Showing posts with label Christine McNair. Show all posts
Showing posts with label Christine McNair. Show all posts

Thursday, December 11, 2025

The Peter F. Yacht Club annual regatta/christmas party/reading!

lovingly hosted by rob mclennan,
The Peter F. Yacht Club annual regatta/christmas party/reading

at Anina’s Café, 280 Joffre-Bélanger Way, Ottawa
Saturday, December 27, 2025
doors 7pm; reading 7:30pm


with readings from yacht club regulars and irregulars alike, including: Jennifer Baker, Frances Boyle, Conyer Clayton, David Currie, Michelle Desbarats, AJ Dolman, Amanda Earl, Claire Farley, Cara Goodwin, Chris Johnson, Margo LaPierre, IAN MARTIN, rob mclennan, Christine McNair, James Moran, Lee Parpart, Colin Quin, Mahaila Smith, Grant Wilkins and Chuqiao Yang (and possibly others,

see my report on the event two years ago here
(last year's event hadn't a report, unfortunately;

Sunday, July 6, 2025

“poem” broadside #355 : TWO POEMS: “she left under a cloud” by Christine McNair

 

she left under a cloud
cirrus – cirrocumulus – altocumulus
altostratus – nimbostratus – cumulus
virga - cumulus fractus - cumulus congestus
noctilucent - cumulonimbus – mammatus –
nacreous – cirrostratus nebulosus – arcus    panus
                undulatus asperita 

roughweather

 

 

TWO POEMS:
“she left under a cloud” by Christine McNair
for travels around Ireland, July 2025
above/ground press broadside #353

 

Christine McNair's most recent book is her hybrid poetic memoir Toxemia (Book*hug, 2024). Her two previous books of poetry were Conflict (2012) and Charm (2017). She works as a book doctor in Ottawa.

Sunday, August 11, 2024

report: the above/ground press 31st anniversary reading/launch/party!

You probably already know, but I hosted an above/ground press thirty-first anniversary reading/launch/party at RedBird last night, featuring readings and chapbook launches by Chris Banks (Kitchener), Mahaila Smith (Ottawa), Gil McElroy (North Bay), Pearl Pirie (rural QC) Carlos A. Pittella (Montreal) and Shane Rhodes (Ottawa). Anniversaries are the best! And don't forget that the press is running a big anniversary sale until the end of this month.

It was good to have another in-person anniversary event! Do you remember my report from last year's anniversary reading? Or the 2019 one? I mean, I think these reports help keep such events in memory. Remember the twenty-fifth anniversary event (when the t-shirts were introduced, for example) or the twenty-third anniversary event (including the Toronto event that same year) or the nineteenth anniversary event? So many events! Wishing I'd actually archived the big tenth anniversary event as well, but that was well before the full advent of blogs, after all (well, five minutes before all of that). I had ten readers, two musical acts (including Emm Gryner) and CBC Radio's Alan Neal hosting, produced by Elaina Martin, who went on to found and produce Ottawa's infamous Westfest. Remember that? I don't even remember all who I had to read for that event. Michael Dennis, certainly, along with (I think) Stephen Brockwell, AJ Dolman, Colin Morton, John Barton and Karen Massey. Who else? All I can find online is this reference to the event via Bywords.

Thanks very much to RedBird, including bartenders Josephine and Taylor, who were kind and attentive hosts, and Christine McNair (above, with Grant Wilkins) who ran both the door and the book table. And, honestly, if you want music lessons or your kids want music lessons, check out RedBird. Our wee Aoife has been doing ukulele lessons there for a while and she absolutely loves it.

It was a great crowd! And good to see further above/ground press authors, including Stuart Ross (did you know his own Proper Tales Press is only four years away from fifty? did you see the website we built when his press turned forty?), Karen Massey, Stephen Brockwell, Grant Wilkins and bpNichol chapbook award-winner Jason Christie! There were a couple of folk unable to attend due to Covid (mild, at least), which was frustrating, but it was great to see Margo LaPierre, Brian Pirie, Susan Atkinson, Manahil Bandukwala, Salem Paige, Allison Armstrong and Helen Robertson! Very nice, also, to see a whole stack of folk in the audience that I didn't actually know. I mean, that's good too, yes?

The first reader was Ottawa poet Mahaila Smith, launching their above/ground press debut (and third chapbook overall), Enter the Hyperreal (2024). There is a sharpness to Smith's work, and anyone who references the work of the late American poet Barbara Guest is very much applying good judgement. Check out Mahaila's recent essay on the chapbook, here.

Latinx poet Carlos A. Pittella came in from Montreal (and was flying somewhere else ridiculously early the following morning), and had such a marvellous, gestural energy to his presence, and to his work. I was first introduced to his work through a recommendation from above/ground press author Misha Solomon, who was introduced to me through a recommendation from above/ground press author Sarah Burgoyne, who was introduced to me through a recommendation from Stuart Ross. Thank you, all! Carlos was launching his first English-language chapbook, footnotes after Lorca (2024), a chapbook with a dark and layered undertone, composed and performed with an absolute joy of playful language. Check out Carlos' recent essay on the chapbook, here.

It is strange to think that Kitchener, Ontario poet and editor Chris Banks and I hadn't actually interacted in-person for twenty years or so, since around the publication of his first full-length collection. The poems of his above/ground press debut, Tiny Grass Is Dreaming (2024), displays such a thoughtful, meditative sharpness (and apparently he's been writing up a storm lately). Check out Chris' recent essay on the chapbook, here.

One of my long-time favourites, as you probably already know, is Gil McElroy, a poet currently living in North Bay, Ontario. I've been publishing his work since the mid-1990s, don't you know. He said that his new chapbook, his tenth above/ground press title, Small Consonants (2024), wasn't meant to be read aloud, so he read from some previous work, including poems referencing the Perseids.

There is such lovely, small detail in the poems of Pearl Pirie's latest above/ground press title, her sixth, Rushing Dusk (2024), a small chapbook featuring cover artwork by my middle daughter, Rose. Check out Pearl's essay on the chapbook, here. And you saw the festschrift we recently produced on her work as well, yes?

Did you hear that Ottawa poet (originally from Alberta) Shane Rhodes and his family are moving to Australia in a couple of weeks? It means that this was most likely his last Ottawa reading before they catch their flight. He read from his above/ground press debut, It's Here All the Beauty I Told You About (2024), a chapbook I am very pleased about, as I've been itching to publish his work since his full-length debut introduced me to his work, some two decades ago. His current work-in-progress (which includes the chapbook), explores Alberta/western mythology, imagery and collage, and the death of his mother,

Thank you to everyone who came out to help celebrate! And what might the next year bring? Thirty-one years, nearly fourteen hundred publications, hundreds of authors and three celebratory anthologies (including the third that appeared last fall through Invisible Publishing), among other schemes, blogs, events and ephemera. As you can see from the sidebar, I've a whole mound of forthcoming titles through the press, currently working on chapbook titles by authors including Vik Shirley, Alice Burdick, ryan fitzpatrick, Peter Jaeger, John Levy, alex benedict, Ryan Skrabalak, Scott Inniss and David Phillips, among others. I did offer last night that anyone who wished to subscribe to the press from this moment right now through to the end of 2025 could for the low price of $100 (for American addresses, $100 US), which I'm willing to offer here as well, an offer good until the end of this month (just send me an email: rob_mclennan (at) hotmail (dot) com). I mean, I'm producing some sixty to eighty chapbooks a year, that's a good deal, isn't it? Who knows what might come next?


Sunday, November 12, 2023

The Factory Reading Series pre-small press book fair reading, November 17: Kearney, Hawes, Pennock, Beaulieu + (possibly) McNair,

span-o (the small press action network - ottawa) presents:

The Factory Reading Series
the glorious return (after four years!) of the pre-small press book fair reading
celebrating 29 years of the ottawa small press book fair
featuring readings by:

Rae Kearney (new to Ottawa!)
James Hawes (Montreal)
Tyler Pennock (Toronto)
Derek Beaulieu (Banff)
              + possibly (childcare-dependant)
Christine McNair (Ottawa)
lovingly hosted by rob mclennan
Friday, November 17, 2023
doors 7pm; reading 7:30pm
The Carleton Tavern,

223 Armstrong Street (at Parkdale; upstairs)

[And don’t forget the ottawa small press book fair, held the following day (NOTE DIFFERENT LOCATION) at the Tom Brown Arena]

Rae Kearney
[pictured] is a poet and designer who just moved to Ottawa after spending time on the west coast. This year, she helped edit and design The Lupine (2023), a new journal published alongside the Whistler Writers Festival. Previous work can be found at above/ground press (2020) and in antilangmag no.3 (Winter 2019).

James Hawes
lives and writes and makes films in Montreal. His poems have been published in print and online journals across Canada. His full length book of poetry Breakfast With a Heron (Mansfield Press) was shortlisted for the 2020 ReLit Award. He is the author of 3 chapbooks; Bus Metro Walk (Monk Press) was long-listed for the inaugural Nelson Ball Prize, The Hotdog Variations (above/ground press) and under an overpass, a fox (Turret House) was recently shortlisted for the 2023 Nelson Ball Prize. He started Turret House Press in 2023, dedicated to publishing new and experimental Canadian poetry. He has 2 cats.

Tyler Pennock is the inaugural Indigenous Writer-in-Residence at Carleton University. They are a two-spirit adoptee from a Cree and Metis family around the Lesser Slave Lake region of Alberta, and is  a member of Sturgeon Lake Cree Nation. They graduated from Guelph University’s Creative Writing MFA program in 2013.Their first book, BONES (Brick Books) was shortlisted for the Gerald Lampert Memorial Award and the Indigenous Voices Award for Poetry. Their second book, BLOOD was released in September 2022. They currently teach at the Centre for Indigenous Studies at the University of Toronto.

Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent volume of fiction, Silence: Lectures and Writings, was published by Sweden’s Timglaset Books, his most recent volume of poetry, Surface Tension, was published by Toronto’s Coach House Books. Beaulieu has won multiple local and national awards for his teaching and dedication to students, the Queen Elizabeth II Platinum Jubilee Medal for this dedication to Albertan literature and is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award.’ Beaulieu holds a PhD in Creative Writing from Roehampton University, has served as poet laureate of both Calgary and Banff, and is the Director of Literary Arts at Banff Centre for Arts and Creativity.

Christine McNair is the author of Charm (Book*hug, 2017) and Conflict (Book*hug, 2012). McNair lives in Ottawa where she works as a book doctor. And she even has a new chapbook with shreeking violet press!

Wednesday, December 29, 2021

The Peter F Yacht Club #30 : the virtual issue,

I know the holidays just aren’t the same without our usual Peter F. Yacht Club Christmas party/reading/regatta, set between Christmas and New Year’s Eve (an event I originated in 2005 for the sake of an “office Christmas party” for our informal writer’s group), but we’ll get back to that soon enough. If you are interested in such, you can see my report on the 2019 event here, the 2018 event here, the 2017 event here, the 2016 event here, the 2015 event here, the 2013 event here, the 2012 event here (there have been at least a decade’s worth of further events, but apparently I made no reports on those, save for the 2007 event). But next year, right? Until then, here is a virtual event, posted as issue #30 of The Peter F. Yacht Club [see information on the prior issue here]. We are far more than halfway out of the dark, I’d wager.

Kimberly Quiogue Andrews : “Jesus in a Prom Gown”

Kimberly Quiogue Andrews is a poet and literary critic. She is the author of A Brief History of Fruit, winner of the Akron Prize for Poetry from the University of Akron Press, and BETWEEN, winner of the New Women’s Voices Chapbook Prize from Finishing Line Press. She teaches creative writing and American literature at the University of Ottawa, and you can find her on Twitter at @kqandrews.

Susan J. Atkinson : “Reading Palms,” “The Dining Room Poem by another Poet” and “Interpreting Rothko”


Susan J. Atkinson’s poems have won a number of awards, most recently first prize in the 2019 National Capital Writers Contest and chosen as a Notable Mention in the 2020 Nick Blatchford Occasional Verse. She has new work in Grain Magazine and The Queen’s Quarterly. Her first full-length collection, The Marta Poems was published by Silver Bow Publishing in 2020 and her chapbook The Birthday Party, The Mariachi Player and The Tourist came out in Spring 2021 with Catkin Press. Visit www.susanjatkinson.com for more information.

Frances Boyle : “The whole tall world” and “Abbey”

Frances Boyle is the author of two poetry books, most recently This White Nest (2019). She has also written Tower, a Rapunzel-infused novella (2018), and Seeking Shade, a short story collection (2020) which was a first-place winner of the Miramichi Reader’s Very Best! Awards, and a finalist for the Danuta Gleed Award and the ReLit Award. Her writing has been selected for the Best Canadian Poetry series, nominated for the Pushcart Prize and Best of the Net, and published throughout North America and internationally. Frances’s third book of poetry is forthcoming in fall 2022 with Frontenac House Press. www.francesboyle.com

Jason Christie : “Slow death”

Jason Christie lives and writes in Ottawa. He is the author of Canada Post (Invisible), i-ROBOT (Edge/Tesseract), Unknown Actor (Insomniac), and Cursed Objects (Coach House). His most recent chapbooks are: Bridge and Burn (above / ground) and Heavy Metal Litany (Model press). He is looking for a home for a new manuscript of poetry he wrote with the help of several Python scripts.

Conyer Clayton : “Family Dinner” and “Intruder,” both from But the sun, and the ships, and the fish, and the waves (Spring 2022, A Feed Dog Book by Anvil Press).

Conyer Clayton is a writer, musician, editor, and gymnastics coach living on unceded Algonquin Anishinaabe land. Her debut collection, We Shed Our Skin Like Dynamite (Guernica Editions, 2020), won an Ottawa Book Award and was a Relit Award finalist. She's released 2 albums and many chapbooks; recently, Towers (Collusion Books, 2021) by VII, of which she is a member, and Sprawl (Collusion Books, 2020) written with Manahil Bandukwala, shortlisted for the bpNichol Award. Her second book, But the sun, and the ships, and the fish, and the waves (A Feed Dog Book, Anvil Press) is forthcoming Spring 2022.

Laurie Anne Fuhr : “applicable skills of the military brat #1” and “applicable skills of the military brat #2,” from night flying (Frontenac House 2018).


Laurie Anne Fuhr, ex-Ottawan, current Calgarian, is author of night flying (Frontenac House 2018), which was shortlisted for the Robert Kroetsch Award for Innovative Poetry 2016 in ms form. Fuhr had work in several anthologies in 2021, including Uncommon Grounds: poems by the Espresso Poetry Collective (epcpress 2021); Wonder/Shift 40th Anniversary Anthology (AWCS Press 2021); and The Stroll of Poets Anthology (2021), and had a poem on a tall can with Blindman Brewing's Session Stories series (ed. Jason Lee Norman). Her poem mixed media was shortlisted in the Freefall Magazine poetry contest 2020 (Judge Gary Barwin). Her work has been published in an above/ground chapbook and in many periodicals like This Magazine, Journal of Literature and Aesthetics (India), Bywords, and Prairie Journal. Fuhr is a poetry instructor with alexandrawriters.org; its poetry workshops are now open to all on Zoom.

natalie hanna : “keep moving / keep sleeping” and “to learn of making”

natalie hanna is a queer, disabled, feminist, Middle Eastern, Ottawa-born lawyer. She runs battleaxe press, and has authored thirteen chapbooks, including three titles with above/ground press, Baseline Press (2020), and collaboratively with Liam Burke, machine dreams, from Collusion Books (2021). She is working on her first full length poetry collection. Her poetry, interviews, and commentary have been published in Canada and the U.S. Learn more: https://nhannawriting.wordpress.com.

Robert Hogg : “The Poem that Starts in the Night”

Robert Hogg was born in Edmonton, Alberta, grew up in the Cariboo and Fraser Valley in British Columbia, and attended UBC during the early Sixties where he was associated with the Vancouver TISH poets, co-edited MOTION - a prose newsletter, and graduated with a BA in English and Creative Writing. His books include: The Connexions, Berkeley: Oyez, 1966; Standing Back, Toronto: Coach House, 1972; Of Light, Toronto: Coach House, 1978; Heat Lightning, Windsor: Black Moss, 1986; There Is No Falling, Toronto: ECW,1993; and as editor, An English Canadian Poetics, The Confederation Poets – Vol. 1, Vancouver: Talonbooks, 2009. He recently published several chapbooks: from LAMENTATIONS, Ottawa: above/ground, 2016; two Cariboo poems, Ranch Days – The McIntosh from hawk/weed press in Kemptville, ON; Ranch Days—for Ed Dorn from battleaxe press (Ottawa 2019); A Quiet Affair – Vancouver ’63 (Trainwreck, May 2021); and in August 2021 a chapbook titled From Each Forthcoming (above/ground). In December 2021, a chapbook will be released from Hogwallow Press, called The Red Menace, and another from Apt 9 Press in Ottawa, called Apothegms.

Margo LaPierre : “A Video of You, Laughing” (first published in Mineral Lit Mag), “Hysterosonogram” (forthcoming 2022 in Sable Books’ disability anthology The Ending Hasn’t Happened Yet) and “Air Show” (first published in Train Journal)

Margo LaPierre is a freelance editor and author of Washing Off the Raccoon Eyes (Guernica Editions, 2017). She serves as newsletter editor of Arc Poetry Magazine and is a member of poetry collective VII. She is the winner of the 2021 Room Poetry Contest and the 2020 subTerrain Lush Triumphant Award for Fiction and was shortlisted for the 2021 Fiddlehead Creative Nonfiction Contest. She is completing her MFA in Creative Writing at UBC. Find her on Twitter @margolapierre.

Gil McElroy is reading three new poems from his ongoing project, The Julian Days.


Gil McElroy is a poet currently living in Colborne, Ontario.

rob mclennan : “Autobiography of green,” “Coordinates” and “Burning the dead grass”

Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa, where he is home full-time with the two wee girls he shares with Christine McNair. The author of more than thirty trade books of poetry, fiction and non-fiction, his most recent poetry title, the book of smaller (University of Calgary Press, 2022), is now available for pre-order. In spring 2020, he won ‘best pandemic beard’ from Coach House Books via Twitter, of which he is extremely proud (and mentions constantly). He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta.

Christine McNair : “Déjà Entendu” and “Déjà vu”

Christine McNair has published two books of poetry with Bookhug – Conflict (2012) and Charm (2017). Her most recent manuscript is a hybrid non-fiction poetry manuscript focused on preeclampsia, illness, and disability. She works as a book doctor in Ottawa. Also – she recorded this last year for Canthius but it may have been lost in the ether, much like she was lost in the Christmas tree.

Pearl Pirie : “Daily you detail weather” & “time scales mountains” are from the tentatively titled, “Well-Behaved Thistle.” If you’re a potential publisher, ask for it by name.

Pearl Pirie’s fourth poetry collection is footlights (Radiant Press, 2020). rain’s small gestures (Apt 9 Press, fall 2021) is minimalist poems. Mudflaps for Short Dogs is out from Trainwreck Press (July 2021). Interact with her at Instagram or Patreon at Pearlpiriepoet.

Monty Reid : two poems from “Playground”

Monty Reid is a damaged Ottawa poet.

Stuart Ross : “A Stephen Crane Christmas,” “Sixty-Two” and “Razovsky On The Volga”

Stuart Ross is a writer, editor, and writing teacher, the author of 20 books of fiction, poetry, and essays, and countless chapbooks and ephemera. He received the 2019 Harbourfront Festival Prize and the 2021 James Tate Poetry Prize. Stuart’s work has been translated into Nynorsk, French, Spanish, Estonian, and Russian. His most recent book is 70 Kippers, written with his dearest friend, the late Ottawa poet Michael Dennis. Stuart’s hybrid poem/essay The Book Of Grief And Hamburgers, dedicated to Michael, comes out this spring from ECW Press. He lives in Cobourg, Ontario.

Renée Sarojini Saklikar : from the Perimeter sequence in Bramah and The Beggar Boy

Renée Sarojini Saklikar is a poet and lawyer who lives in Vancouver on the unceded traditional territories of the Coast Salish peoples. She is the author of four books, including the ground-breaking poetry book, children of air india, about the bombing of Air India Flight 182 which won the Canadian Authors Association Poetry Prize and is the co-author, with Dr. Mark Winston, of the poetry and essay collection, Listening to the Bees, winner of the 2019 Gold Medal Independent Publishers Book Award, Environment/Ecology. She is currently working on Book 2 of the THOT J BAP series, an epic fantasy in verse.

This poem is from the Perimeter sequence in my epic fantasy in verse, Bramah and The Beggar Boy (Nightwood Editions, 2021).

An early version of this poem, one of the first in my long poem series, https://thotjbap.com/, first appeared in a beautiful hand made chapbook by the late Marthe Reed, to whom I was introduced by rob mclennan at the Factory Reading Series in Ottawa.

Other poems from the sequence also appeared in Kathryn Mockler’s The Rusty Toque.

With gratitude for these, past and present, who support/supported long form poetry.

D.S. Stymeist : Big Ride: Passage 1” and “Tonic.”

D.S. Stymeist’s debut collection, The Bone Weir, was published by Frontenac in 2016 and was a finalist for the Canadian Author’s Association Award for Poetry. He continues to publish widely in both academic and literary magazines. Alongside fending off Crohn’s disease, he teaches creative writing and crime fiction at Carleton University. He’s the former president of VERSe Ottawa, which organizes VERSeFest, Ottawa’s international poetry festival.

On special assignment: Cameron Anstee, Stephen Brockwell, jwcurry, Anita Dolman, Amanda Earl, Lea Graham, Marilyn Irwin, Chris Johnson, Janice Tokar, Roland Prevost, Sandra Ridley and Chris Turnbull.