some author activity: Crosby, Naughton, Davis, Betts + mclennan,

Gregory Crosby has a poem up at Stone Circle Review; Katie Naughton has two new poems up at The Rumpus; Jordan Davis has new work up at the Chaudiere Books blog for National Poetry Month; Gregory Betts has a poem up in the Niagara Falls Poetry Project; and a poem by rob mclennan gets mentioned in Paul Pearson's Slow Poetry Reading Project.

some author activity: Boyle, Betts, Banks, Barwin, Sawyer + Barwin,

Frances Boyle has new work up at Bad Dog Mag; Gregory Betts has a poem up at NewPoetry; Chris Banks has a new poem and a short essay up at The Woodlot; Betts also appears with collaborators Lillian Allen and Gary Barwin via "Poetry in Utter Space," The Poet Speaks Podcast S10E7; Larry Sawyer has a poem up in the "Tuesday poem" series; and Gary Barwin has a poem up in Paul Vermeersch's "In the Third Sleep" series.

some author activity: Bell, Boyle, Reid, Betts, Gordon + Ross,

Wade Bell has new work up at Public Reverie; Frances Boyle has two poems in the latest issue of Pinhole Poetry, where Monty Reid also has new work; Gregory Betts appears in the Canadian Poets Series over at Peripety and/or Tronies; Nada Gordon is featured in the Spotlight series; and Stuart Ross has four poems up at Relegation Books.

some author activity: Banks, Shirley, Unrau, Betts, Barwin + Carpenter,

Chris Banks offers his "best Canadian poetry books of 2025" list, via The Woodlot; Vik Shirley has a new poem up at Burning House Press; Melanie Dennis Unrau is included in the Canadian Poets Series via Peripety and/or Tronies; Gary Barwin, Gregory Betts and Lillian Allen are interviewed on their Muttertongue collaborative projects by Hollay Ghadery for the New Books Network podcast; and J.R. Carpenter has two poems online at The Manchester Review.

some author activity: Archer, Barwin, Spinosa, Dachsel, Betts, MacEachern + Vitkauskas,

Sacha Archer has some visual work up at Arnold McBay's mOvement, as does Gary Barwin, once or twice, and Dani Spinosa; Marita Dachsel has a poem up in the "Tuesday poem" series; Gregory Betts is interviewed at The Ethically Immoral Podcast; Jessi MacEachern is featured in the Canadian Poets Series over at Peripety and/or Tronies; and Lina Ramona Vitkauskas is interviewed over at Touch the Donkey.

some author activity: Vitkauskas, van Vliet, Betts, Beaulieu, Kemp, Smith, Barwin + Jarvis,

did you know that Lina Ramona Vitkauskas has a substack? ; Robert van Vliet answers the "12 or 20 questions"; Gregory Betts is a guest on Richard Capener's Morgiana Podcast/substack, where I had clearly missed that Derek Beaulieu had also been a guest, as had Penn Kemp; some new Steven Ross Smith collaborations are now up at bandcamp; Gary Barwin has a new visual poem up at Asemana Magazine; and Jenna Jarvis has new work up at Discordia Review.

some author activity: Notley, Berlatsky, Betts, Ross + Chang-Richardson,

Joyelle McSweeney writes on the late Alice Notley, as does Nick Sturm; Noah Berlatsky writes his engagements with the New York School of Poets over at Splice Today; Gregory Betts is interviewed "on literary community and collaboration, and AI's influences on writing" over at Creative Writing; Eva H.D. reads a poem by Stuart Ross; and Ellen Chang-Richardson is in podcast conversation with Rachel Thompson at Lit Mag Love.

Jay Miller reviews the suitcase poem, ed. Amanda Earl (2025)

Montreal poet, translator and reviewer Jay Miller was good enough to provide the first review of the suitcase poem, ed. Amanda Earl (2025) over at Bibelotages. Thanks so much! You can read Miller's original post here. As Miller writes:

The Baggage Handlers, The Suitcase Poem

This is something only Canadian small press poetry could produce. The baggage handlers.

The Baggage Handlers is a shorthand for: Marie-Andrée Auclair, Gregory Betts, Jeff Blackman, Ellen Chang-Richardson, AJ Dolman, Amanda Earl, Doris Fiszer, Gwendolyn Guth, Jenna Jarvis, Chris "Stop" Johnson, Tanis MacDonald, Roz Toner, MW (Matthew Walsh).

This is an eight-page poem without a title, published by rob mclennan's above/ground press in 2025 and compiled by Amanda Earl.

What is this document and what is the nature and meaning of it?

George Steiner mentioned something similar Octavio Paz collaborated on 50 years ago with each collaborator producing something in their own language and appending it on to the original before passing it on. Steiner mentioned it in After Babel but I can't be arsed quite frankly. If you've read it, you already know exactly what I mean.

The Suitcase Poem reminds me of that.

There is something to be said about the uptick of writing groups, but a handful of these folks have been at it for quite a while and clearly it works for them so game on. Letter Killers Club.

How does the poem open?

    a suitcase [...]

I'm gonna skip ahead from here, because the poem doesn't pick up until the second page over, whereas the first feels very much like finding footing:

    stellar interstices, everything
    packed in, or un-, elbow of hinge
    distraction

    the cot/caught merger like traffic, the measured incursion

This is where a software development metaphor would come in so handy, because this is the type of verse that is so close to the metal it becomes abstract on a surface level but delightfully functional on a close-to-the-metal level when it comes to analyzing the prosody, meaning, metaphor, scansion and poetics.

What did you expect from a collaborative effort of over a dozen well-versed poets?

This is poetry for the poetry-maker. I don't even know if a hobbyist printer would appreciate this as much as a publisher such as rob mclennan. We may never have another one of him in the future.

This is something only Canadian small press poetry could produce. The baggage handlers.

The collaboration effort becomes apparent in cento-like instances such as:

    earlier today, when dad finally won
    their little game of telephone tag/hide/seek
    he told her that he'd heard it might rain
    maybe early next week
    maybe the one after

Honestly, I'm aware I'm cherry-picking excerpts, but what does this collab poem not say?

The same page ends, after an alternately-aligned bit of text that signals a counter-narrative running throughout the same length of the poem left-aligned:

    dad, a retired travelling salesman
    run as ragged at the edges
    as the empty garment bag
    at the back of the closet
    still yearns for the breeze
    and the emptiness of the road
    and waits for the day he can make off
    with the snugly packed suitcase
    he still keeps tucked under the bed

Obviously, I am glad Canadian poets are working on these collaborative efforts. It speaks to a certain level of cohesiveness, closeness and camaraderie. But doesn't reading this make you want to participate and feel bad for missing out on being invited? Amanda Earl refers to this phenomenon as JOMO: the joy of missing out.

    When we talk about suitcases, we want them tough
    and serenely riding the conveyor belt
    toward us in the airport of our choice

Amanda Earl writes the afterword:

    I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go.

Honestly, this is ephemera worth holding on to. A poem that directly challenges the concept of object, of poiesis, of what it means to be a Canadian poet? Immaculate.

new from above/ground press: the suitcase poem, ed. Amanda Earl

the suitcase poem
Marie-Andrée Auclair * Gregory Betts * Jeff Blackman * Amanda Earl * Ellen Chang-Richardson * AJ Dolman * Doris Fiszer * Gwendolyn Guth * Jenna Jarvis * Chris Johnson * Tanis MacDonald * Roz Toner * MW
$5

Afterword
Since hearing about Ursula K. Le Guin’s Carrier Bag Theory of Fiction on David Naimon’s Between the Covers podcast as part of the show’s “Crafting with Ursula” series, I have contemplated its potential for poem-making. The basic idea is that while stories in Western narrative are usually told from the point of view of a hero, centering conflict and violence, a lot goes missing in such a telling. Le Guin images stories as holding living beings, as a way to nurture and gather. I invited poets I know, first in Ottawa and then further afield, to take part in a collaborative poem about a suitcase to see what its contents might be and where we might go. I shared a Google document and invited people to add lines and words to the text. No one individual is the centre of this poem, the author of the story. In fact, there are many suitcases here, many containers. I love being part of this thriving and creative literary community. I thank all the contributors for taking this journey with me. Gratitude, as always, to rob mclennan for agreeing to publish the poem as an above/ground press chapbook.
~ Amanda Earl

published in Ottawa by above/ground press
January 2025
a/g subscribers receive a complimentary copy

In Lieu of Biographies, Suitcases

Before Marie-Andrée Auclair packs their suitcase, they ask: Who will we be there, could we be a better version of us? Are we ready for all kinds of weather? Readiness takes up space.  But there is always room to bring back intangibles. It was years before Gregory Betts owned a suitcase with wheels, great lugs of things heavy with resistance to travel. The sheer weight of them was the inertia against which all destinations, Vancouver to Toronto, Toronto to Halifax, and all points in between, were measured. Was the sweat worth the burden? With elbows firmly locked against hips, and a damp brow, this was how he once set out into the world. Jeff Blackman's first suitcase had green stripes and two metal latches. He filled it with toys to take to his grandparents' house on the Mountain. Ellen Chang-Richardson found their favourite suitcase buried in a vintage shop in Covent Garden, London, England. They toted it around the world for years until its untimely demise. AJ Dolman's suitcase is currently filling with other people's memories as they move family members into care: a Delft candy dish, red leather pocket book of playing cards, Russian tea box, distinct treasures aching for new meaning, the outsized absence of everything declined. Amanda Earl used her first suitcase to run away from home. She packed dolls & dinky toys & hid w/ tiger lilies on the outside of the wrought iron & stone fence that divided the red brick house from Brock Road in Wilfrid, Ontario.  Doris Fiszer frequently dreams of an oversized suitcase that she is hurriedly packing with lint brushes, flip-flops, cooking utensils and purple hoodies. In these nocturnal adventures, she usually travels to bustling cities with her departed. Gwendolyn Guth's retro suitcase contains grains of sand from a former life. The grains remind her of an unimaginable shade of turquoise. They summon and they abandon. Snow continues to fall in rural Quebec and all is well. Jenna Jarvis has a habit of shoving her worldly possessions into a suitcase or two. Chris Johnson's favourite suitcase was bought at Goodwill, and was irreparably damaged by WestJet in 2012. Chris got $150 to purchase a replacement suitcase. Tanis MacDonald's suitcase is packed full of holes. Every time she travels, she brings back a little more nothing. Roz Toner stores all of their zines in a monogrammed suitcase. To be clear, they haven't a clue who A.E.M. is or was. MW had a blue suitcase that housed a unicorn that loved the dark and loved glow sticks. You could see the shine from the glow sticks even when the suitcase was completely shut like a mouth with nothing to say.

Amanda Earl is the author of ten chapbooks with above/ground press: Eleanor (2007), The Sad Phoenician’s Other Woman (2008), Sex First & Then A Sandwich (2012), A Book of Saints (2015), Lady Lazarus Redux (2017), The Book of Mark (2018), Aftermath or Scenes of a Woman Convalescing (2019), Sessions from the DreamHouse Aria (2020), a field guide to fanciful bugs (2021) and THE BEFORE, an excerpt from Welcome to Upper Zygonia (2022). She edited the first issue of G U E S T [a journal of guest editors] (2018), and above/ground press produced Report from the Earl Society, Vol. 1 No. 1 as a festschrift on her ongoing work in 2022.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

some author activity: Deutch, Arnott, Betts, mclennan, Christakos, Robinson, Jirgens + Smith,

Amanda Deutch has a poem in the "Tuesday poem" series; Joanne Arnott has been named a "Life Member" of The League of Canadian Poets; Gregory Betts has new work and a short write-up on NFTs online at Rattle; rob mclennan has new work in horseshoe journal here and here, as well as a brand-new substack post from "Lecture for an Empty Room"; and Margaret Christakos and Ben Robinson both have new work in Hamilton Arts & Letters, which also includes a conversation between Karl Jirgens and Steven Ross Smith on their ongoing fictions.

some author activity: Reid, Beaulieu + Betts, mclennan, Schmaltz + O'Reilly,

Monty Reid has new work up at The Typescript; Derek Beaulieu and Gregory Betts recently collaborated on a review of Jean-Luc Champerret's The Lascaux Notebooks for Dublin journal Gorse; rob mclennan's archived zoom-reading, featured at Vancouver's Poets Corner Reading Series, is now online; Eric Schmaltz is featured in the Spotlight series; and Nathanael O'Reilly has new work up in The Bookends Review.

new from above/ground press: Report from the Betts Society. Vol. 1 No. 1

Report from the Betts Society
Vol 1. No. 1
edited by rob mclennan
$7

an assemblage of writing in response
to the work of Gregory Betts

including
poems, critical writings
and
philosophical transactions

with contributions by:
Gary Barwin
Derek Beaulieu
Kimberly Campanello
Adam Dickinson
Kit Dobson
Arnold McBay
rob mclennan
Paul Perry
Julia Polyck-O’Neill
Aaron Tucker
Lyndsay Wilson

published in Ottawa by above/ground press
August 2022
full list of published reports here
a/g subscribers receive a complimentary copy

Report on the Society logo by C. McNair, editor’s devil (retired)

Gregory Betts has published six chapbooks with above/ground press: The Cult of David Thompson (2005), The Curse of Canada (2008), Who Let the Mice in Brion Gysin (2014), Signs of Our Discontent (with Arnold McBay, 2018), For a Poetry of Blot (2019) and TWETWE: an alt-text pandemoir (2021). He also appeared in the four poet anthology READ YORK (2004).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at robmclennan.blogspot.com

some author activity: Betts, Pakdal, Archer, Pirie, Clayton, hanna, Boyle + mclennan,

Gregory Betts has a new poem up on the Chaudiere Books blog, as part of National Poetry Month, as does forthcoming author Saba Pakdal, and even Sacha Archer; Pearl Pirie has been posting mini-interviews/reviews lately, featuring Conyer Clayton, natalie hanna, Frances Boyle and rob mclennan, among others.

some author activity: hanna, Tracy, Niespodziany, Betts, Beaulieu, Siklosi, Spinosa, Mavreas, Flemmer, Archer + Barwin,

natalie hanna has some new work up at where is the river; Dale Tracy participates in the Spotlight series; Benjamin Niespodziany has a new poem up at The Indianapolis Review; and Gregory Betts and Derek Beaulieu have co-edited a new short visual poetry anthology available as a free pdf, 14 Ways of Being Kinder to the Earth, with poems by fourteen visual poets, including Kate Siklosi, Dani Spinosa, Billy Mavreas, Kyle Flemmer, Sacha Archer and Gary Barwin.

some author activity: O'Reilly, Joseph, Mavreas, Tate, Betts + MacEachern,

Nathanael O'Reilly is interviewed over at Fevers of the Mind, and has a new poem up at Beir Bua Journal; Alexander Joseph has a poem up in the "Tuesday poem" series; a CBC article on Montreal's Billy Mavreas closing down his "curiosity shop and art gallery" after twenty years; and Bronwen Tate, Gregory Betts and Jessi MacEachern all have new work online at Carousel magazine.

new from above/ground press: TWETWE: an alt-text pandemoir, by Gregory Betts

TWETWE, an alt-text pandemoir
Gregory Betts
$5

Is experimental poetry accessible? After an image I posted of a strange Japanese letter experiment on Twitter went mini-Viral, a friend asked how they could access its alt-text, an accessibility tool for the vision-impaired. Twitter only began allowing alt-text additions to posts during the pandemic, but it is still only rarely used. In the end, I just described the image to that friend, realizing, of course, the wider insufficiency. As I post a lot of artwork, conceptual poetry, and avant-garde crossovers, I started thinking about alt-texts as the distillation of a concept of a work that are themselves often distillations of ideas of other works. I began composing alt-texts for all of my tweets.

My twitter stream is not about personal events or opinions, but as I worked backwards through the past year, I realized that I was, in fact, creating a map of my thinking, yearning, diverting, and learning through the 2020 (Twe’Twe) pandemic. The alt-text as poem, while highlighting the problem of access (especially in a quarantine), work backward through my compendium of mental supplements in a time of global emergency.

published in Ottawa by above/ground press
July 2021
a/g subscribers receive a complimentary copy

cover image by the author: “The Layers of Descent”

Gregory Betts is a poet, professor, editor, and musician at Brock University. His most recent books include Foundry (Redfoxpress (Ireland), 2021), a collection of visual poems, and Sweet Forme (Apothecary Archive (Australia), 2020), a visualization of the sound patterns in Shakespeare’s sonnets. He is the curator of the bpNichol.ca Digital Archive and President of the Association of Canadian College and University Teachers of English. He lives in St. Catharines, Ontario.

This is Gregory Betts’ sixth above/ground press title, after The Cult of David Thompson (2005), The Curse of Canada (2008), Who Let the Mice in Brion Gysin (2014), Signs of Our Discontent (with Arnold McBay, 2018) and For a Poetry of Blot (2019). He also appeared in the four poet anthology READ YORK (2004).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

some author activity: Robinson, Siklosi, Betts, Etherin + Niespodziany,

Elizabeth Robinson has some new work up at Posit; Kate Siklosi, Gregory Betts and Nasser Hussain are interviewed by Anthony Etherin and Clara Daneri as part of Episode 24 of The Penteract Podcast; and forthcoming author Benjamin Niespodziany is a runner up for the 2021 Greg Grummer Poetry Contest over at phoebe.

some author activity: Boyle, Kratz, Joseph, Johnson, Eleftherion, Koss, Cortese, Kaplan + Betts,

Frances Boyle has a new poem up at Literary Mama, three at Anti-Heroin Chic, and further in issue #11 of CP Quarterly; Al Kratz has a new essay over at my (small press) writing day; Alexander Joseph's above/ground press debut is written up in an article for The Mountain Ear, and he was interviewed as part of The Mountain Ear Podcast; Chris Johnson has a new poem posted as part of National Poetry Month at the Chaudiere Books blog, as do Melissa Eleftherion and Frances Boyle and Zane Koss and Franco Cortese and Genevieve Kaplan; and Gregory Betts has a new poem posted as part of the "Tuesday poem" series.

Gary Barwin : Recommended Reading : Simina Banu + Margaret Christakos

Our pal (and above/ground press author) Gary Barwin was good enough to mention a couple of above/ground press titles--Simina Banu's Tomorrow, adagio (2019) and Margaret Christakos' Retreat Diary 2019 (2019)--as part of a list of "Recommended Reading" over at The Fiddlehead; thanks so much! You can see his original post and list here (including titles by Derek Beaulieu, Anthony Etherin, Gregory Betts, Mark Laba and Tanis MacDonald). As he writes:

Simina Banu: Tomorrow, adagio (above/ground press)

Mesmerizingly preternatural, strange and in the uncanny valley between senselessness music and touchingly lyric, Banu’s chapbook is a series of phonic, visual, and sometimes literal translations of Mihai Eminescu’s poetry. Set in the present and in an oblique literary past, these poems are resonant, surprising, and inventive.

Margaret Christakos: Retreat Diary 2019 (above/ground press)

This suite of poems pulsates with the vibrant intelligence, music, tactility and sense of being-in-the-world that is characteristic Christakos. The lines are energized and self-aware. We are always/already writing/reading/poeming, retreating and advancing through language. And we communicate and wrestle and dance with communication and the problem/possibility of communication through (social) media, language, received notions of self, our culture and the world.  

some author activity: Betts, Collis, Mohammadi, Kaplan + Tierney,

Gregory Betts has some new work up at The Pi Review, as does Stephen Collis; Khashayar Mohammadi has new poems up at Watch Your Head; Point Loma Nazarene University is holding their 22nd annual Poetry Day on September 24, 2020, featuring afternoon and evening events with forthcoming above/ground press author Genevieve Kaplan; and Orchid Tierney is interviewed over at Touch the Donkey.