Friday, June 14, 2013

David W. McFadden wins the 2013 Griffin Poetry Prize!

Last night, Christine McNair and I were fortunate enough to witness Toronto poet David W. McFadden [photo by Christine McNair of rob mclennan, David W. McFadden and David O'Meara] win the 2013 Griffin Poetry Prize for his poetry collection, What's the Score? (Toronto ON: Mansfield Press, 2012). Congratulations to David, editor Stuart Ross, and publisher Denis de Klerck! 

above/ground press has been fortunate enough to publish three of his poetry chapbooks over the years -- The Death of Greg Curnoe (1995), Last Chance to Hit Balls (Six Tanka and Six Haiki) (as Genmai, 1996), and A Little Kindness (starring Jean and Jane (2002). He was also good enough to contribute "THREE DUBIOUS SONNETS" to the "Tuesday Poem" feature over at the dusie blog.

Monday, June 10, 2013

rob mclennan's The underside of the line, (2011) is reviewed online at The League of Canadian Poets' review site

Ottawa poet and editor Susan McMaster reviews The underside of the line, (2011), over at the new reviews site as part of The League of Canadian Poets website. See the original review here. There was even a previous review of the same chapbook, by Megan Burns in Rain Taxi, here.
rob mclennan, The underside of the line, (above/ground press, 2011)

reviewed by Susan McMaster

One of a series from rob mclennan’s above/ground press, this chapbook opens with a quote from Cara Benson that start, “the story goes like this: I made a poem….”We can count on rob mclennan to read and mine texts from many sources as guideposts to his own explorations — and clues for us. underside features three poems punctuated only by section numbers and commas, on his father”‘s cancer:

    have tried to understand death

    a step

    dying isn’t

on a 41st birthday:

What stays a marvel

and for the birthday of “C”:

    lived, a day

    …

    wet pools of paper

    soft vehicles of travel,

The comma, that appears sometimes in odd places such as at the beginning of a line, acts as a soft exhale, a lyrical pause and gesture forward.

I like these poems. mclennan’s language is assonant, rhythmic, full of unexpected word conjunctions that carry readers around the idea of an emotion without forcing it on us. Although sometimes his allusions are too obscure, too self-referential — my mind drifts — when rob steps closer, he writes very well.

Monday, June 3, 2013

above/ground press author Amanda Earl with Dawn Kresan @ TREE, June 11, 2013

The TREE READING SERIES PRESENTS AMANDA EARL & DAWN KRESAN

Tuesday, June 11, 2013

8:00 p.m. Readings – Open Mic and Featured Readers

Note LOCATION: ONE NIGHT ONLY Tree revisits The Royal Oak

On June 11 Tree will be held in the downstairs room of the Royal Oak at 161 Laurier Ave. E., Ottawa

Amanda Earl + Dawn Kresan


Amanda Earl is an Ottawa poet and blogger, author of numerous poetry chapbooks (including three with above/ground press) and managing editor of Bywords.ca. Amanda is the author of numerous poetry chapbooks published in Canada, the USA and the UK, most recently Sex First & Then A Sandwich (above/ground press, 2012). Two manuscripts, "Sessions from the Dream House Aria" and "Eve, a mere roar," a collaborative work with Sandra Ridley, have been shortlisted for the Robert Kroetsch Innovative Poetry Award. The managing editor of www.Bywords.ca, Amanda holds an Honours BA and an MA in French Language, Literature and Translation from the University of Waterloo, and Honours BA in Translation from the School of Translators and Interpreters at the University of Ottawa.

Dawn Kresan’s poetry has appeared in a number of literary journals, including The Dalhousie Review, Carousel, Vallum, Lichen, The Windsor Review, Prairie Journal, CV2, The Antigonish Review and Event. Her first full-length poetry collection will be published by Tightrope in 2013. She lives in Kingsville, Ontario, with her husband and their daughter.

More information at: http://www.treereadingseries.ca/