Showing posts with label Hailey Higdon. Show all posts
Showing posts with label Hailey Higdon. Show all posts

Monday, December 12, 2016

dusie kollektiv #8, curated by rob mclennan, now online

The 8th “dusie kollektiv” is now online, with pdfs of a variety of chapbooks by multiple current and former above/ground press authors (among a long list of others).

above/ground press authors in the 8th kollektiv include: Gary Barwin, Joe Blades, Rob Budde, Jason Christie, Amanda Earl, kevin mcpherson eckhoff, Hailey Higdon, Megan Kaminski, Marcus McCann, rob mclennan, Marthe Reed, Elizabeth Robinson, Jessica Smith and Chris Turnbull.

See the link here to read all sorts of dusie goodness from across North America (and occasionally beyond!).

Friday, January 1, 2016

Pearl Pirie reviews Hailey Higdon’s The State in Which (2013)



Pearl Pirie was good enough to discuss Hailey Higdon’s The State in Which (2013) in her “95books” project over at her blog. Thanks much! Although it is a bit disappointing to realize one of the pages got flipped (I’ll have to get her a replacement copy). This is actually the third review of Higdon’s chapbook, after Edric Mesmer discussed such over at Yellow Field, and Ryan Pratt discussed it over at the ottawa poetry newsletter.

211. The State in Which by Hailey Higdon (above/ground, 2013)
This was a project to write one poem per month. My copy of the chapbook was assembled wrong somehow so continuity was mussed in June and July. It was kind of diary and self-conscious of writing as writing. It fell in and out of focus. For example, the first half of December,

so many people are ok
with not being the best
versions of themselves
it was a million domestic
situations that made me
choose from one thing to the next
rebel, this is what I did
I stopped the idle, saying
yes, so much more often, so much more, storing up, collecting yeses,
risk, but the inverse
of take it and move on, I used to
keep repeating the same mistake–
quitting days, I know better now

The first three lines sound promising. Then its structured as stream of consciousness. Why not take the time to untangle. Part of it is the chaotic surge forward of life “I am looking for jobs, trying to locate the future perfect. How poinsettias arrive in the grocery story each year, looking so consistently identical, you can’t help staring.”



Monday, May 12, 2014

Edric Mesmer discusses (briefly) six recent above/ground press chapbooks;



Edric Mesmer was good enough to mention six recent above/ground press titles in the new issue of YELLOW FIELD (#nine; spring 2014): An Overture in the Key of F by Carrie Olivia Adams; The State of Which by Hailey Higdon; Sugar Beach by Camille Martin; from Hark: a journal by rob mclennan; Overheard While Hiding from the Sun: post-notebook poems by Kate Schapira; and Albanian Suite by Hugh Thomas). Thanks, Edric! There are two previous reviews of Adams' title here and here, a previous review of Higdon's title here, two previous reviews of Martin's title here and here, two previous reviews of mclennan's title here and here, and a previous review of Thomas' title here, and copies of all are very much available! Also, you can pick up a copy of the new issue of YELLOW FIELD through: yellowedenwaldfield [at] yahoo [dot] com or by writing to 1217 Delaware Avenue, Apt. 802, Buffalo, New York 14209. For those who haven’t been able to pick up an issue yet, I reprint such here:
6 more from above/ground press        2013-2014

I love a small press, what it can say through its poetics—in this case, chapbooks answering the call of a contemporary lea. Consider a cache of birds, a quintet of strings; but the trope may or mayn’t be limited to birdsong, string, or color-tone…Sometimes there’s a poem in which Buffalo poet emeritus Bill Sylvester writes: “pepper linen incense lobster / lutes viols and ambergris […] what a messy party that would be!” And so we messily hear a great party of Darwinian diversity: “The formalist of formant when our lips make the vowel, it I the act of giving somewhere shape” (An Overture in the Key of F by Carrie Olivia Adams); “I did some trying to voice the regional things –accents and whatnot / I even tried to find that series of hybridized creatures, part person / part place that exist in the park” (The State of Which by Hailey Higdon); “viewing creation / / from a precisely-gauged periphery, clock ticking” (Sugar Beach by Camille Martin); “A stone made out of stone. The dream of people you can’t know. Prince Adolphus, Duke of Cambridge, Bay. We know you, myth. What lifestyle will not allow” (from Hark: a journal by rob mclennan); “Anyone can submit / a video to the Free Me Library. Can find / purchase for brilliance, can be avenged sevenfold or / touched relevantly. All that can be shelved in me” (Overheard While Hiding from the Sun: post-notebook poems by Kate Schapira); “cadence address catch dreams / pays and agree, chlorate of poems, / empathic, the old epidemic / things themselves” (Albanian Suite by Hugh Thomas).

Friday, October 4, 2013

new from above/ground press: The State In Which, by Hailey Higdon



The State In Which
Hailey Higdon
$4

March

The damn directions--the fact of hills, curves, can’t quite be mapped. In the blackest minutes I grow more sterile while everyone else is starting to wake up, shaking branches, bugs stick. If this were a situation with a hostage the police would be pointing their guns giving the motion calm down without the action to accompany it. There is a wild rose called lady banks which opens colors patchy but explicit on the fences around.

I woke up to a mirror. It was already March, things were in bloom, I could hear them. I wanted their motion to be bidirectional to me just like when someone says happy birthday to me my instinct is to always want it to be bidirectional, to say, “Happy birthday to you too!”

My professor would call me one of the late bloomers and not because of my small boobs because making progress in a human takes longer than a season. Sometimes producing the overall sound of excitement involves periods of bootless duty to the idea of mortality.

I’ll stop there and describe my reflection. “Wake up,” it says.

published in Ottawa by above/ground press
October 2013
a/g subscribers receive a complimentary copy

Hailey Higdon is from Nashville. She is the author of Packing (Bloof Books, 2012) and How To Grow Almost Everything (Agnes Fox, 2011).  She is friends with everyone and loves everywhere. She currently resides in Snohomish, Washington.

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 [NEW ADDRESS!] or paypal at www.robmclennan.blogspot.com

Monday, September 9, 2013

above/ground press: 2014 subscriptions now available! (and new address!





The twentieth anniversary year might be winding down, but that doesn’t mean we over at above/ground press (really, it’s just me) are doing any less. 2013 has been one of the most productive publishing years the press has seen, producing (so far) twenty-three chapbooks, six broadsheets, and two issues of The Peter F Yacht Club! Forthcoming titles for 2013 include new works by Rae Armantrout and Hailey Higdon, and a 2014 title by Hugh Thomas (to launch at The Factory Reading Series in February), plus a whole ton of other material we haven’t even decided on yet.

2014 annual subscriptions are now available: $50 (in the United States, $50 US; $75 international) for everything above/ground press makes from now until the end of 2014.

Anyone who subscribes before November 1st will also receive the last above/ground press package of 2013, including those exciting new titles by Rae Armantrout and Hailey Higdon (plus whatever else the press happens to produce before the turn of the new year).

Why wait? You can either send a cheque (payable to rob mclennan) to 2423 Alta Vista Drive, Ottawa, Ontario K1H 7M9 [NEW ADDRESS!] or drop the money on the Paypal button at www.robmclennan.blogspot.com

And keep checking notices for The Factory Reading Series. There’s so much more to come.