Showing posts with label report. Show all posts
Showing posts with label report. Show all posts

Tuesday, May 19, 2026

report: Writer-in-Residence 50th Anniversary Alumni Showcase : Abel, Marlatt, Wah, mclennan, Carpenter, fitzpatrick, etc

In case you hadn't heard, above/ground press was well represented this past week at the Banff Centre for Arts and Creativity, as part of the University of Alberta's Writer-in-Residence 50th Anniversary Alumni Showcase, held near the end of a full week when a slew of us prior writers-in-residence got to spend time together at the Banff Centre, up in them mountains (there was a full two days of snowfall, if you can imagine).

Hosted by Jordan Abel [who currently runs the w-i-r program], Jason Purcell and Julianna Wager [above, who organized the entire week as well], the event had opening remarks on a (very) brief history of the University of Alberta writer-in-residence program [remember when I conducted all those interviews for the fortieth, with every still-living uAlberta writer-in-residence I could find?]
 by Thomas Wharton, and readings by Daphne Marlatt, Fred Wah, Marilyn Dumont, Makda Mulatu, rob mclennan, Joshua Whitehead, January Rogers, J.R. Carpenter, ryan fitzpatrick, Cody Caetano, Jana Pruden, Kaitlyn Purcell and Hiromi Goto. There was a livestream that one can catch here, which unfortunately missed Wharton, picking up only mid-point through Marlatt's reading, but the full event was recorded, and should be up soon.


[J.R. Carpenter, above] With everyone reading roughly five minutes each, it truly was a remarkable event overall, including singing, staccato, lyric, chanting and prose, and even some tears. As you already know, the event was also a kind of launch for a handful of recent above/ground press titles specifically made for the event, by myself, Fred Wah, Daphne Marlatt, J.R. Carpenter, ryan fitzpatrick and Derek Beaulieu (Director of the Literary Arts at Banff, but not actually reading, although in the audience), although Wah was the only one of the group that actually read from his new title (I mean, I didn't even do that, so I've no business throwing shade). There were a handful of copies of all of these titles on site for free distribution, both through the event specifically and across the whole week, with a mound of copies still available gratis through the Department of English and Film Studies at the University of Alberta (just prod at Jordan Abel, if you are up that way), or just order direct from the press, of course. And did you hear I'm even back at the Banff Centre this November? I've already got a new slew of above/ground press publications in the works, just you wait.


[ryan fitzpatrick, above] It was good, also, to see various audience I hadn't been expecting (amid our packed house), including poet and former Tsunami Editions publisher Michael Barnholden, driving in from Edmonton with his wife, or poet Ryanne Kap, driving in from Calgary with a friend. Separately, Winnipeg poet Sharanpal Ruprai was actually at Banff as part of a playwriting retreat, and Vancouver poet Adèle Barclay was there as well, working a couple of weeks in one of the Leighton cabins, retreating. Edmonton writer Conor Kerr, who teaches at the University of Alberta, was also part of our group for most of the week. It still doesn't feel real, how good it all was.


Thursday, August 21, 2025

report: the above/ground press 32nd anniversary reading/launch/party!

Happy anniversary! Once more, unto the breach, dear friends. I'm sure you are already aware that I recently hosted the thirty-second anniversary reading/launch/party for above/ground press over at RedBird Live in Old Ottawa South, a very good event this time around (as per usual, I might add). Do you remember my report from last year? Or the year prior? With readings and launches of new above/ground press titles by Monty Reid, Mandy Sandhu, Lina Ramona Vitkauskas, Jason Christie, Beatriz Hausner and Ellen Chang-Richardson, we had a wealth of above/ground press authors and others scattered throughout the audience, including Stuart Ross (who was given copies of his new above/ground press prose title at the event), Chris JohnsonAmanda Earl and Charles EarlChristine McNair (running the door/book table), Michelle Desbarats (I've been hoping to convince a further manuscript out of her, by the way) and Chris Turnbull [above, with Christine]. I even got to meet Char Harrison, the new editorial coordinator for Ottawa's Arc Poetry Magazine. Can you believe it's almost time to be thinking of 2026 subscriptions? Gadzooks.

The first reader of the evening was Monty Reid, launching the twentieth anniversary edition of his 2005 title cuba A book [you probably already saw the big interview I conducted with him recently around the chapbook, over at the above/ground press substack], a chapbook he noted "didn't have the right star" on the first edition, so this update, this correction, was appreciated. This title is part of a long, meditative, ongoing sentence; one full-length, and a manuscript that some smart publisher should probably publish at some point. This is his seventh above/ground press title, with his debut through the press back in 2000, the small item Six Songs for the Mammoth Steppe (I do actually have a couple of copies kicking around the archive, somewhere), which he found curious to note: twenty-five years since the press began publishing his work. 

Mandy Sandhu
followed, reading from her chapbook debut, The Temporary Place of a Placenta, as well as, I found out later, her first public reading! Not too bad, honestly. I was surprised it was her first! [I was part of St. Catharines writer/critic Gregory Betts first three public readings, whether as co-reader, host and/or organizer back in 2004, and you've seen how well he's done since]. I am curious to see where her work might go next. She recently composed this short piece for the Spotlight series, talking about her current work. Vitkauskas did record a part of Sandhu's reading, which Sandhu later put up on her Instagram.

The evening's third reader was Lina Ramona Vitkauskas, launching the chapbook The Deaf Forest of Cosmic Scaffolding, a title composed around the grief following the death of her partner, Larry Sawyer, who has a posthumous full-length Canadian debut forthcoming with Guernica Editions (which you should watch out for; I recently composed a blurb for it). Although, she did note that above/ground press did produce his Canadian debut, the chapbook A Chaise Lounge in Hell, all the way back in 2003 (I still have copies of that kicking around as well, somewhere). She ended her set with two of his poems, recorded by Sandhu (they make a good team, I think) and posted to Instagram. She even posted her own report on the event, as she and Sandhu had travelled together to Ottawa from Toronto, over at Instagram as well.

To open the second half of the evening was Ottawa poet Jason Christie, launching his ninth above/ground press title, PSA [you probably already saw the big interview I conducted with him recently, over at the above/ground press substack], with his own debut through the press back in 2004, back when he still lived in Calgary, the chapbook 8th Ave 15th St NW (which I might also might still have copies of, by the way, for anyone curious). 


The penultimate reader of the evening was Toronto poet Beatriz Hausner, launching her above/ground press debut, The Oh Oh [you probably already saw the interview I conducted with her over at Touch the Donkey, given she's in the current issue]. Honestly, as much as I enjoyed her reading, the best part about her participation in the event is that we got to hang out the evening prior, discussing literature, surrealism and other subjects (the first time I think we've properly hung out, so I appreciated that).

The final reader of the event was Ellen Chang-Richardson, launching their above/ground press debut, The Moleskin Coat, providing a stellar reading. They recently had one of the finest debut poetry titles I've read in some time, I'll have you know, the collection Blood Belies (Wolsak and Wynn, 2024). I had been a few years gently prodding at Chang-Richardson for a possible chapbook submission, and they even wrote this particular title with the press in mind! Quite a compliment, I think. A very cool thing.

Thank you to everyone who came out! What should I do for next year? I should probably have taken more photos during the event, of course. Or perhaps even better photos?
 

Sunday, August 11, 2024

report: the above/ground press 31st anniversary reading/launch/party!

You probably already know, but I hosted an above/ground press thirty-first anniversary reading/launch/party at RedBird last night, featuring readings and chapbook launches by Chris Banks (Kitchener), Mahaila Smith (Ottawa), Gil McElroy (North Bay), Pearl Pirie (rural QC) Carlos A. Pittella (Montreal) and Shane Rhodes (Ottawa). Anniversaries are the best! And don't forget that the press is running a big anniversary sale until the end of this month.

It was good to have another in-person anniversary event! Do you remember my report from last year's anniversary reading? Or the 2019 one? I mean, I think these reports help keep such events in memory. Remember the twenty-fifth anniversary event (when the t-shirts were introduced, for example) or the twenty-third anniversary event (including the Toronto event that same year) or the nineteenth anniversary event? So many events! Wishing I'd actually archived the big tenth anniversary event as well, but that was well before the full advent of blogs, after all (well, five minutes before all of that). I had ten readers, two musical acts (including Emm Gryner) and CBC Radio's Alan Neal hosting, produced by Elaina Martin, who went on to found and produce Ottawa's infamous Westfest. Remember that? I don't even remember all who I had to read for that event. Michael Dennis, certainly, along with (I think) Stephen Brockwell, AJ Dolman, Colin Morton, John Barton and Karen Massey. Who else? All I can find online is this reference to the event via Bywords.

Thanks very much to RedBird, including bartenders Josephine and Taylor, who were kind and attentive hosts, and Christine McNair (above, with Grant Wilkins) who ran both the door and the book table. And, honestly, if you want music lessons or your kids want music lessons, check out RedBird. Our wee Aoife has been doing ukulele lessons there for a while and she absolutely loves it.

It was a great crowd! And good to see further above/ground press authors, including Stuart Ross (did you know his own Proper Tales Press is only four years away from fifty? did you see the website we built when his press turned forty?), Karen Massey, Stephen Brockwell, Grant Wilkins and bpNichol chapbook award-winner Jason Christie! There were a couple of folk unable to attend due to Covid (mild, at least), which was frustrating, but it was great to see Margo LaPierre, Brian Pirie, Susan Atkinson, Manahil Bandukwala, Salem Paige, Allison Armstrong and Helen Robertson! Very nice, also, to see a whole stack of folk in the audience that I didn't actually know. I mean, that's good too, yes?

The first reader was Ottawa poet Mahaila Smith, launching their above/ground press debut (and third chapbook overall), Enter the Hyperreal (2024). There is a sharpness to Smith's work, and anyone who references the work of the late American poet Barbara Guest is very much applying good judgement. Check out Mahaila's recent essay on the chapbook, here.

Latinx poet Carlos A. Pittella came in from Montreal (and was flying somewhere else ridiculously early the following morning), and had such a marvellous, gestural energy to his presence, and to his work. I was first introduced to his work through a recommendation from above/ground press author Misha Solomon, who was introduced to me through a recommendation from above/ground press author Sarah Burgoyne, who was introduced to me through a recommendation from Stuart Ross. Thank you, all! Carlos was launching his first English-language chapbook, footnotes after Lorca (2024), a chapbook with a dark and layered undertone, composed and performed with an absolute joy of playful language. Check out Carlos' recent essay on the chapbook, here.

It is strange to think that Kitchener, Ontario poet and editor Chris Banks and I hadn't actually interacted in-person for twenty years or so, since around the publication of his first full-length collection. The poems of his above/ground press debut, Tiny Grass Is Dreaming (2024), displays such a thoughtful, meditative sharpness (and apparently he's been writing up a storm lately). Check out Chris' recent essay on the chapbook, here.

One of my long-time favourites, as you probably already know, is Gil McElroy, a poet currently living in North Bay, Ontario. I've been publishing his work since the mid-1990s, don't you know. He said that his new chapbook, his tenth above/ground press title, Small Consonants (2024), wasn't meant to be read aloud, so he read from some previous work, including poems referencing the Perseids.

There is such lovely, small detail in the poems of Pearl Pirie's latest above/ground press title, her sixth, Rushing Dusk (2024), a small chapbook featuring cover artwork by my middle daughter, Rose. Check out Pearl's essay on the chapbook, here. And you saw the festschrift we recently produced on her work as well, yes?

Did you hear that Ottawa poet (originally from Alberta) Shane Rhodes and his family are moving to Australia in a couple of weeks? It means that this was most likely his last Ottawa reading before they catch their flight. He read from his above/ground press debut, It's Here All the Beauty I Told You About (2024), a chapbook I am very pleased about, as I've been itching to publish his work since his full-length debut introduced me to his work, some two decades ago. His current work-in-progress (which includes the chapbook), explores Alberta/western mythology, imagery and collage, and the death of his mother,

Thank you to everyone who came out to help celebrate! And what might the next year bring? Thirty-one years, nearly fourteen hundred publications, hundreds of authors and three celebratory anthologies (including the third that appeared last fall through Invisible Publishing), among other schemes, blogs, events and ephemera. As you can see from the sidebar, I've a whole mound of forthcoming titles through the press, currently working on chapbook titles by authors including Vik Shirley, Alice Burdick, ryan fitzpatrick, Peter Jaeger, John Levy, alex benedict, Ryan Skrabalak, Scott Inniss and David Phillips, among others. I did offer last night that anyone who wished to subscribe to the press from this moment right now through to the end of 2025 could for the low price of $100 (for American addresses, $100 US), which I'm willing to offer here as well, an offer good until the end of this month (just send me an email: rob_mclennan (at) hotmail (dot) com). I mean, I'm producing some sixty to eighty chapbooks a year, that's a good deal, isn't it? Who knows what might come next?


Thursday, August 31, 2023

report: the above/ground press 30th anniversary reading/launch/party!

Can you believe three decades have come and gone already? As you probably know, I hosted a reading and launch and party on August 12, 2023 at the Clocktower Brew Pub in the Glebe as part of the glorious thirtieth anniversary of above/ground press, with readings by Jennifer Baker, nina jane drystek, Amanda Earl, Sophia Magliocca, Karen Massey, Jérôme Melançon, Monty Reid and Grant Wilkins. Unfortunately, Adrienne Ho Rose was unable to come in from Iowa City, but we all waved at one point to acknowledge her (I wonder if she saw us wave?). Her parents still live here, so I'm hoping there might be further opportunities for her to read in Ottawa at some point.

David Currie and Christine McNair
It was nice to finally have another in-person anniversary event, given the prior one was back in 2019 [see my report on such here]. And, naturally, brilliant thanks to my slate of attractive volunteers: Christine McNair and David Currie who ran the book table, and Brendan McNally who covered door duty. And did you see that Christine even dressed the same colours as the cover (which was originally temporary, but I wonder now if it may have stuck) for this fall's groundwork: the best of the third decade of above/ground press 2013-2023 (Invisible Publishing)? Naturally, pre-orders are available now for this fine volume; and I think we're launching via the ottawa international writers festival this fall?

Amanda Earl
nina jane drystek [photo credit: Jérôme Melançon]
The first reader was Amanda Earl, who read from the latest issue of Touch the Donkey, which included some of her work. Having produced some ten chapbooks of her work-to-date through above/ground press [as well as a festschrift on her work], I always delight in hearing what she's been working on. Amanda really has been on fire the past few years. Have you heard that she's launching a new book soon? nina jane drystek launched her third chapbook and first with above/ground, missing matrilineal, a deeply intimate examination of loss that balances precision with open space, hesitation and clear patter.

Jennifer Baker [photo credit: David Currie]
Monty Reid
Jennifer Baker's Groundling: On Apology is a reissue of a chapbook she had in 2021 with the late John Goodman's Trainwreck Press, produced in a short enough run that she wanted to see it further out into the world. I know she works slowly, but I've been curious to see what else she's been working on. I was first introduced to her work through Phil Hall, from his time as writer-in-residence at the University of Ottawa, which resulted in the publication of Baker's chapbook debut, Abject Lessons (2014). Monty Reid's Where there's smoke emerged as a direct result of the ongoing fires, with smoke that stretched not only across Quebec and Ontario, but his prior landscape of Alberta [you saw the festschrift I produced on his work, yes?]. I told the story of meeting Monty for the first time when we both participated in a group reading for National Poetry Month through The League of Canadian Poets, back on April 1, 1999 (curated and hosted by Susan McMaster, I think it was). I was curious at him travelling all that way for the reading, and he said: No, I moved here yesterday.

Chris Johnson [photo credit: Jérôme Melançon]
Oh, and I suggested Chris Johnson bring along copies of the latest issue of Arc Poetry Magazine for potential sale, given the new issue has a good-sized essay on above/ground press by Jérôme Melançon. Make sure you pick up a copy!

Karen Massey [photo credit: Jérôme Melançon]
Sophia Magliocca

It does seem that every decade or so above/ground press produces a new chapbook by Karen Massey, a poet who is clearly long overdue for a first full-sized collection. When might that happen? If only we were still doing Chaudiere Books, honestly. Karen was one of the first people (and only participant younger than forty) that I met when I first started attending readings via The TREE Reading Series circa 1992. Where has the time gone?
Her third chapbook, SONGS FROM THE DEMENTIA SUITCASE, is easily the strongest work I've seen from her so far. Next up was Montreal-based poet Sophia Magliocca, launching her chapbook debut and arriving with her parents in tow, all of whom were deeply supportive and absolutely adorable. Adorable! Sophia (one of a growing list of authors younger than the press) is a poet I first heard about through a recommendation by Montreal poet Sarah Burgoyne, who has offered a handful of poets with chapbook manuscripts my way over the past few years (Misha Solomon, Rose Maloukis and Vivian Lewin being others). Sarah clearly has an interesting eye. I am looking forward to seeing what Sophia does next.

Jérôme Melançon
Jérôme Melançon
flew in from Regina (to visit family in Gatineau, but we coordinated) to launch his third above/ground press chapbook, Bridges under the water. There aren't that many attending English and French-language poetries the way he is, now having published works in both languages, as well as writing criticism on both French and English-language titles in periodicities: a journal of poetry and poetics. You should catch this interview I did with him last year over at Touch the Donkey on the two sides of his language/poetic: there's some interesting stuff in there.
rob mclennan [photo credit: Jérôme Melançon]
And he even pushed me to read a poem, saying that he came all this way and wanted to hear me read in person. So I did!
Grant Wilkins [photo credit: Jérôme Melançon]

The final reader of the evening was Ottawa poet and printer Grant Wilkins, who somehow exploded out of the woodwork a few years back, despite being around the Ottawa literary scene since the early 1990s (not long after I emerged). Grant always used to tell folk that he didn't write, no no, but I think it was his work with jwcurry and Messagio Galore that prompted something, whether a newfound interest or confidence, and now he's doing the most interesting combination of sound, visual and conceptual/response work around. We launched not one but two chapbooks of his as part of this event (with a prior above/ground press title earlier this year and even another one last year). What might be next?

Thanks so much for all who attended! It was such a great crowd, including natalie hanna, Charles Earl, Marilyn Irwin, Rob Fairchild, Jason Christie, Frances Boyle, Ellen Chang-Richardson, Cathy Macdonald-Zytveld, Marc Adornado, Susan Johnston, Senka Stankovic and a whole bunch more. Thanks again to the Clocktower Brew Pub! It was a pretty nice space. We clearly need to do this again next year.


Sunday, January 1, 2023

The Return of The Peter F. Yacht Club Christmas party/reading/regatta: a report,

Another regatta! It was glorious to have a gathering for our holiday what-sis once more, even with a small crowd (less than twenty people, actually). Can you believe this is the first one held in-person since 2019 [see my report on such here]? The Peter F. Yacht Club, which began in the late 1990s somewhere as an informal gathering/conversation of writers, produced its first issue in August 2003, with our first holiday gathering (most likely) in 2005. And of course, see my 2018 report here, my 2017 report here, my 2016 report here, my 2015 report here, and my 2013 report here. Oh, and did you hear a new issue is forthcoming?

We had a small gathering of readers, including Frances Boyle, Jason Christie, myself, Stuart Ross, D.S. Stymeist, Chris Turnbull and Grant Wilkins! AJ Dolman, James Moran (who has a new collection of short stories, apparently) and Margo LaPierre were scheduled, but life circumstances kept each of them from attending, although I did manage to convince (with little prompting) nina jane drystek to read, which was fun. Given the holiday chaos, between the occasional child-cough and the pre-Christmas storm that came through, Christine and our young ladies were away with family (a bumped visit), with a variety of other PFYC regulars also sending their regrets.

Frances Boyle
I've always enjoyed the idea of a holiday party between Christmas and New Year's, given how (obviously) half the readers might be busy with other activities, but those who are able are desperate to get out of the house (there aren't usually readings between, what, the first week of December and the second week of January?). The crowd at this particular event was small (given Covid, weather and other stresses), but mighty: including folk such as Steve Zytveld, Cathy McDonald-Zytveld, Christine Sung (who brought homemade cookies!) and (for the first time in attendance!) Sara Jamieson.

Jason Christie
D.S. Stymeist
Grant Wilkins
Obviously it was so good to hear from everyone! After so long, also. Some of the highlights included Stuart Ross reading a short poem for the late Michael Dennis [see my obituary for him here], Chris Turnbull reading two poems by the late Robert Hogg [see my obituary for him here], Grant Wilkins' remarkable sound poetry performance, and even Stuart and nina jane performing an improvised sound poem collaboration on the spot! Oh, had I only taken some further photos.

Wednesday, September 14, 2022

report: Fisher Small and Fine Press Fair 2022

So: this past Saturday above/ground press was in Toronto as part of the Fisher Small and Fine Press Fair, an event that has returned after a three-year (covid) hiatus! Plenty of (masked, mostly) fun was had by all, and I was even able to introduce the chapbook rack that Christine found a while back on one of her buy-nothing groups (honestly, it worked far more effectively than I might have considered, so expect to see it returning for future fairs). It was good to get the whole top row-plus of the festschrifts I've been putting together over the past year, able to actually sell copies of some of them, which is nice (oh, so that's what these are).

This was actually the fourth curated fair in the Thomas Fisher Rare Book Library at the University of Toronto (and a limited curation, given the physical limitations of the space), as librarian John Shoesmith originally founded the event around an exhibit of small press items from their collection that above/ground press happened to have items as part of (which is how I got invited). I was there for the first event (which Ryan Pratt was good enough to recap over at his blog), and even the second! Apparently the hopes is to curate a new version of the event every two years, so hopefully they can get back on that particular schedule for future events.

Ken Norris
Bruce Whiteman and Ken Norris

Christopher Patton (right) with his new above/ground press chapbook

Kirby, who radiates joy

And I was able to see so many folk I hadn't seen in moons! Why does Ken Norris (who lives in Toronto these days) look no different now than he did twenty years ago, when I last saw him? I mean, I've done numerous chapbooks of his lately (his tenth above/ground press title landed this past July), so it isn't like we haven't been in touch, but odd to think how long it's been since anything in-person. It was also good to see folk such as Aaron Tucker (with a new knife fork book title), Ralph Kolewe (who has a forthcoming Talonbook, the manuscript of which expands upon his above/ground press title), Christopher Patton (who I met for the first time, coming by to collect his copies of his new above/ground press title), Drew McEwen (should we do another chapbook? we should probably do another chapbook), Lindsay Zier-Vogel (honestly, I simply presumed we'd met years earlier at something, so it was good to finally correct that), Cary Fagan (who mentioned I'd published his stepson in an issue of Touch the Donkey, a connection I wasn't aware of), Bruce Whiteman, etcetera. So many people!

Should I mention I spent the afternoon pretending not to eat an egg and bacon English muffin? Probably not, given it was in a library, after all. Fortunately, I am very effective in my pretending. Other exhibitors included Aliquando Press, Alan Stein/Church Street Press, Art Metropole, Book*hug, Coach House Books, George A. Walker, Greyweather’s Press, JackPine Press, k|f|b, Liz Menard, Massey College Press, Natalie Draz, Nietzsche’s Brolly, Porcupine's Quill/DA, Shanty Bay Press and Wesley Bates.

Given the hour it took to drive in from Andy Weaver's house out in Burlington on Saturday morning, I secured the "final table" in the space, set between JackPine (doing some neat things I hadn't seen physical copies of for some time) and Massey College Press (college printer Kit MacNeil is clearly doing some interesting things worth paying attention to), who were doing some very cool things, including allowing the public to letterpress print upon wee postcards! I collected a small handful of publications, although not terribly much (Kirby exclaimed, when I went to check out the k|f|b table: Why are you looking? You have everything!), and even managed issue five of JUST LIKE CREAM BUT WORST that Daniel F. Bradley handed over when he wandered by (we traded publications, naturally), which includes a new interview he conducted with Alice Burdick (email him at fdriveshesaid (at) gmail.com if you might be interested in attempting a copy).

Tim Inkster explaining something to Jay MillAr, as the Right Honourable Marshall Hryciuk
prepares his own table in silence

And: sales were good enough, audience was good enough, most folk were masked, so that was all good.

Stephen Cain and Andy Weaver
And after: I even got to hang out with Andy Weaver and Stephen Cain. And the drive home? Hitting the Big Apple, of course, to collect nonsense as wee gifts for the children. I think I got them pens with different coloured inks, and some Pez. Who doesn't love the Big Apple? Scream until your mother stops the car, I say. Oh, and there's another small press fair I'm returning to Toronto for on the 24th, curated by Kate Siklosi as part of TIFA; and of course, the ottawa small press book fair in November. Might we see you at either of those?