Showing posts with label Megan Kaminski. Show all posts
Showing posts with label Megan Kaminski. Show all posts

Monday, March 4, 2019

New Orleans Poetry Festival 2019: Hyland, Kaminski, Robinson, Rosenthal, Smith, Sweeney + Tate,

above/ground press authors MC Hyland, Megan Kaminski, Elizabeth Robinson, Sarah Rosenthal, Jessica Smith, Heather Sweeney and Bronwen Tate (as well as a whole slew of other writers) participate in the 2019 New Orleans Poetry Festival and Small Press Fair, which will be held from April 18-21, 2019. I might not be able to attend, but you should totally go! Check out the full schedule here.

Thursday, November 1, 2018

new from above/ground press: Each Acre, by Megan Kaminski

Each Acre
Megan Kaminski
$5

morning rain falling summer dark
bones to body   body to bone
I hear each dropfall each rivulet in lawn
coursing toward street to gutter
train-call in the distance calling me back
yellowed houses at the end of blocks
dead-ended on train-tracks 
whistle through summer nights

published in Ottawa by above/ground press
November 2018
celebrating twenty-five years of above/ground press
a/g subscribers receive a complimentary copy


cover design: L. Ann Wheeler

Megan Kaminski
is the author of two books of poetry, Deep City (Noemi Press, 2015) and Desiring Map (Coconut Books, 2012), with a third book Gentlewomen forthcoming from Noemi Press. She is an associate professor in the University of Kansas' Graduate Creative Writing Program and a Keeler Intra-University Professor studying trauma and healing in the School of Social Welfare. She also curates the Taproom Poetry Series in downtown Lawrence. Currently she is working on a book about indeterminacy, attraction, and plant thinking.

This is Kaminski’s second above/ground press chapbook, after Wintering Prairie (2014).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, December 12, 2016

dusie kollektiv #8, curated by rob mclennan, now online

The 8th “dusie kollektiv” is now online, with pdfs of a variety of chapbooks by multiple current and former above/ground press authors (among a long list of others).

above/ground press authors in the 8th kollektiv include: Gary Barwin, Joe Blades, Rob Budde, Jason Christie, Amanda Earl, kevin mcpherson eckhoff, Hailey Higdon, Megan Kaminski, Marcus McCann, rob mclennan, Marthe Reed, Elizabeth Robinson, Jessica Smith and Chris Turnbull.

See the link here to read all sorts of dusie goodness from across North America (and occasionally beyond!).

Sunday, February 8, 2015

Scott Bryson reviews Megan Kaminski’s Wintering Prairie (2014) in Broken Pencil #66



Scott Bryson was good enough to review Megan Kaminski’s Wintering Prairie (2014) in Broken Pencil #66. Thanks, Scott! This is the third review of Kaminski’s chapbook, after a mention of such by Jim McCrary, and a more formal review by Ryan Pratt.

There’s a preparatory tone in the first page of this long poem that lends itself well to the images of wintering conjured by its title (wintering: to lodge, keep, or care for during the winter). “This poem will be a long one,” warns Megan Kaminski, “will widen will drift like snow.”
            That drifting is accomplished in a literal sense through an absence of capitalization, and symbolically via Kaminski’s subject matter. Movement permeates nearly every line in Wintering Prairie: “Long shadows and sun melt spread / across lawns across asphalt / neighborhood strip mall and shop.” If it weren’t for the occasional interjection that reads like a prayer – “I carry absence / I carry want / I carry body ache / on this bright day” – Wintering Prairie might be the print version of an episode of The Nature of Things; it glides across the landscape and zooms in on a particular scene for a few moments, before flying away again.
            A few cringe-worthy misspellings of “arctic” (as “artic”) aside, Wintering Prairie is a slick and evocative read. It delivers on its promise to drift, but Kaminski’s reluctance to focus for very long on any singular sketch occasionally leads to large chunks of text blowing by with little absorption. It covers a lot of ground in a short time.