Billy Mavreas recently discovered two reviews of his above/ground press chapbooks we weren't previously aware of, as "Ryan C." reviewed B V A (2019) over at his blog here, and drop (2020) over at his blog here. Thanks so much! Especially given that these are the first reviews of either, we are even that much more grateful. And did you hear that Mavreas has a full-length forthcoming from Conundrum Press? That's pretty cool.
Showing posts with label Billy Mavreas. Show all posts
Showing posts with label Billy Mavreas. Show all posts
Sunday, December 19, 2021
Saturday, November 13, 2021
some author activity: hanna, Tracy, Niespodziany, Betts, Beaulieu, Siklosi, Spinosa, Mavreas, Flemmer, Archer + Barwin,
natalie hanna has some new work up at where is the river; Dale Tracy participates in the Spotlight series; Benjamin Niespodziany has a new poem up at The Indianapolis Review; and Gregory Betts and Derek Beaulieu have co-edited a new short visual poetry anthology available as a free pdf, 14 Ways of Being Kinder to the Earth, with poems by fourteen visual poets, including Kate Siklosi, Dani Spinosa, Billy Mavreas, Kyle Flemmer, Sacha Archer and Gary Barwin.
Saturday, August 28, 2021
some author activity: O'Reilly, Joseph, Mavreas, Tate, Betts + MacEachern,
Nathanael O'Reilly is interviewed over at Fevers of the Mind, and has a new poem up at Beir Bua Journal; Alexander Joseph has a poem up in the "Tuesday poem" series; a CBC article on Montreal's Billy Mavreas closing down his "curiosity shop and art gallery" after twenty years; and Bronwen Tate, Gregory Betts and Jessi MacEachern all have new work online at Carousel magazine.
Tuesday, September 15, 2020
new from above/ground press: drop, by Billy Mavreas
Billy Mavreas
$4
published in Ottawa by above/ground press
September 2020
a/g subscribers receive a complimentary copy
Billy Mavreas (he/him) is an interdisciplinary artist working with text, image, found materials.
This is Billy Mavreas’ third above/ground press title, after A MERCY OF SIGNS (2018) and B V A (2019).
To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com
Saturday, March 7, 2020
some author activity: mclennan, Tate, Kaminski, Hunter, Reed, Mavreas + Desbarats,
above/ground authors rob mclennan, Bronwen Tate, Megan Kaminski and Carrie Hunter etc participate in the dusie kollektiv 9, as a tribute to the late Marthe Reed, with new chapbooks in tribute to Reed now online as free pdfs via DUSIE 22; Billy Mavreas has new visual work up at Train : a poetry journal; and Michelle Desbarats has new work in the Glebe Report.
Saturday, December 14, 2019
some author activity: Turnbull, Mavreas, Clayton, Barwin, Eleftherion + Braune,
[accidental blueberry damage to a stack of Chris Turnbull chapbooks, during one of my weekends away on the farm] Billy Mavreas and Conyer Clayton, among others, have new work in the twelfth issue of Amanda Earl's experiment-o; Gary Barwin has some poems online at Granta; Melissa Eleftherion has three new poems up at Burning House Press; and Sean Braune is interviewed in the '12 or 20 questions' series.
Saturday, April 27, 2019
some author activity: Rogal, Harris, mclennan, Saklikar, Siklosi, Koss + Mavreas,
Stan Rogal has a new poem up at the Chaudiere Books blog for National Poetry Month, as do Sharon Harris, rob mclennan, Renée Sarojini Saklikar, Kate Siklosi and forthcoming author Zane Koss; a video of Billy Mavreas reading at the New Dominion Reading Series in Vancouver on April 13, 2019 has been posted on YouTube; and rob mclennan also has a new poem up at Train : a poetry journal.
Saturday, March 23, 2019
some author activity: Perry, Mavreas, Dreiblatt, Iijima, Reed + Gray,
forthcoming above/ground press author Paul Perry answers the "12 or 20 questions" interview; Billy Mavreas is interviewed over at poetry mini interviews; Ian Dreiblatt is now a columnist for The Believer; Brenda Iijima introduces the late Marthe Reed's Arc Hive via Tupelo Quarterly; and Evan Gray has a poem up in the Tuesday poem series via the Dusie blog.
Friday, March 8, 2019
new from above/ground press: B V A, by Billy Mavreas
Billy Mavreas
$4
NOTES
This series of constrained concrete poems was set in motion by a stack of salvaged provincial election stickers, each 3 x 7 inch sticker consisting only of the capital letters B V A printed green on light cream paper.
I have hand torn one sticker and reassembled the parts to compose one poem.
27 unique poems complete the series, this chapbook comprises a selection of these.
Very special thanks to PVR for saving what others would readily throw away.
published in Ottawa by above/ground press
March 2019
a/g subscribers receive a complimentary copy
Billy Mavreas is a Montreal based artist and writer. His work has appeared in Ascent, Asemic, bOING bOING, Braincell, Carousel, Comics Journal, filling Station, Fish Piss, Five Million Copies, fhole, F.O.D., Four Minutes to Midnight, Hopital Brut, Iron Feather Journal, Malefact, OL, Salon, The Bleed, Transmog, Queen Street Quarterly, Union Shop Bluff, Xerolage and many more.
This is Billy Mavreas’ second above/ground press title, after A MERCY OF SIGNS (2018).
To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com
Wednesday, December 19, 2018
Amanda Earl reviews four (more) 2018 titles: Jenna Jarvis' year of pulses, Jason Christie's glass language, Billy Mavreas' A Mercy of Signs and Stephen Brockwell's Immune to the Sacred
For the second year in a row, the esteemed and muchly generous poet, editor, publisher and reviewer (and above/ground press author) Amanda Earl provides further reviews of her favourite above/ground press titles of the past year (see her 2017 lists here, here and here; and the first part of her 2018 list here), providing a first review of Jenna Jarvis' year of pulses, a first review of Jason Christie's glass language, a second review of Billy Mavreas' A Mercy of Signs (after Greg Bem reviewed such over at Goodreads) and a first review of Stephen Brockwell's Immune to the Sacred. Thanks so much! And of course, all of these titles are still in print! Madness, really. You can see Amanda's full review here.
Saturday, October 27, 2018
some author activity: Mavreas, Tucker, Townsend + Dennis,
Billy Mavreas is discussed briefly by Al Filreis over at Jacket2; Aaron Tucker is interviewed over at Train : a poetry journal; Jamie Townsend has a new poem up in the Tuesday poem series; and Michael Dennis and Kirsty Jackson are interviewed on their art collection.
Sunday, September 16, 2018
Greg Bem reviews Billy Mavreas' A MERCY OF SIGNS (2018)
Our pal Greg Bem was good enough to provide the first review for Billy Mavreas' A MERCY OF SIGNS (2018) at Goodreads. Thanks so much! You can see the original review here.
The book "reads" like a crime-scene, like post-crisis, like decay. It is small and mysterious, deceptive, riddled with complexities. Post-apocalypse or just plain storm drain, this is a book with an aesthetic that shadows and shadows well.
Wednesday, September 5, 2018
REPORT: THE ABOVE/GROUND PRESS SILVER ANNIVERSARY READING/LAUNCH/PARTY!
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| lovable editor/publisher/host rob mclennan ; photo by Julia Polyck-O'Neill |
Already a week-plus behind me, and I’m still reeling from
the recent silver anniversary above/ground press event at Vimy Brewing Company: an incredible
array of readings, writing and support, celebrating twenty-five years of
above/ground press [I forgot to report on last year's, but do you remember the year prior? That was fun. And the Toronto event? Or the 19th anniversary?]. Thanks so much to everyone who came out to hear, came out
to read, and/or came out to otherwise assist with the event, including valuable
tech-asssists by Stephen Brockwell
and Monty Reid, book tabling by Anita Dolman and door-coverage by Allie Duff and Marilyn Irwin. The staff at Vimy Brewing Company were incredibly generous, and the space was perfect for the
event. My only disappointment was the realization that gifts of silver weren’t forthcoming,
despite my hints, given the twenty-fifth anniversary, that such would be
certainly welcome.
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| Anita Dolman sporting the new above/ground press anniversary shirt ; photo by Pearl Pirie |
This event also saw the
introduction of above/ground press t-shirts! Lovingly designed by Christine McNair, utilizing the classic
above/ground press logo, and produced by Ottawa’s own Troublemaker Print! Tote bags were also ordered, but the bags
themselves were backordered by the supplier, so they have yet to arrive (I’m
also putting another order in soon for t-shirts, so if you have any specific
size requests, please let me know: I’m selling them for $25 (shipping, at least
to anywhere in North America, included)). Send me an email to see what I have
on-hand, and what sizes I might be ordering, and when (rob_mclennan (at) hotmail.com).
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| photo by Pearl Pirie |
Really, it was just grand to be able to see so many people I
like in one place, and the audience included multiple friends and above/ground
press authors alike, including Karen
Massey, Kees Kapteyn, Amanda Earl, Pearl Pirie, Chris
Turnbull, Gwendolyn Guth, Allison Calvern, Cameron Anstee, Rob Fairchild,
Avonlea Fotheringham, Michael Dennis, Grant Wilkins, Conyer Clayton, Robert
Hogg, Grant Savage, David Scrimshaw, jwcurry and many, many others. Unfortunately,
given we were technically out of town for the weekend, watching my father’s
house/pets as well as my sister’s, Christine wasn’t able to make the event at
all (I attempted an audio recording of the evening, but god knows if it actually worked), solo at the McLennan homestead an hour away, with the girls: watching two
dogs, two cats, a guinea pig and a fish. It did, at least, mean that I could stay
out a bit later, and even host Billy Mavreas over at our wee house. The following
morning, I might add, was not an early one (and involved me driving an hour,
once I finally woke and delivered Billy, post-breakfast, to the bus station).
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| Aaron Tucker ; photo by Stephen Brockwell |
Old pal Aaron Tucker opened the event, as well
as the first set, reading from his third above/ground press title, Catalogue d’Oiseaux (2018), an excerpt of a much longer work-in-progress, dedicated to his
partner, Julia Polyck-O’Neill. I’m fascinated by the long stretch of lines, and
the accumulation, existing as a single, extended poem.
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| natalie hanna ; photo by Stephen Brockwell |
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| photo by Pearl Pirie |
I’ve
been fortunate enough to be aware of natalie
hanna’s work for some time now, since she emerged somewhere in the
mid-1990s, before retreating into law school. Fortunately for us, she
reappeared after a few years, and has been impressing us ever since. Reading from
her new chapbook, some of which responds directly as a call-and-response with
recent work by Stephen Brockwell, she ended her set with a startling poem for
multiple voices, adding Liam Burke, Conyer Clayton,
Cameron Anstee, Nathanael Larochette and Frances Boyle for a piece that description
can’t do justice.
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| Natalee Caple ; photo by Julia Polyck-O'Neill |
It
was great to be able to hear Natalee
Caple read from her Love / Wildness (2018), especially knowing
that she’ll be doing more of such next spring, when the book-length version
appears with Wolsak and Wynn. She drove the whole family from St. Catharines,
Ontario to Ottawa for the event, but their twins became immediately infatuated
with Jason Christie’s small children (who could blame them?) and decided to
remain there, instead of coming out to the reading. I can’t even remember the
last time I heard Natalee read, but it would have been at The TREE Reading
Series back when the readings were held at SAW Gallery; at least five years
ago? Seven?
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| Billy Mavreas ; photo by Stephen Brockwell |
Opening
the second set of readers, Montreal’s Billy
Mavreas launched his visual collection A MERCY OF SIGNS (2018) by discussing the difficulty with reading from a
collection of visuals, and managed to give a performance on marginalia that felt like a
silent sound poem. Why doesn’t this guy have a full-length collection of his
concrete and visual poetry yet? He has micropress publications going back years,
from an array of publishers, including self-published, and his work deserves
far more attention.
| Stephen Brockwell ; photo by rob mclennan |
Stephen Brockwell really is one of my
favourite humans. It is always such a pleasure and a delight to interact with
him at all, and I do think his ongoing thoughtfulness and generosity of spirit
is often taken for granted. As part of reading his latest title, Immune to the Sacred (2018), he read
some of the poems he had composed in conversation with natalie hanna. I’m
curious to see where this conversation might go, and what form the eventual
larger conversation might take. Will this ever appear as a single-unit
collaboration/conversation, or will the threads remain more disperate?
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| Phil Hall ; photo by Stephen Brockwell |
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| Stuart Kinmond ; photo by Pearl Pirie |
Phil Hall’s collaboration
with artist Stuart Kinmond, Alternative Girders (2018), provided an
opportunity for both to present on the two sides of their conversation, from
Hall’s words to Kinmond’s visuals, backdropped beautifully by Kinmond’s own
work. Hall’s thoughtfulness is expansive, and incredibly precise, and he
manages to both capture an attention to the smallest moment as well as somehow
see the big picture, simultaneously. I’m curious to see if their collaboration
continues beyond the work gathered in his small chapbook.
| Jason Christie ; photo by rob mclennan |
Jason Christie opened the
third set, launching his sixth chapbook with the press, by reading excerpts
from every one of his above/ground press titles, from his Calgary-work 8th Ave
15th St NW. (2004) to works produced since their move to Ottawa: Government (2013), Cursed Objects (2014), The
Charm (2015), random_lines =
random.choice (2017) and glass language (excerpt) (2018). One of my favourite people these days, I am very
much looking forward to his next full-length title, out next spring with Coach
House Books.
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| Julia Polyck-O'Neill ; photo by Stephen Brockwell |
I’ve
been quite taken with the work of Julia
Polyck-O’Neill, seemingly appearing out of nowhere to appear fully-formed
and confident in her work, allowing above/ground press to produce two chapbooks of her writing so far. And did you see this recent interview up at Train: a poetry journal? There is some
absolutely amazing work happening here, and worthy of far more attention. I’m
just hoping the next time we cross paths, I’m actually able to spend some time
talking to her (the evening made for very little in the way of larger
conversation with just about anyone).
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| Stuart Ross ; photo by Stephen Brockwell |
A personal
favourite, Stuart Ross closed the
event with a reading from his above/ground press debut, ESPESANTES (2018). Given his generous example as a poet, editor, reviewer,
chapbook publisher and supporter over some four decades, I was incredibly
grateful to have Ross included in such an event. His own Proper Tales Press
will be forty years old next year, if you can imagine it. I just hope that 2019
sees some kind of proper acknowledgement for his ongoing contribution and
support of small and micro press.
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| Julia Polyck-O'Neill, rob mclennan and Aaron Tucker ; photo by Julia Polyck-O'Neill |
Twenty-five
years! God sakes. And of course, after weeks of lead-up, I managed to crash
entirely after the event, falling into a combination of exhaustion/sinus cold
that lingers. And, as well, the inevitable look forward to what publications
will emerge next. Work is already underway on more than a couple of titles,
with still-forthcoming chapbooks by Erín Moure (which has appeared already, in the time it took me to write this up), Ian Dreiblatt, Melissa Eleftherion, Kyle Flemmer, Lisa Rawn, Sean
Braune, Michael Martin Shea, Cole Swensen, Jennifer Stella, Jamie Townsend,
Sara Renee Marshall, Dennis Cooley, Mark Laliberte, Sacha Archer, Sandra Ridley
and multiple others. Watch for 2019
subscriptions to announce on October 1st! (or just send me an
email if you really can’t wait)
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| photo by Pearl Pirie |
And:
if you’ve been keeping track, above/ground press has done anniversary anthologies
every ten years, so this year won’t be seeing such, but watch for the launch of a special twenty-fifth
anniversary project at the Ottawa international writers festival on October 30th,
featuring readings by Sarah Mangold (Seattle), Gil McElroy (Colborne) and
Sandra Ridley (Ottawa)!
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| photo by Pearl Pirie |
But
don’t you worry: a thirtieth anniversary collection is in the works. Picton,
Ontario publisher Invisible Publishing
recently accepted the project, which will appear in print in 2023! I mean, that
might sound like a long time away, but it really isn’t…
Wednesday, August 15, 2018
new from above/ground press: A MERCY OF SIGNS, by Billy Mavreas
A MERCY OF SIGNS
Billy Mavreas
$4

published in Ottawa by above/ground press
August 2018
celebrating twenty-five years of above/ground press
a/g subscribers receive a complimentary copy
Billy Mavreas [see his 2016 Touch the Donkey interview here] is a Montréal based writer and artist who makes comics, collage, visual poetry and more. His studio and art shop, Monastiraki, is celebrating twenty years of idiosyncrasy in the Mile-End neighbourhood (1998-2108).
[Billy Mavreas will be launching this title as part of THE ABOVE/GROUND PRESS SILVER ANNIVERSARY READING/LAUNCH/PARTY on August 25, 2018 at Ottawa's Vimy Brewing Company!]
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
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