Showing posts with label derek beaulieu. Show all posts
Showing posts with label derek beaulieu. Show all posts

Sunday, May 10, 2026

new from above/ground press: Sparky and Squire, by Derek Beaulieu

Sparky and Squire
Derek Beaulieu
$6


published in Ottawa by above/ground press
May 2026
produced in part for activity at Banff Centre, May 11-18, 2026, as part of the 50th anniversary of the University of Alberta Writer-in-Residence program
a/g subscribers receive a complimentary copy


Dr. Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent book, Do It Wrong: How to be a Poet in the 21st Century, was published by Assembly Press in the Spring of 2026. Beaulieu has received the Queen Elizabeth II Platinum Jubilee Medal for his dedication to Albertan literature and CCWWP Robert Kroetsch Award for excellence in innovative pedagogy and teaching practice. He is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award’ and the only graduate in creative writing to receive Roehampton University’s Chancellor’s Alumni Award. Beaulieu has served as Poet Laureate of both Calgary and Banff and is the Director of Literary Arts at Banff Centre for Arts and Creativity. He can be found online at www.derekbeaulieu.ca

This is Derek Beaulieu’s twelfth above/ground press chapbook, after an issue of the long poem magazine STANZAS (“calcite gours 1-19,” issue no. 38), the interview chapbook ECONOMIES OF SCALE: rob mclennan interviews derek beaulieu on NO PRESS / derek beaulieu interviews rob mclennan on above/ground press (2012) and single-author chapbooks “A? any questions? (1998), [Dear Fred] (2004), HOW TO EDIT, Chapter A. (ALBERTA SERIES #8; 2008), transcend transcribe transfigure transform transgress (2014), a a novel: 1-20 (2017), tattered sails (after un coup de des) (2018), CABARET (2020), ONTARIO HYDRO (2023) and tattered sails (after un coup de des) (second printing, 2023).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Sunday, November 12, 2023

The Factory Reading Series pre-small press book fair reading, November 17: Kearney, Hawes, Pennock, Beaulieu + (possibly) McNair,

span-o (the small press action network - ottawa) presents:

The Factory Reading Series
the glorious return (after four years!) of the pre-small press book fair reading
celebrating 29 years of the ottawa small press book fair
featuring readings by:

Rae Kearney (new to Ottawa!)
James Hawes (Montreal)
Tyler Pennock (Toronto)
Derek Beaulieu (Banff)
              + possibly (childcare-dependant)
Christine McNair (Ottawa)
lovingly hosted by rob mclennan
Friday, November 17, 2023
doors 7pm; reading 7:30pm
The Carleton Tavern,

223 Armstrong Street (at Parkdale; upstairs)

[And don’t forget the ottawa small press book fair, held the following day (NOTE DIFFERENT LOCATION) at the Tom Brown Arena]

Rae Kearney
[pictured] is a poet and designer who just moved to Ottawa after spending time on the west coast. This year, she helped edit and design The Lupine (2023), a new journal published alongside the Whistler Writers Festival. Previous work can be found at above/ground press (2020) and in antilangmag no.3 (Winter 2019).

James Hawes
lives and writes and makes films in Montreal. His poems have been published in print and online journals across Canada. His full length book of poetry Breakfast With a Heron (Mansfield Press) was shortlisted for the 2020 ReLit Award. He is the author of 3 chapbooks; Bus Metro Walk (Monk Press) was long-listed for the inaugural Nelson Ball Prize, The Hotdog Variations (above/ground press) and under an overpass, a fox (Turret House) was recently shortlisted for the 2023 Nelson Ball Prize. He started Turret House Press in 2023, dedicated to publishing new and experimental Canadian poetry. He has 2 cats.

Tyler Pennock is the inaugural Indigenous Writer-in-Residence at Carleton University. They are a two-spirit adoptee from a Cree and Metis family around the Lesser Slave Lake region of Alberta, and is  a member of Sturgeon Lake Cree Nation. They graduated from Guelph University’s Creative Writing MFA program in 2013.Their first book, BONES (Brick Books) was shortlisted for the Gerald Lampert Memorial Award and the Indigenous Voices Award for Poetry. Their second book, BLOOD was released in September 2022. They currently teach at the Centre for Indigenous Studies at the University of Toronto.

Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent volume of fiction, Silence: Lectures and Writings, was published by Sweden’s Timglaset Books, his most recent volume of poetry, Surface Tension, was published by Toronto’s Coach House Books. Beaulieu has won multiple local and national awards for his teaching and dedication to students, the Queen Elizabeth II Platinum Jubilee Medal for this dedication to Albertan literature and is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award.’ Beaulieu holds a PhD in Creative Writing from Roehampton University, has served as poet laureate of both Calgary and Banff, and is the Director of Literary Arts at Banff Centre for Arts and Creativity.

Christine McNair is the author of Charm (Book*hug, 2017) and Conflict (Book*hug, 2012). McNair lives in Ottawa where she works as a book doctor. And she even has a new chapbook with shreeking violet press!

Friday, March 10, 2023

2023 #AWP (unofficial) offsite (virtual) readings : day four of five: Beaulieu, O’Reilly, Izsak, Qi + Smith,

Furthering this week’s thread as part of the above/ground press thirtieth anniversary as an adjunct to this year’s Association of Writers and Writing Programs annual Conference and Bookfair, today’s penultimate post wonders if anyone is even catching these? I hear these events are pretty exciting, albeit expensive. Is everyone at home simply pretending that none of this exists? It’s nearly spring, you know. Isn’t my birthday coming up as well?

Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent volume of fiction, Silence, is forthcoming from Sweden’s Timglaset Books, his most recent volume of poetry, Surface Tension, was published by Toronto’s Coach House Books. Beaulieu has won multiple local and national awards for his teaching and dedication to students, the Queen Elizabeth II Platinum Jubilee Medal for this dedication to literature, and is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award.’ Beaulieu holds a PhD in Creative Writing from Roehampton University, is Banff’s Poet Laureate, and the Director of Literary Arts at Banff Centre for Arts and Creativity.

Nathanael O’Reilly is an Irish-Australian poet; he teaches creative writing at The University of Texas at Arlington. His nine collections include Selected Poems of Ned Kelly (Beir Bua Press, 2023), Boulevard (Beir Bua Press, 2021), (Un)belonging (Recent Work Press, 2020), BLUE (above/ground press, 2020) and Preparations for Departure (UWAP, 2017). His poetry appears in over one hundred journals and anthologies published in fourteen countries, including Another Chicago Magazine, Anthropocene, Cordite, The Elevation Review, Identity Theory, The Madrigal, New World Writing Quarterly, Trasna, Westerly and Wisconsin Review. He is the poetry editor for Antipodes: A Global Journal of Australian/New Zealand Literature.

Emily Izsak lives and writes in Toronto, ON. Her poetry tends to combine surreal imagery, linguistic play, and formal experimentation. Her work has been published in Arc Poetry Magazine, The Puritan, House Organ, Cough, The Steel Chisel, The Doris, and CV2. In 2014 she was selected as PEN Canada’s New Voices Award nominee. Her first full-length collection, Whistle Stops: A Locomotive Serial Poem, was published by Signature Editions in April 2017. She has published two chapbooks with above/ground press: Twenty-five and Never Have I Ever.

Jenny Qi is the author of Focal Point, winner of the 2020 Steel Toe Books Poetry Prize. Her essays and poems have been published in The New York Times, The Atlantic, ZYZZYVA, and elsewhere. She has received support from organizations such as Tin House, Omnidawn, Kearny Street Workshop, and the San Francisco Writers Grotto. Born in Pennsylvania to Chinese immigrants, she grew up mostly in Las Vegas and now lives in San Francisco, where she completed her Ph.D. in Cancer Biology. She has been translating her late mother’s memoirs of the Chinese Cultural Revolution and immigration to the U.S. and is working on more essays and poems in conversation with this work.

“Note: Focal Point came out in October 2021, but Jenny is aggressively bad at making videos (in her own words) and sent this one from earlier that year.”

Pete Smith. Born in the English Midlands, then moved to Kamloops in 1974. Spent a working life supporting folk with intellectual plus psychiatric disability to find a place in the world and trying to help the rest of the world see the person in each of them – a task each generation must take up anew. Poetry published in a dozen chapbooks (above/ground, Oystercatcher, Wild Honey, Poetical Histories, and other fine presses), sundry magazines, and Bindings with Discords, 2015, from Shearsman. Reviews and essays on writers such as Alice Notley, Lisa Robertson, Lissa Wolsak, W D Snodgass, Keston Sutherland, Sharon Thesen, Barry MacSweeney, Trevor Joyce, John James can be found in such places as Agenda, The Gig, Crayon, Capilano Review, The Salt Companion to John James.  Recently preoccupied with translating Osip Mandelstam’s poems from the winter of 1933-34: some published in Snow 9 and 10. First of a series called Translation Suites appeared in Guest No. 23, edited by David Dowker.

 

Wednesday, March 1, 2023

new from above/ground press: tattered sails (after un coup de des) (second printing), by Derek Beaulieu

Derek Beaulieu
tattered sails (after un coup de des)
second printing
$5


 

Notes:

“Tattered Sails” is a visual interpretation of Marcel Broodthaers’s response to Stephane Mallarme’s “Un coup de Dés jamais n'abolira le Hasard.” In 1969, Broodthaers published an edition in which he replaced all of the text in Mallarme’s poem with black bars the size and shape of the original’s writing. The resultant text highlights the radical layout of Mallarme’s poem, with reading across 2-page spreads, shifting type sizes and a shifting reading diction. Broodthaers’ version of “Un coup de Dés” elevates layout and structure to the level of writing itself; content becomes secondary to decisions of the tactile treatment of text.

With “Tattered Sails”, I have continued the tactile treatment of this poem by folding the double-sized pages of Broodthaers’ poem (suggesting the hang and fold of sails on the mast) , shifting Broodthaers’  bars in to the heaving beams and broken masts of a ship-wreck of meaning.

published in Ottawa by above/ground press
March 2023
as part of above/ground press’ thirtieth anniversary
originally produced for the sake of the author’s participation in KANADA KONCRETE, verbi-voco-visual poetries in the multimedia age conference at the University of Ottawa, May 4-6, 2018
a/g subscribers receive a complimentary copy

Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent volume of fiction, Silence, is forthcoming from Sweden’s Timglaset Books, his most recent volume of poetry, Surface Tension, was published by Toronto’s Coach House Books. Beaulieu has won multiple local and national awards for his teaching and dedication to students, the Queen Elizabeth II Platinum Jubilee Medal for this dedication to literature, and is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award.’ Beaulieu holds a PhD in Creative Writing from Roehampton University, is Banff’s Poet Laureate, and the Director of Literary Arts at Banff Centre for Arts and Creativity.

This is Derek Beaulieu’s eleventh above/ground press chapbook, after an issue of the long poem magazine STANZAS (“calcite gours 1-19,” issue no. 38), the interview chapbook ECONOMIES OF SCALE: rob mclennan interviews derek beaulieu on NO PRESS / derek beaulieu interviews rob mclennan on above/ground press (2012) and single-author chapbooks “A? any questions? (1998), [Dear Fred] (2004), HOW TO EDIT, Chapter A. (ALBERTA SERIES #8; 2008), transcend transcribe transfigure transform transgress (2014), a a novel: 1-20 (2017), tattered sails (after un coup de des) (2018), CABARET (2020) and ONTARIO HYDRO (2023).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, January 11, 2023

new from above/ground press: ONTARIO HYDRO, by Derek Beaulieu

ONTARIO HYDRO
Derek Beaulieu
$5


published in Ottawa by above/ground press
January 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy


Derek Beaulieu is the author/editor of over twenty-five collections of poetry, prose, and criticism. His most recent volume of fiction, Silence, is forthcoming from Sweden’s Timglaset Books, his most recent volume of poetry, Surface Tension, was published by Toronto’s Coach House Books. Beaulieu has won multiple local and national awards for his teaching and dedication to students, the Queen Elizabeth II Platinum Jubilee Medal for this dedication to literature, and is the only graduate from the University of Calgary’s Department of English to receive the Faculty of Arts ‘Celebrated Alumni Award.’ Beaulieu holds a PhD in Creative Writing from Roehampton University, is Banff’s Poet Laureate, and the Director of Literary Arts at Banff Centre for Arts and Creativity.

This is Derek Beaulieu’s tenth above/ground press chapbook, after an issue of the long poem magazine STANZAS (“calcite gours 1-19,” issue no. 38), the interview chapbook ECONOMIES OF SCALE: rob mclennan interviews derek beaulieu on NO PRESS / derek beaulieu interviews rob mclennan on above/ground press (2012) and single-author chapbooks “A? any questions? (1998), [Dear Fred] (2004), HOW TO EDIT, Chapter A. (ALBERTA SERIES #8; 2008), transcend transcribe transfigure transform transgress (2014), a a novel: 1-20 (2017), tattered sails (after un coup de des) (2018) and CABARET (2020).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com