new from above/ground press: Planting Seeds : Fletcher Garden Poems, ed. David O’Meara

Planting Seeds : Fletcher Garden Poems
edited by David O’Meara
$6

featuring new poems by:

Laurie Koensgen
Ellen Chang-Richardson 
Anita Lahey
Conyer Clayton 
Sneha Madhavan-Reese
David Stymeist
David O’Meara
Blaine Marchand

Introduction
David O’Meara,
Poet Laureate (anglophone) of the City of Ottawa (2024-2027)

Living in an urban area, it is often easy to forget the rich natural habitat that surrounds us. Thankfully, in the Ottawa region, there are numerous opportunities for “appreciation, preservation, and conservation of Canada’s natural heritage,” a listed objective of the Ottawa Field Naturalists’ Club. In late April, eight local poets took a ramble with Sandy Garland, a volunteer and educator at the Fletcher Wildlife Garden / Bill Holland Trail, and a passionate advocate for conservation, to appreciate and respond to the flora and fauna of this unique and valuable site within the city. The poets returned, walked, sat, imagined, researched, and wrote. The result is this chapbook, which shapes an informal guide to a leisurely walk on the provided paths. I encourage you to take it to the Bill Holland Trail, or any local trail, and read, look, and listen. Wear a hat and long pants. Bring a water bottle. And visit the Ottawa Field Naturalists’ Club website, a valuable resource, for more information on how to create wildlife-friendly habitat and gardens on urban and rural properties: https://ofnc.ca/programs/fletcher-wildlife-garden

Thank you first of all to Sandy Garland, volunteer-extraordinaire, who generously donated her time, energy, enthusiasm, and endless knowledge to the poets and audience during our tour of the trails and garden. Thanks to the support of rob mclennan for work on this chapbook, Allison Armstrong for media and publicity, Frances Boyle and Nik Ives-Allison. Thanks to Edward Farnworth and Stuart Tomlinson at Agriculture and Agri-Food Canada. Thanks to Leigh Thorpe and Jane’s Walk. Many thanks to the City of Ottawa for support through the Ottawa Poet Laureate program, and to all the participating poets for their thoughtfulness and creativity.

published in Ottawa by above/ground press
June 2026
a/g subscribers receive a complimentary copy
produced for the event PLANTING SEEDS: NATURE POETRY ON THE TRAIL, June 27, 2026, Fletcher Wildlife Garden, Prince of Wales Drive, Ottawa

author biographies:

Ellen Chang-Richardson is an award-winning poet, hybrid genre writer, judicial assistant, editor, community organizer, and author of Blood Belies (Wolsak & Wynn, 2024). 

Conyer Clayton is a queer writer, editor, and bookseller from Louisville, Kentucky living in Ottawa. Their third full-length collection of poetry, the lake-shaped excuse, is forthcoming in October 2026 with Buckrider Books, Wolsak and Wynn. 

Laurie Koensgen’s poetry has appeared internationally in more than 100 journals, anthologies and online magazines. Her fourth chapbook, this clingstone love, is with Pinhole Poetry Press. 

Anita Lahey loves wandering Ottawa’s pockets of urban wild. Her latest poetry collection is While Supplies Last. Her memoir, The Last Goldfish: A True Tale of Friendship, was an Ottawa Book Award finalist.

Sneha Madhavan-Reese is the author of two poetry collections, Observing the Moon and Elementary Particles. Originally from Michigan, she has lived in Ottawa since 2009.

Blaine Marchand has been active in the literary scene in Ottawa for over 50 years. A chapbook, Anthems for Dead Youth, will be published this November by Big Pond Rumours. He has published seven books and two chapbooks of poetry.

David O'Meara is the author of five collections of poetry and a novel, Chandelier. He is currently the English-language Poet Laureate for the City of Ottawa.

DS Stymeist’s most recent collection, Cluster Flux (Frontenac Press) was short-listed for the Archibald Lampman Poetry Award. Alongside living with chronic disease (Crohn’s), he currently teaches creative writing at Carleton University.

This is David O'Meara’s third edited title through above/ground press, all part of his tenure as Ottawa’s English-language Poet Laureate, following Verse on the Banks / Poèmes sur le rivage (2025) and Words and Image / Entre mots et images (2026), both of which were co-edited by Ottawa's French-language Poet Laureate, Véronique Sylvain, with translations by Myriam Legault-Beauregard.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

some author activity : Chang-Richardson, Zhang, fitzpatrick, Kelly, Rogal, mclennan + Niespodziany,

Ellen Chang-Richardson has a poem in Paul Vermeersch’s “In the Third Sleep” series; forthcoming author Elena Zhang has new work up at The Bulb Region; Cam Scott interviews ryan fitzpatrick over at his substack; J-T Kelly has new work up at JMWW; Sharon Berg interviews Stan Rogal over at The Temz Review; and rob mclennan has a new poem, with prompt, over at Benjamin Niespodziany's Sunday Poem and Prompt.

some author activity: Crosby, Witek, Chang-Richardson, Smith, Tucker, Holmes + Young,

Gregory Crosby is interviewed over at talking about strawberries all of the time, as is Terri Witek; Ellen Chang-Richardson is interviewed by Leila Marshy at All Lit Up; Pete Smith is in the Canadian Poets Series over at Peripety and/or Tronies; Aaron Tucker and Michael Holmes and Derek Beaulieu all have new work up at NewPoetry; and Geoffrey Young has new work in the Spotlight series.

some author activity: Notley, Berlatsky, Betts, Ross + Chang-Richardson,

Joyelle McSweeney writes on the late Alice Notley, as does Nick Sturm; Noah Berlatsky writes his engagements with the New York School of Poets over at Splice Today; Gregory Betts is interviewed "on literary community and collaboration, and AI's influences on writing" over at Creative Writing; Eva H.D. reads a poem by Stuart Ross; and Ellen Chang-Richardson is in podcast conversation with Rachel Thompson at Lit Mag Love.

report: the above/ground press 32nd anniversary reading/launch/party!

Happy anniversary! Once more, unto the breach, dear friends. I'm sure you are already aware that I recently hosted the thirty-second anniversary reading/launch/party for above/ground press over at RedBird Live in Old Ottawa South, a very good event this time around (as per usual, I might add). Do you remember my report from last year? Or the year prior? With readings and launches of new above/ground press titles by Monty Reid, Mandy Sandhu, Lina Ramona Vitkauskas, Jason Christie, Beatriz Hausner and Ellen Chang-Richardson, we had a wealth of above/ground press authors and others scattered throughout the audience, including Stuart Ross (who was given copies of his new above/ground press prose title at the event), Chris Johnson, Amanda Earl and Charles Earl, Christine McNair (running the door/book table), Michelle Desbarats (I've been hoping to convince a further manuscript out of her, by the way) and Chris Turnbull [above, with Christine]. I even got to meet Char Harrison, the new editorial coordinator for Ottawa's Arc Poetry Magazine. Can you believe it's almost time to be thinking of 2026 subscriptions? Gadzooks.

The first reader of the evening was Monty Reid, launching the twentieth anniversary edition of his 2005 title cuba A book [you probably already saw the big interview I conducted with him recently around the chapbook, over at the above/ground press substack], a chapbook he noted "didn't have the right star" on the first edition, so this update, this correction, was appreciated. This title is part of a long, meditative, ongoing sentence; one full-length, and a manuscript that some smart publisher should probably publish at some point. This is his seventh above/ground press title, with his debut through the press back in 2000, the small item Six Songs for the Mammoth Steppe (I do actually have a couple of copies kicking around the archive, somewhere), which he found curious to note: twenty-five years since the press began publishing his work. 

Mandy Sandhu followed, reading from her chapbook debut, The Temporary Place of a Placenta, as well as, I found out later, her first public reading! Not too bad, honestly. I was surprised it was her first! [I was part of St. Catharines writer/critic Gregory Betts first three public readings, whether as co-reader, host and/or organizer back in 2004, and you've seen how well he's done since]. I am curious to see where her work might go next. She recently composed this short piece for the Spotlight series, talking about her current work. Vitkauskas did record a part of Sandhu's reading, which Sandhu later put up on her Instagram.

The evening's third reader was Lina Ramona Vitkauskas, launching the chapbook The Deaf Forest of Cosmic Scaffolding, a title composed around the grief following the death of her partner, Larry Sawyer, who has a posthumous full-length Canadian debut forthcoming with Guernica Editions (which you should watch out for; I recently composed a blurb for it). Although, she did note that above/ground press did produce his Canadian debut, the chapbook A Chaise Lounge in Hell, all the way back in 2003 (I still have copies of that kicking around as well, somewhere). She ended her set with two of his poems, recorded by Sandhu (they make a good team, I think) and posted to Instagram. She even posted her own report on the event, as she and Sandhu had travelled together to Ottawa from Toronto, over at Instagram as well.

To open the second half of the evening was Ottawa poet Jason Christie, launching his ninth above/ground press title, PSA [you probably already saw the big interview I conducted with him recently, over at the above/ground press substack], with his own debut through the press back in 2004, back when he still lived in Calgary, the chapbook 8th Ave 15th St NW (which I might also might still have copies of, by the way, for anyone curious). 

The penultimate reader of the evening was Toronto poet Beatriz Hausner, launching her above/ground press debut, The Oh Oh [you probably already saw the interview I conducted with her over at Touch the Donkey, given she's in the current issue]. Honestly, as much as I enjoyed her reading, the best part about her participation in the event is that we got to hang out the evening prior, discussing literature, surrealism and other subjects (the first time I think we've properly hung out, so I appreciated that).

The final reader of the event was Ellen Chang-Richardson, launching their above/ground press debut, The Moleskin Coat, providing a stellar reading. They recently had one of the finest debut poetry titles I've read in some time, I'll have you know, the collection Blood Belies (Wolsak and Wynn, 2024). I had been a few years gently prodding at Chang-Richardson for a possible chapbook submission, and they even wrote this particular title with the press in mind! Quite a compliment, I think. A very cool thing.

Thank you to everyone who came out! What should I do for next year? I should probably have taken more photos during the event, of course. Or perhaps even better photos?
 

some author activity: Chang-Richardson, Hausner, Niespodziany, Shirley, Barwin + Reid,

Ellen Chang-Richardson is featured in the "Canadian Poets Series" via Peripety and/or Tronies; Beatriz Hausner is interviewed over at Touch the Donkey; Benjamin Niespodziany hosted an online reading for Evan Nicholls that included readings by above/ground press authors Vik Shirley and Gary Barwin, as well as readings by Mark Leidner and Kiik Araki-Kawaguchi, the entirety of which is now available via YouTube; and did you see the new interview with Monty Reid via the above/ground press substack?

new from above/ground press: The Moleskin Coat, by Ellen Chang-Richardson

The Moleskin Coat
Ellen Chang-Richardson
$6

06 • yyyy


worth revisiting—saline
rolling across our tongues
entwined and shimmering

certain now
      of our existence

akin to flavour
like pinches of white pepper
nestled in the depths
of long auburn hair

published in Ottawa by above/ground press
July 2025
a/g subscribers receive a complimentary copy
[this is above/ground press publication #1400, for those keeping bibliographic track]

Ellen Chang-Richardson is an award-winning poet, multi-genre writer, judicial assistant, and editor of Taiwanese and Chinese Cambodian descent. A third culture kid at heart, Ellen’s writing is informed by their love of contemporary art, their concern with humanity’s impact on Earth, and their experience moving through various societies as a femme-presenting genderqueer.

The author/co-author of six other poetry chapbooks, Ellen’s multi-genre writing has appeared in Augur, Anti-Heroin Chic, the Ex-Puritan, the Fiddlehead, Grain, Plenitude, Watch Your Head, and more. Their debut collection, Blood Belies (Wolsak & Wynn, 2024), was shortlisted for the Gerald Lampert Memorial Award. 

They are a co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII.

[Ellen Chang-Richardson launches this title in Ottawa on August 7, 2025 as part of the above/ground press 32nd anniversary reading/launch at RedBird Live; tickets available]

Chang-Richardson also had work appear in The Peter F. Yacht Club #32 (March 2023).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

the above/ground press 32nd anniversary reading/launch/party! August 7 at RedBird,

celebrating THIRTY-TWO YEARS of continuous activity (and nearly fourteen hundred publications), Ottawa publisher above/ground press presents:

readings and chapbook launches by:

Jason Christie (Ottawa), Monty Reid (Ottawa), Beatriz Hausner (Toronto), Ellen Chang-Richardson (Ottawa), Lina Ramona Vitkauskas (Toronto) + Mandy Sandhu (Toronto);

lovingly hosted by above/ground press editor/publisher rob mclennan
THURSDAY, AUGUST 7, 2025 at RedBird
7pm door/7:30pm reading 

$18 ; includes copies of three recent above/ground press titles ; Tickets available via RedBird, or at the door; [see the report here from last year’s event] 

author/performer biographies: 

Monty Reid was born in Saskatchewan, and currently lives in Ottawa. He is the author of the full-length collection Karst Means Stone (NeWest Press, 1979), The Life of Ryley (Thistledown Press, 1981), The Dream of Snowy Owls (Longspoon Press, 1983), The Alternate Guide (Red Deer College Press, 1985), These Lawns (Red Deer College Press, 1990), Dog Sleeps: Irritated Texts (NeWest Press, 1993), Crawlspace: New and Selected Poems (House of Anansi Press, 1993), Flat Side (Red Deer College Press, 1998), Disappointment Island (Chaudiere Books, 2006), Luskville Reductions (Brick Books, 2008), Garden (Chaudiere Books, 2014) and Meditatio Placentae (Brick Books, 2016), as well as a mound of chapbooks. The former Managing Editor of Arc Poetry Magazine, he was the Artistic Director of VERSeFest: Ottawa’s International Poetry Festival for more than a decade.

Reid is the author of seven titles through above/ground press: Six Songs for the Mammoth Steppe (2000), cuba A book (2005), In the Garden (sept series) (2011), Moan Coach (2013), seam (2018), Where there’s smoke (2023) and cuba A book: twentieth anniversary edition (2025), which he will be launching as part of this event. above/ground press produced Report from the Reid Society Vol. 1 No. 1 (2022).

Jason Christie lives and writes in Ottawa with his wife and two children and no pets. His published books include Canada Post (Invisible), i-Robot (EDGE/Tesseract), Unknown Author (Insomniac), and Cursed Objects (Coach House). He’s wrapping up a new collection that he wrote with/against/for AI.

Christie is the author of nine chapbooks with above/ground press: 8th Ave 15th St NW. (2004), Government (2013), Cursed Objects (2014), The Charm (2015), random_lines = random.choice (2017), glass language (excerpt) (2018), Bridge and Burn (2021) and glass / language / untitled / exaltation (2023; second printing, 2023), which won the bpNichol Chapbook Award, as well as PSA (2025), which he will be launching as part of this event.

Beatriz Hausner has published several poetry collections, including The Wardrobe Mistress (2003), Sew Him Up (2010), Enter the Raccoon (2012), Beloved Revolutionary Sweetheart (2020) and She Who Lies Above (2023), as well as many limited edition chapbooks. Her books have been published internationally and translated into several languages, including her native Spanish, French, and most recently Greek. Hausner writes extensively about surrealism and her translations of Spanish American surrealist poets have exerted an important influence on her own writing. Hausner has edited journals and magazines, including Open Letter, ellipse, Exile Quarterly, as well as many of the books published during her tenure as a publisher of Quattro Books. She is the editor of Someone Editions, and its current project French Letter Society. Beatriz Hausner was President of the Literary Translators’ Association of Canada and Chair of the Public Lending Right Commission. She lives in Toronto where she publishes The Philosophical Egg, an organ or living surrealism. Currently, with Russell Smith, she curates and runs the lecture series Soluble Fish. She will be launching her above/ground press debut chapbook, The Oh Oh (2025).

Ellen Chang-Richardson is an award-winning poet, multi-genre writer, judicial assistant, and editor of Taiwanese and Chinese Cambodian descent. A third culture kid at heart, Ellen’s writing is informed by their love of contemporary art, their concern with humanity’s impact on Earth, and their experience moving through various societies as a femme-presenting genderqueer. The author/co-author of six other poetry chapbooks, Ellen’s multi-genre writing has appeared in Augur, Anti-Heroin Chic, The Ex-Puritan, The Fiddlehead, Grain, Plenitude, Watch Your Head, and more. Their debut collection, Blood Belies (Wolsak & Wynn, 2024), was shortlisted for the Gerald Lampert Memorial Award. They are a co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII. Find out more at www.ehjchang.com. They will be launching their above/ground press debut, The Moleskin Coat (2025).

Lina Ramona Vitkauskas is a Canadian-American-Lithuanian formerly from Chicago, living in Toronto. She is an award-winning, published poet & video poet. She was a 2020 recipient of a PEN America grant for her development of an experimental poetry collection that adapted poems from Vsevolod Nekrasov and Bill Knott. She was also the voice of George Maciunas’ mother in the documentary, GEORGE (directed by Jeffrey Perkins) screened at MoMA and in Vilnius. Her work has been most recently featured in/at: Film Video Poetry Society (Los Angeles); Octopus Film Festival (Gdansk, Poland); John Gagné Contemporary Gallery (Toronto): Post-Future Era with Kunel Gaur, Justin Neely, and Confusions (Ben Turner); Poetic Phonotheque (Denmark); MOCA Toronto (public installation); SIFF (Moldova); Newlyn Film Festival (UK); Festival Fotogenia (Mexico); Midwest Poetry Fest (US); Vienna Video Poetry Festival (Austria); and the International Migration & Environmental Film Festival (Canada). Her website is linaramona.com. She will be launching her above/ground press debut, The Deaf Forest of Cosmic Scaffolding (2025).

Mandy Sandhu is a poet based in Oakville, Ontario. Her work, often in sonnet form, blends vivid imagery with sharp observation, drawing inspiration from writers like Sylvia Plath, the Beats, Dale Smith and Ted Berrigan.  Mandy works at Toronto Metropolitan University in the Disability Office. She will be launching her chapbook debut, The Temporary Space of a Placenta (2025).

for media inquires, as ever, send a note to rob mclennan at rob_mclennan (at) hotmail (dot) com,

 

some author activity: Chang-Richardson,Witek, mclennan, Kaplan, Eleftherion, MacEachern, Moure + Houglum,

forthcoming author Ellen Chang-Richardson answers the '12 or 20 questions'; forthcoming author Terri Witek is featured in the spotlight series; rob mclennan is interviewed by JWT BookAdventures; Genevieve Kaplan has work in the latest Word for Word; Melissa Eleftherion reads for the DMQ Virtual Salon; Jessi MacEachern answers four questions for Erín Moure via YouTube; and did you see that Brook Houglum is the second in the new series of author spotlights over at the above/ground press substack?

Jay Miller reviews the suitcase poem, ed. Amanda Earl (2025)

Montreal poet, translator and reviewer Jay Miller was good enough to provide the first review of the suitcase poem, ed. Amanda Earl (2025) over at Bibelotages. Thanks so much! You can read Miller's original post here. As Miller writes:

The Baggage Handlers, The Suitcase Poem

This is something only Canadian small press poetry could produce. The baggage handlers.

The Baggage Handlers is a shorthand for: Marie-Andrée Auclair, Gregory Betts, Jeff Blackman, Ellen Chang-Richardson, AJ Dolman, Amanda Earl, Doris Fiszer, Gwendolyn Guth, Jenna Jarvis, Chris "Stop" Johnson, Tanis MacDonald, Roz Toner, MW (Matthew Walsh).

This is an eight-page poem without a title, published by rob mclennan's above/ground press in 2025 and compiled by Amanda Earl.

What is this document and what is the nature and meaning of it?

George Steiner mentioned something similar Octavio Paz collaborated on 50 years ago with each collaborator producing something in their own language and appending it on to the original before passing it on. Steiner mentioned it in After Babel but I can't be arsed quite frankly. If you've read it, you already know exactly what I mean.

The Suitcase Poem reminds me of that.

There is something to be said about the uptick of writing groups, but a handful of these folks have been at it for quite a while and clearly it works for them so game on. Letter Killers Club.

How does the poem open?

    a suitcase [...]

I'm gonna skip ahead from here, because the poem doesn't pick up until the second page over, whereas the first feels very much like finding footing:

    stellar interstices, everything
    packed in, or un-, elbow of hinge
    distraction

    the cot/caught merger like traffic, the measured incursion

This is where a software development metaphor would come in so handy, because this is the type of verse that is so close to the metal it becomes abstract on a surface level but delightfully functional on a close-to-the-metal level when it comes to analyzing the prosody, meaning, metaphor, scansion and poetics.

What did you expect from a collaborative effort of over a dozen well-versed poets?

This is poetry for the poetry-maker. I don't even know if a hobbyist printer would appreciate this as much as a publisher such as rob mclennan. We may never have another one of him in the future.

This is something only Canadian small press poetry could produce. The baggage handlers.

The collaboration effort becomes apparent in cento-like instances such as:

    earlier today, when dad finally won
    their little game of telephone tag/hide/seek
    he told her that he'd heard it might rain
    maybe early next week
    maybe the one after

Honestly, I'm aware I'm cherry-picking excerpts, but what does this collab poem not say?

The same page ends, after an alternately-aligned bit of text that signals a counter-narrative running throughout the same length of the poem left-aligned:

    dad, a retired travelling salesman
    run as ragged at the edges
    as the empty garment bag
    at the back of the closet
    still yearns for the breeze
    and the emptiness of the road
    and waits for the day he can make off
    with the snugly packed suitcase
    he still keeps tucked under the bed

Obviously, I am glad Canadian poets are working on these collaborative efforts. It speaks to a certain level of cohesiveness, closeness and camaraderie. But doesn't reading this make you want to participate and feel bad for missing out on being invited? Amanda Earl refers to this phenomenon as JOMO: the joy of missing out.

    When we talk about suitcases, we want them tough
    and serenely riding the conveyor belt
    toward us in the airport of our choice

Amanda Earl writes the afterword:

    I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go.

Honestly, this is ephemera worth holding on to. A poem that directly challenges the concept of object, of poiesis, of what it means to be a Canadian poet? Immaculate.

above/ground press as part of the Riverbed Year-End Fundraiser!

above/ground press has donated a whole stack of chapbook titles for the sake of a fundraiser that Riverbed Reading Series, an Ottawa-based multidisciplinary performance series, is currently running. Here's the list of above/ground press titles offered, by some of the poets that have read as part of their fine series:

Shane Rhodes, It’s Here / All the Beauty / I Told You About (2024); Chris Johnson, Gravenhurst, a failed record of a roadtrip in haibun (2019); Claudia Coutu Radmore, camera obscura (2019); Chris Johnson, some of the raccoon poems (2022); Report from the Anstee Society. Vol. 1 No. 1. (2022); Grant Wilkins, Reading The Great Classics Of Canlit through Book 5 of bpNichol’s The Martyrology (2022); AJ Dolman, Scalpel, tea and shot glass (2004); Cameron Anstee, Regarding Renewal (2012); Cameron Anstee, Frank St. (2010); Mahaila Smith, Enter the Hyperreal (2024); Grant Wilkins, In Which Archibald Lampman / Translates Arthur Rimbaud (2023). So many things! They're holding their in-person event this Sunday, so why not take a look? Otherwise, there are ways to catch their fundraiser online, as well. Here's the email that Riverbed sent out, earlier today:

Riverbed Year-End Fundraiser
Sunday, March 2, 2025 from 1-3pm at Club SAW
in-person event only
featuring the launch of a limited edition commemorative five-year anniversary chapbook, silent auction with donations from local businesses and community organizations, special performances from co-founders Ellen Chang-Richardson and nina jane drystek, and a poetry karaoke open mic.

Commemorative chapbooks will be for sale at the event in a limited run of 30 copies. Payment via cash or e-transfer to riverbedreadingseries@gmail.com.

Donations from Evil Llama and Friends, Luck and Lavender Studio, Perfect Books Ottawa, Victoire Boutique, Beechwood Pottery Studio, Ottawa International Writers Festival, Versefest, Lindsay Meyers RMT, Curtis Perry Photography, Art House Café, Manahil Bandukwala Art, and more.

If people cannot attend in-person, they can make a donation to support Riverbed online: https://www.gofundme.com/f/support-riverbed-reading-series-S6

new from above/ground press: the suitcase poem, ed. Amanda Earl

the suitcase poem
Marie-Andrée Auclair * Gregory Betts * Jeff Blackman * Amanda Earl * Ellen Chang-Richardson * AJ Dolman * Doris Fiszer * Gwendolyn Guth * Jenna Jarvis * Chris Johnson * Tanis MacDonald * Roz Toner * MW
$5

Afterword
Since hearing about Ursula K. Le Guin’s Carrier Bag Theory of Fiction on David Naimon’s Between the Covers podcast as part of the show’s “Crafting with Ursula” series, I have contemplated its potential for poem-making. The basic idea is that while stories in Western narrative are usually told from the point of view of a hero, centering conflict and violence, a lot goes missing in such a telling. Le Guin images stories as holding living beings, as a way to nurture and gather. I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go. I shared a Google document and invited people to add lines and words to the text. No one individual is the centre of this poem, the author of the story. In fact, there are many suitcases here, many containers. I love being part of this thriving and creative literary community. I thank all the contributors for taking this journey with me. Gratitude, as always, to rob mclennan for agreeing to publish the poem as an above/ground press chapbook.
~ Amanda Earl

published in Ottawa by above/ground press
January 2025
a/g subscribers receive a complimentary copy

In Lieu of Biographies, Suitcases

Before Marie-Andrée Auclair packs their suitcase, they ask: Who will we be there, could we be a better version of us? Are we ready for all kinds of weather? Readiness takes up space.  But there is always room to bring back intangibles. It was years before Gregory Betts owned a suitcase with wheels, great lugs of things heavy with resistance to travel. The sheer weight of them was the inertia against which all destinations, Vancouver to Toronto, Toronto to Halifax, and all points in between, were measured. Was the sweat worth the burden? With elbows firmly locked against hips, and a damp brow, this was how he once set out into the world. Jeff Blackman's first suitcase had green stripes and two metal latches. He filled it with toys to take to his grandparents' house on the Mountain. Ellen Chang-Richardson found their favourite suitcase buried in a vintage shop in Covent Garden, London, England. They toted it around the world for years until its untimely demise. AJ Dolman's suitcase is currently filling with other people's memories as they move family members into care: a Delft candy dish, red leather pocket book of playing cards, Russian tea box, distinct treasures aching for new meaning, the outsized absence of everything declined. Amanda Earl used her first suitcase to run away from home. She packed dolls & dinky toys & hid w/ tiger lilies on the outside of the wrought iron & stone fence that divided the red brick house from Brock Road in Wilfrid, Ontario.  Doris Fiszer frequently dreams of an oversized suitcase that she is hurriedly packing with lint brushes, flip-flops, cooking utensils and purple hoodies. In these nocturnal adventures, she usually travels to bustling cities with her departed. Gwendolyn Guth's retro suitcase contains grains of sand from a former life. The grains remind her of an unimaginable shade of turquoise. They summon and they abandon. Snow continues to fall in rural Quebec and all is well. Jenna Jarvis has a habit of shoving her worldly possessions into a suitcase or two. Chris Johnson's favourite suitcase was bought at Goodwill, and was irreparably damaged by WestJet in 2012. Chris got $150 to purchase a replacement suitcase. Tanis MacDonald's suitcase is packed full of holes. Every time she travels, she brings back a little more nothing. Roz Toner stores all of their zines in a monogrammed suitcase. To be clear, they haven't a clue who A.E.M. is or was. MW had a blue suitcase that housed a unicorn that loved the dark and loved glow sticks. You could see the shine from the glow sticks even when the suitcase was completely shut like a mouth with nothing to say.

Amanda Earl is the author of ten chapbooks with above/ground press: Eleanor (2007), The Sad Phoenician’s Other Woman (2008), Sex First & Then A Sandwich (2012), A Book of Saints (2015), Lady Lazarus Redux (2017), The Book of Mark (2018), Aftermath or Scenes of a Woman Convalescing (2019), Sessions from the DreamHouse Aria (2020), a field guide to fanciful bugs (2021) and THE BEFORE, an excerpt from Welcome to Upper Zygonia (2022). She edited the first issue of G U E S T [a journal of guest editors] (2018), and above/ground press produced Report from the Earl Society, Vol. 1 No. 1 as a festschrift on her ongoing work in 2022.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com