Terri Witek and Jessica Smith (among many, many others) participate in this year's edition of The New Orleans Poetry Festival, April 13-16, 2023 ; rob mclennan has a new poem up at Olney magazine; MC Hyland and Brian Teare participate in a reading and conversation at NYU via The Organism for Poetic Research on April 6; and Kyle Flemmer has a new poem up at The Pi Review
Showing posts with label The New Orleans Poetry Festival. Show all posts
Showing posts with label The New Orleans Poetry Festival. Show all posts
Saturday, March 25, 2023
Tuesday, April 16, 2019
new from above/ground press: Somewhere in-between / cloud, by rob mclennan
Somewhere in-between / cloud
rob mclennan
$5
published in Ottawa by above/ground press
April 2019
a/g subscribers receive a complimentary copy
published in Ottawa by above/ground press, April 2019 as part of Dusie Kollektiv 9: “Somewhere in the Cloud and Inbetween”—A Tribute to Marthe Reed (1958-2018) as an unofficial/official element of this year’s New Orleans Poetry Festival, April 18-21, 2019. Much thanks to Susana Gardner for her ongoing support.
Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa, where he is home full-time with the two wee girls he shares with Christine McNair. The author of more than thirty trade books of poetry, fiction and non-fiction, he won the John Newlove Poetry Award in 2010, the Council for the Arts in Ottawa Mid-Career Award in 2014, and was longlisted for the CBC Poetry Prize in 2012 and 2017. In March, 2016, he was inducted into the VERSe Ottawa Hall of Honour. His most recent titles include the poetry collections How the alphabet was made (Spuyten Duyvil, 2018), A halt, which is empty (Mansfield Press, 2019) and Household items (Salmon Poetry, 2019). An editor and publisher, he runs above/ground press, seventeen seconds: a journal of poetry and poetics (ottawater.com/seventeenseconds), Touch the Donkey (touchthedonkey.blogspot.com) and the Ottawa poetry pdf annual ottawater (ottawater.com). He is “Interviews Editor” at Queen Mob’s Teahouse, editor of my (small press) writing day, and an editor/managing editor of many gendered mothers. He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at robmclennan.blogspot.com
This is mclennan’s sixty-first above/ground press chapbook, following Study of a fox (2018), snow day (2018) and It’s still winter (2017). This chapbook, along with snow day, is part of the as-yet-unpublished manuscript, “snow day.”
To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com
rob mclennan
$5
I was trying to write an elegy. Contrails. What is our relationship to the human body? A land we stand upon and spoil. Tales of villainy, richness. Darkness. The earth provides.
Colonizers
name
and rename.
No longer of being,
but belonging.
How, then,
to write?
Truth lies
in the destruction.
published in Ottawa by above/ground press
April 2019
a/g subscribers receive a complimentary copy
published in Ottawa by above/ground press, April 2019 as part of Dusie Kollektiv 9: “Somewhere in the Cloud and Inbetween”—A Tribute to Marthe Reed (1958-2018) as an unofficial/official element of this year’s New Orleans Poetry Festival, April 18-21, 2019. Much thanks to Susana Gardner for her ongoing support.
Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa, where he is home full-time with the two wee girls he shares with Christine McNair. The author of more than thirty trade books of poetry, fiction and non-fiction, he won the John Newlove Poetry Award in 2010, the Council for the Arts in Ottawa Mid-Career Award in 2014, and was longlisted for the CBC Poetry Prize in 2012 and 2017. In March, 2016, he was inducted into the VERSe Ottawa Hall of Honour. His most recent titles include the poetry collections How the alphabet was made (Spuyten Duyvil, 2018), A halt, which is empty (Mansfield Press, 2019) and Household items (Salmon Poetry, 2019). An editor and publisher, he runs above/ground press, seventeen seconds: a journal of poetry and poetics (ottawater.com/seventeenseconds), Touch the Donkey (touchthedonkey.blogspot.com) and the Ottawa poetry pdf annual ottawater (ottawater.com). He is “Interviews Editor” at Queen Mob’s Teahouse, editor of my (small press) writing day, and an editor/managing editor of many gendered mothers. He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at robmclennan.blogspot.com
This is mclennan’s sixty-first above/ground press chapbook, following Study of a fox (2018), snow day (2018) and It’s still winter (2017). This chapbook, along with snow day, is part of the as-yet-unpublished manuscript, “snow day.”
To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com
Monday, March 4, 2019
New Orleans Poetry Festival 2019: Hyland, Kaminski, Robinson, Rosenthal, Smith, Sweeney + Tate,
above/ground press authors MC Hyland, Megan Kaminski, Elizabeth Robinson, Sarah Rosenthal, Jessica Smith, Heather Sweeney and Bronwen Tate (as well as a whole slew of other writers) participate in the 2019 New Orleans Poetry Festival and Small Press Fair, which will be held from April 18-21, 2019. I might not be able to attend, but you should totally go! Check out the full schedule here.
Monday, April 17, 2017
New Orleans Poetry Festival + Small Press Fair, April 20-23, 2017 : Smith, Iijima, Hunter, Reed + Poe, etc
above/ground press authors Jessica Smith (The Lover is Absent, 2017), Brenda Iijima (SWAMP/SWAMP, 2017), Carrie Hunter (Series out of Sequence, 2017), Marthe Reed (After Swann, 2013) and Deborah Poe (Keep, 2012) read along with a whole mound of other poets as part of this year's New Orleans Poetry Festival and Small Press Fair, April 20-23, 2017 in New Orleans, Louisiana. You can see their full schedule here.
Tuesday, April 12, 2016
new from above/ground press: Odds Are, by lary timewell
Odds Are
lary timewell
$4
published in Ottawa by above/ground press
April 2016
a/g subscribers receive a complimentary copy
lary timewell is a North Vancouver writer recently returned from 20 years in Fukushima. The co-founder and publisher of the late 1980s and early 90s Tsunami Editions, he has published a number of titles, including two chapbooks from Obvious Epiphanies. Some of his latest work from the expanding manuscript molecular hyperbole recently appeared in Make It True: Poetry from Cascadia, eds. Paul Nelson, George Stanley, Barry McKinnon and Nadine Maestas (Lantzville, BC: Leaf Press, 2015).
This is his second chapbook with above/ground press, after tones employed as loss (2013).
Produced, in part, as a handout at The New Orleans Poetry Festival, April 15-17, 2016. Much thanks to Marthe Reed for her help and support. http://www.lavenderink.org/poetryfest/schedule/
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
lary timewell
$4
The distinction disappears but the things remain, as if history were(history were) an afterimage. Aspirate the h out of it; a unit of eulogy,one. Arbitrary, so long as we are consistent. Colloquial is not illiterate.To follow a task greater than to lead. Resolute happiness countingthe beats in anomalous time, reading down the page in 4D. Reading con-sonantal discontent, boring into the infernal meantime speakers re-present. Choosing less before sufficient, we position an exit more glorious.The day is done but (inserted) here to do over again, the work more ill-advised& ungrammatical than ever. A re-arrangement that never signals defeat. In-verted, the institution becomes parenthetical to process. When you thinkabout it too long, nonce-word. Greek stems, Latin advocatus diaboli. Instantlyplausible, pattern. Not precision & cogency, but cut & dried. Supposed,the unspoken (heard) analogies themselves dispense sense. Writing isexception-tested, & subsequent practice discriminates, attends based on marketvalue. That it must count for something fair seems unfair. Only the un-
published in Ottawa by above/ground press
April 2016
a/g subscribers receive a complimentary copy
lary timewell is a North Vancouver writer recently returned from 20 years in Fukushima. The co-founder and publisher of the late 1980s and early 90s Tsunami Editions, he has published a number of titles, including two chapbooks from Obvious Epiphanies. Some of his latest work from the expanding manuscript molecular hyperbole recently appeared in Make It True: Poetry from Cascadia, eds. Paul Nelson, George Stanley, Barry McKinnon and Nadine Maestas (Lantzville, BC: Leaf Press, 2015).
This is his second chapbook with above/ground press, after tones employed as loss (2013).
Produced, in part, as a handout at The New Orleans Poetry Festival, April 15-17, 2016. Much thanks to Marthe Reed for her help and support. http://www.lavenderink.org/poetryfest/schedule/
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
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