the suitcase poem
Marie-Andrée Auclair * Gregory Betts * Jeff Blackman * Amanda Earl * Ellen Chang-Richardson * AJ Dolman * Doris Fiszer * Gwendolyn Guth * Jenna Jarvis * Chris Johnson * Tanis MacDonald * Roz Toner * MW
$5
Afterword
Since hearing about Ursula K. Le Guin’s Carrier Bag Theory of Fiction on David Naimon’s Between the Covers podcast as part of the show’s “Crafting with Ursula” series, I have contemplated its potential for poem-making. The basic idea is that while stories in Western narrative are usually told from the point of view of a hero, centering conflict and violence, a lot goes missing in such a telling. Le Guin images stories as holding living beings, as a way to nurture and gather. I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go. I shared a Google document and invited people to add lines and words to the text. No one individual is the centre of this poem, the author of the story. In fact, there are many suitcases here, many containers. I love being part of this thriving and creative literary community. I thank all the contributors for taking this journey with me. Gratitude, as always, to rob mclennan for agreeing to publish the poem as an above/ground press chapbook.
~ Amanda Earl
published in Ottawa by above/ground pressJanuary 2025
a/g subscribers receive a complimentary copyIn Lieu of Biographies, SuitcasesBefore
Marie-Andrée Auclair packs their suitcase, they ask: Who will we be there, could we be a better version of us? Are we ready for all kinds of weather? Readiness takes up space. But there is always room to bring back intangibles. It was years before
Gregory Betts owned a suitcase with wheels, great lugs of things heavy with resistance to travel. The sheer weight of them was the inertia against which all destinations, Vancouver to Toronto, Toronto to Halifax, and all points in between, were measured. Was the sweat worth the burden? With elbows firmly locked against hips, and a damp brow, this was how he once set out into the world.
Jeff Blackman's first suitcase had green stripes and two metal latches. He filled it with toys to take to his grandparents' house on the Mountain.
Ellen Chang-Richardson found their favourite suitcase buried in a vintage shop in Covent Garden, London, England. They toted it around the world for years until its untimely demise.
AJ Dolman's suitcase is currently filling with other people's memories as they move family members into care: a Delft candy dish, red leather pocket book of playing cards, Russian tea box, distinct treasures aching for new meaning, the outsized absence of everything declined.
Amanda Earl used her first suitcase to run away from home. She packed dolls & dinky toys & hid w/ tiger lilies on the outside of the wrought iron & stone fence that divided the red brick house from Brock Road in Wilfrid, Ontario.
Doris Fiszer frequently dreams of an oversized suitcase that she is hurriedly packing with lint brushes, flip-flops, cooking utensils and purple hoodies. In these nocturnal adventures, she usually travels to bustling cities with her departed.
Gwendolyn Guth's retro suitcase contains grains of sand from a former life. The grains remind her of an unimaginable shade of turquoise. They summon and they abandon. Snow continues to fall in rural Quebec and all is well.
Jenna Jarvis has a habit of shoving her worldly possessions into a suitcase or two.
Chris Johnson's favourite suitcase was bought at Goodwill, and was irreparably damaged by WestJet in 2012. Chris got $150 to purchase a replacement suitcase.
Tanis MacDonald's suitcase is packed full of holes. Every time she travels, she brings back a little more nothing.
Roz Toner stores all of their zines in a monogrammed suitcase. To be clear, they haven't a clue who A.E.M. is or was.
MW had a blue suitcase that housed a unicorn that loved the dark and loved glow sticks. You could see the shine from the glow sticks even when the suitcase was completely shut like a mouth with nothing to say.
Amanda Earl is the author of ten chapbooks with above/ground press:
Eleanor (2007),
The Sad Phoenician’s Other Woman (2008),
Sex First & Then A Sandwich (2012),
A Book of Saints (2015),
Lady Lazarus Redux (2017),
The Book of Mark (2018),
Aftermath or Scenes of a Woman Convalescing (2019),
Sessions from the DreamHouse Aria (2020),
a field guide to fanciful bugs (2021) and
THE BEFORE, an excerpt from Welcome to Upper Zygonia (2022).
She edited the first issue of G U E S T [a journal of guest editors] (2018), and above/ground press produced
Report from the Earl Society, Vol. 1 No. 1 as a festschrift on her ongoing work in 2022.
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