

The Suitcase Poem reminds me of that.

There is something to be said about the uptick of writing groups, but a handful of these folks have been at it for quite a while and clearly it works for them so game on. Letter Killers Club.

How does the poem open?

    a suitcase [...]

I'm gonna skip ahead from here, because the poem doesn't pick up until the second page over, whereas the first feels very much like finding footing:

    stellar interstices, everything
    packed in, or un-, elbow of hinge
    distraction

    the cot/caught merger like traffic, the measured incursion

This is where a software development metaphor would come in so handy, because this is the type of verse that is so close to the metal it becomes abstract on a surface level but delightfully functional on a close-to-the-metal level when it comes to analyzing the prosody, meaning, metaphor, scansion and poetics.

What did you expect from a collaborative effort of over a dozen well-versed poets?

This is poetry for the poetry-maker. I don't even know if a hobbyist printer would appreciate this as much as a publisher such as rob mclennan. We may never have another one of him in the future.

This is something only Canadian small press poetry could produce. The baggage handlers.

The collaboration effort becomes apparent in cento-like instances such as:

    earlier today, when dad finally won
    their little game of telephone tag/hide/seek
    he told her that he'd heard it might rain
    maybe early next week
    maybe the one after

Honestly, I'm aware I'm cherry-picking excerpts, but what does this collab poem not say?

The same page ends, after an alternately-aligned bit of text that signals a counter-narrative running throughout the same length of the poem left-aligned:

    dad, a retired travelling salesman
    run as ragged at the edges
    as the empty garment bag
    at the back of the closet
    still yearns for the breeze
    and the emptiness of the road
    and waits for the day he can make off
    with the snugly packed suitcase
    he still keeps tucked under the bed

Obviously, I am glad Canadian poets are working on these collaborative efforts. It speaks to a certain level of cohesiveness, closeness and camaraderie. But doesn't reading this make you want to participate and feel bad for missing out on being invited? Amanda Earl refers to this phenomenon as JOMO: the joy of missing out.

    When we talk about suitcases, we want them tough
    and serenely riding the conveyor belt
    toward us in the airport of our choice

Amanda Earl writes the afterword:

    I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go.

Honestly, this is ephemera worth holding on to. A poem that directly challenges the concept of object, of poiesis, of what it means to be a Canadian poet? Immaculate.


Friday, January 17, 2025

new from above/ground press: the suitcase poem, ed. Amanda Earl

the suitcase poem
Marie-Andrée Auclair * Gregory Betts * Jeff Blackman * Amanda Earl * Ellen Chang-Richardson * AJ Dolman * Doris Fiszer * Gwendolyn Guth * Jenna Jarvis * Chris Johnson * Tanis MacDonald * Roz Toner * MW
$5

Afterword
Since hearing about Ursula K. Le Guin’s Carrier Bag Theory of Fiction on David Naimon’s Between the Covers podcast as part of the show’s “Crafting with Ursula” series, I have contemplated its potential for poem-making. The basic idea is that while stories in Western narrative are usually told from the point of view of a hero, centering conflict and violence, a lot goes missing in such a telling. Le Guin images stories as holding living beings, as a way to nurture and gather. I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go. I shared a Google document and invited people to add lines and words to the text. No one individual is the centre of this poem, the author of the story. In fact, there are many suitcases here, many containers. I love being part of this thriving and creative literary community. I thank all the contributors for taking this journey with me. Gratitude, as always, to rob mclennan for agreeing to publish the poem as an above/ground press chapbook.
~ Amanda Earl
published in Ottawa by above/ground press
January 2025
a/g subscribers receive a complimentary copy


In Lieu of Biographies, Suitcases

Before Marie-Andrée Auclair packs their suitcase, they ask: Who will we be there, could we be a better version of us? Are we ready for all kinds of weather? Readiness takes up space.  But there is always room to bring back intangibles. It was years before Gregory Betts owned a suitcase with wheels, great lugs of things heavy with resistance to travel. The sheer weight of them was the inertia against which all destinations, Vancouver to Toronto, Toronto to Halifax, and all points in between, were measured. Was the sweat worth the burden? With elbows firmly locked against hips, and a damp brow, this was how he once set out into the world. Jeff Blackman's first suitcase had green stripes and two metal latches. He filled it with toys to take to his grandparents' house on the Mountain. Ellen Chang-Richardson found their favourite suitcase buried in a vintage shop in Covent Garden, London, England. They toted it around the world for years until its untimely demise. AJ Dolman's suitcase is currently filling with other people's memories as they move family members into care: a Delft candy dish, red leather pocket book of playing cards, Russian tea box, distinct treasures aching for new meaning, the outsized absence of everything declined. Amanda Earl used her first suitcase to run away from home. She packed dolls & dinky toys & hid w/ tiger lilies on the outside of the wrought iron & stone fence that divided the red brick house from Brock Road in Wilfrid, Ontario.  Doris Fiszer frequently dreams of an oversized suitcase that she is hurriedly packing with lint brushes, flip-flops, cooking utensils and purple hoodies. In these nocturnal adventures, she usually travels to bustling cities with her departed. Gwendolyn Guth's retro suitcase contains grains of sand from a former life. The grains remind her of an unimaginable shade of turquoise. They summon and they abandon. Snow continues to fall in rural Quebec and all is well. Jenna Jarvis has a habit of shoving her worldly possessions into a suitcase or two. Chris Johnson's favourite suitcase was bought at Goodwill, and was irreparably damaged by WestJet in 2012. Chris got $150 to purchase a replacement suitcase. Tanis MacDonald's suitcase is packed full of holes. Every time she travels, she brings back a little more nothing. Roz Toner stores all of their zines in a monogrammed suitcase. To be clear, they haven't a clue who A.E.M. is or was. MW had a blue suitcase that housed a unicorn that loved the dark and loved glow sticks. You could see the shine from the glow sticks even when the suitcase was completely shut like a mouth with nothing to say.

Amanda Earl is the author of ten chapbooks with above/ground press: Eleanor (2007), The Sad Phoenician’s Other Woman (2008), Sex First & Then A Sandwich (2012), A Book of Saints (2015), Lady Lazarus Redux (2017), The Book of Mark (2018), Aftermath or Scenes of a Woman Convalescing (2019), Sessions from the DreamHouse Aria (2020), a field guide to fanciful bugs (2021) and THE BEFORE, an excerpt from Welcome to Upper Zygonia (2022). She edited the first issue of G U E S T [a journal of guest editors] (2018), and above/ground press produced Report from the Earl Society, Vol. 1 No. 1 as a festschrift on her ongoing work in 2022.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, December 30, 2016

The Peter F. Yacht Club Christmas party/reading/regatta : a report,

Last night we held our annual PFYC Christmas party/reading/regatta [see the report from last year's event here] at the Carleton Tavern, our "office Christmas party," if you will, for those of us in our informal writer's group [see a history of PFYC here].

Stephen Brockwell provided some fine co-hosting duties, as well as an array of photos (all of these pictures were taken by him). There were short readings by Amanda Earl, Stephen Brockwell, Frances Boyle, Pearl Pirie, Marilyn Irwin, Janice Tokar, myself, Gwendolyn Guth and Roland Prevost, with an array of audience that included Monty Reid, Brian Pirie, jwcurry, Rachel Zavitz, Steve Zytveld, Jason Wiens (Christmassing here from Calgary) and Robert Stacey [pictured at the end, with me]. Most read short selections of new pieces and/or works-in-progress, but for myself, who could only manage a poem or two from the new book (all my works-in-progress aren't yet ready for public consumption).
It was good to hear some new work from Gwendolyn Guth, including a poem since that has been accepted for a forthcoming anthology on motherhood via Demeter Press. Congratulations, Gwen!

Really, much of the enjoyment of the PFYC Christmas event is in hearing new work from poet-friends that perhaps don't read as often as they should, whether Gwendolyn Guth, author of the 2010 chapbook Good People, or Janice Tokar, author of the 2014 chapbook ARRHYTHMIA.
Some of us, including Marilyn, Pearl and myself, even provided some baked goods, with an array of chocolate goodness brought in by Roland and Jan. There was also much merriment! I also brought along copies of a variety of above/ground press items not set to release until January, including the new issue of Touch the Donkey, and above/ground press' 800th item! (What could it be? Stay tuned!)

Unfortunately, weather and circumstance kept a few readers away, including Jason Christie, Claire Farley, Chris Turnbull, Chris Johnston, Christine McNair and Vivian Vavassis. But hey, there's always next year, right?

Sunday, September 22, 2013

above/ground press (today!) at word on the street: toronto,

During our recent move I unearthed an absolute ton of above/ground press "poem" broadsheets, and decided they should be distributed! If you make your way to The League of Canadian Poets booth at this year's WOTS today in Toronto, be sure to pick one up! I've sent along copies of numerous broadsheets from over the past decade or so, including poems by Steven Heighton, Stuart Ross, Max Middle, Shawna McCabe, Fred Wah, Gregory Betts, Sarah Mangold, Nathaniel G. Moore, A.J. Levin, Kristina Drake, William Hawkins, Nathanael, Karen Clavelle, Peter Norman, Gwendolyn Guth and Gary Barwin, among others. Go pick up copies! And don't forget, 2014 subscriptions are now available!

Wednesday, August 22, 2012

above/ground press author Gwendolyn Guth is featured at The in/words Reading Series, August 29 2012

In/Words: The Reading Series: Gwendolyn Guth (August Edition)
Wednesday, August 29, 2012
9:00pm
       
Clocktower Brew Pub 575 Bank Street - Ottawa, Ontario

This month In/Words has the privilege of featuring Gwen Guth. She is a super cool lady and I am tremendously excited to launch this years Reading Series with her. Gwen's work has previously been showcased by ottawater, bywords, yawp, above/ground press, Friday Circle ( The Flash of Longing chapbook), Tree and the University of Ottawa Press.

This is not a reading to miss - I mean it - it is going to be really, really great.

There will be a reasonable open mic set with new and exciting prizes.
Gwendolyn Guth, mother of three active boys, notes that super mom and super model have far less in common than their assonance would suggest. She has the enviable privilege of talking about literature for a living, at Heritage College in Gatineau. She is a long-time supporter of and participant in Ottawa literary ventures, including Bywords, above/ground, Ottawater, yawp, Friday Circle, Rideau Review, etc. Her second poetry chapbook, Good People (above/ground press, 2010), anticipates her first trade book, due any year now and fiercely successful in her dreams. She craves inner peace but settles for outer calm.

Monday, February 13, 2012

new from above/ground press: The Peter F Yacht Club #16: VERSeFest special!

The Peter F Yacht Club #16: VERSeFest special!
edited by rob mclennan
[see the link here for information on the previous issue]

[see the link here for a history of the publication]
$6


With new writing by a host of Peter F Yacht Club regulars and irregulars, as well as a number of VERSeFest participants, including Paige Ackerson-Kiely, Cameron Anstee, Rae Armantrout, Stephen Brockwell, Anita Dolman, Amanda Earl, Laurie Fuhr, Lea Graham, Gwendolyn Guth, Marilyn Irwin, Ben Ladouceur, Tim Lilburn, Barry McKinnon, rob mclennan, Christine McNair, James K. Moran, Sean Moreland, Pearl Pirie, Monty Reid, Shane Rhodes, Janice Tokar and Fred Wah.

Produced as part of Ottawa’s second annual VERSeFest poetry festival, which runs from February 28 to March 4, 2012.

published in Ottawa by above/ground press
February 2012
a/g subscribers receive a complimentary copy


To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 402 McLeod St #3, Ottawa ON K2P 1A6 or paypal at www.robmclennan.blogspot.com

Wednesday, September 1, 2010

new from above/ground press: Good People, poems by Gwendolyn Guth


How Armando Became a Ladies Man

He says, “I tell you story.”
Shrugs off grammar-clotted papers to make space
for memory and his hands’ motion. When he saw her

for the first time, he was wrist-high in blood, gore.
The animal death of the shop
enticed her: meat for sale. He knew
how to move his knife. Her eyes flashed jet-dark,
defiant. In a few days, the shining counter dissolved
like an apprentice dream. He wiped
his hands, turned from carcasses to caress
warm perfumed hocks, pink moons.
His young self fascinates him. Two years
living off the avails of a breathtaking hooker.
Imagine him then, pale ovo, thin asperagus,
dressing his body in expensive suits, his hair
in a pouffe. Afternoons sipping port,
his whore-lover having slept off
the night’s work. What kind of man, what kind

of life, pleaded his mother. Two years
of lacrimosa, invocations to the Madonna.
Two heavy years. Hands move swiftly
over his face to check an expression.
He says, “I had to think future.”  

Good People, poems by Gwendolyn Guth
$4

published in an edition of 200 copies, and launched as part of the above/ground press 17th anniversary reading/party, September 3, at the Carleton Tavern;

To order, send cheques (add $1 for postage; outside Canada, $2 US) to rob mclennan, c/o 858 Somerset Street West, main floor, Ottawa Ontario Canada K1R 6R7.


Gwendolyn Guth, mother of three active boys, notes that super mom and super model have far less in common than their assonance would suggest. She has the enviable privilege of talking about literature for a living, at Heritage College in Gatineau. She is a long-time supporter of and participant in Ottawa literary ventures, including Bywords, above/ground, Ottawater, yawp, Friday Circle, Rideau Review, etc. Her chapbook, Good People, anticipates her first trade book, due any year now and fiercely successful in her dreams. She craves inner peace but settles for outer calm.