Monday, October 19, 2026

new from above/ground press: Thresholds: Words and Images, ed. David O’Meara

Thresholds: Words and Images
Ottawa poets respond to works by Enriched Bread Artists
edited by David O’Meara
$6

Susan J Atkinson 
responding to Svetlana Swinimer

Manahil Bandukwala 
responding to Katherine Zarull

nina jane drystek
responding to Yvonne Wiegers 

Matthew Firth 
responding to Daniel Sharp 

Cara Goodwin 
responding to Christos Pantieras 

Chris Johnson 
responding to Cindy Stelmackowich 

Colin Morton 
responding to Jennifer Macklem 

Sandra Ridley 
responding to Sandra Gregson 

Ian Roy 
responding to Joyce Westrop 

Deborah-Anne Tunney
responding to Bozica Radjenovic

Introduction
David O’Meara,
Poet Laureate (anglophone) of the City of Ottawa (2024-2027)

I’ve always loved the idea of the artists’ studio, ideally of high walls, in paint-spattered warehouse dimensions, often repurposed from spaces too difficult to make residential. Above all, they are workplaces, locations of thought, attention, and experiment. They value solitude and reflection, but can also be social with robust discussion. The rooms at the Enriched Bread Artist’s studios exemplify this spirit. Repurposed from The Standard Bread Company, a bread factory built in 1924, the studios have served numerous local visual artists since the not-for-profit collective was founded in 1991. Each year, the EBA hosts an Open Studio when the Ottawa art audience is invited to visit the studios to view completed and ongoing projects in situ. In the past I have attended some of these weekends and always felt inspired by the rich variety (yes, breadth) of creativity in process there. This year, as a Poet Laureate of the City of Ottawa, I approached the EBA’s Cindy Stelmackowich and Christos Pantieras with the idea of bringing some Ottawa poets and EBA visual artists together for a conversation, in an ekphrastic vein, to extend one domain of artfulness into two. Poets were invited to talk about themes, mediums, and process with the artists, and write something in response. This chapbook is the result of that collaboration. I encourage you to visit the artists' websites and immerse yourself in their dynamic and wide-ranging approaches to expression, then return to the poems for each nuanced interpretation. Thank you to all the collaborating poets and artists, to Cindy and Christos for their enthusiastic partnership. Many thanks to Nik Ives-Allison and the City of Ottawa for support with its ongoing Laureate program, VERSeFest, Frances Boyle, rob mclennan and Allison Armstrong.

published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy
produced for an event at Enriched Bread Artists Studio (951 Gladstone Avenue, Ottawa), Saturday, October 24, 2026 from 2-4pm. follow a studio tour in the EBA building where each poet will read their poem adjacent to the artist' work. A limited number of copies of the chapbook will be provided free at the event.


cover image design: Leigha Stiles (Instagram @artbystiles)

Poets/artists:

Susan J Atkinson
is the author of two full length collections. Her latest publication, Alice In The City was published by Anstruther Press in 2025. Visit www.susanjatkinson.com to find out more.

Manahil Bandukwala is the author of Heliotropia and MONUMENT. She was selected as a Writer’s Trust of Canada Rising Star in 2023. See her work at manahilbandukwala.com.

nina jane drystek is a poet, writer and performer based in Ottawa, unceded Algonquin Anishinaabe territory. she is the author of the chapbooks missing matrilineal (above/ground press, 2023), a : of : in (Gapriot Press, 2021) and knewro suite (Simulacrum Press, 2019), co-founder of Riverbed Reading Series and an alumnus of the Banff Centre for the Arts. she writes collaboratively with VII – authors of holy disorder of being (Gap Riot, 2022) and Towers (Collusion Books, 2021) – and performs sound poetry with a rotating group of collaborators. you can find her and her sound poetry recordings online as textcurious. 

Matthew Firth lives in Ottawa. Anvil Press published his first full-length poetry collection Asking for Directions in 2023. Prior, he had four short story collections published, including Shag Carpet Action (Anvil Press, 2011). He is a regular contributor to subTerrain magazine. Firth plays hockey, tennis, and lacrosse and likes birds, books and beer. 

Cara Goodwin is a white settler and Cree, Ottawa-based poet and proud off-reserve member of Fort McMurray 468 First Nation. Her above/ground press debut, Map of What Was Taken (2026), was recently launched at the publisher's 33rd anniversary party on August 22 at Anina’s Café.

Sandra Gregson is based in Ottawa, Canada. Her work includes drawing, painting, sculpture and video. She holds an MFA from York University and a BFA from Nova Scotia College of Art and Design. Sandra has participated in art residencies in Canada and Europe; her artwork has been exhibited throughout Canada and her videos have been screened nationally and internationally. Her work is included in public and private collections including the Canada Council Art Bank, City of Ottawa, and McMaster University. In 2024, the National Capital Commission, Official Residences, purchased her painting Mother Tree. 

Chris Johnson (he/him) was born in Scarborough, ON, and currently lives on unceded, unsurrendered territory of the Anishinaabe Algonquin Nation (Ottawa). His latest chapbook is after (Paper Bill Press, 2026).
 
Jennifer Macklem is a visual artist who has lived along the shore of the St. Lawrence River for much of her life, in rural Ontario and Montréal. The material explorations in her practice is speculative, imagining the subjectivities of other living organisms while engaging with uncertainty and risk. She is a full Professor of Visual Art at the University of Ottawa.

Colin Morton has twice received the Archibald Lampman Award for poetry. His most recent book, Scar Atlas, was longlisted for the Al and Eurithe Purdy Prize.

Christos Pantieras is from Ottawa, Ontario. He received an M.F.A. in sculpture from York University, and a B.F.A. from the University of Ottawa. Pantieras explores themes of communication, relationships, autobiography, and intimacy. Sourcing online language from emails, text messages, and gay hook-up apps, he manipulates the digital word through analog processes. His work amplifies the resonance of a lost connection while blurring the boundaries between virtual space and physical space. 

Bozica Radjenovic was born and educated in Belgrade, Serbia. She received her BFA and MFA from the Faculty of Fine Arts in Belgrade. In 1993 she moved to Canada. Radjenovic’s work has been featured in many solo and group exhibitions. Her work is included in the collections of the Museum of Contemporary Art in Belgrade, the Zepter Museum in Belgrade, the City of Ottawa Fine Art Collection and Scotiabank Fine Art Collection as well as in various private collections in Canada and Europe. She is represented by Central Art Garage.

Sandra Ridley is the author of three chapbooks and five books of poetry, the most recent of which is Vixen (Book*hug Press), winner of the 2024 Pat Lowther Award, Ottawa Book Award, and Archibald Lampman Award.

Ian Roy is the author of six books, including a new collection of stories called Astrid, Aghast. He lives in Ottawa.

Daniel Sharp is a painter, a recreational hockey player, and a shambolic reader of poetry. He has maintained a studio at Enriched Bread Artists for many years. He also works part-time as a project team administrator for some public art commissions for phase 2 the Ottawa light rail transit. Sharp paints abstract compositions which are meditations on daily experience, and explorations of symbols and metaphors. Some of his paintings veer into the fields of landscape and portraiture.

Cindy Stelmackowich is a visual artist, curator and academic. She works within the boundaries of art and science, exploring the materiality of the body and the natural world through digital photography, sculpture and installations. She a long-term member at the Enriched Bread Artists studios.

Svetlana Swinimer is a Russian born artist internationally known for her paintings and sculptures.

Deborah-Anne Tunney’s short story collection, The View from the Lane, and novel, Winter Willow, were published by Great Plains Publications. Her collection of poetry, A Different Wolf, was published by McGill-Queen's University Press and won the Archibald Lampman award in 2021. She has lived in Ottawa most of her life.

Joyce Westrop is an Ottawa-based contemporary artist who transitioned from a career in the federal government to earn her BFA with top honors from the University of Ottawa in 2001. A long-time member of the Enriched Bread Artists collective, her award-winning drawings and sculptures have been widely exhibited and acquired by major public collections, including the Art Bank of Canada and the City of Ottawa. She is currently represented by galerie St Laurent + Hill.

Yvonne Wiegers
examines her curiosity about the world through drawing, painting, and sculpture. She has exhibited in Canada, United States, Sri Lanka and Russia. Her work is in public and private collections. She has a B.A. (University of Guelph) and an MFA (University of Calgary) garnering the department’s nomination for the Governor General’s Medal. 

Katherine Zarull, CSPWC, SCA, a painter and printmaker, is currently developing environmental works using hand made papers and natural fibres.

David O’Meara is the author of five collections of poetry, most recently A Pretty Sight and Masses On Radar (Coach House Books, 2013, 2021). His novel, Chandelier, is published by Nightwood Editions (2024). He is the current Poet Laureate (Anglophone) of the City of Ottawa.

This is David O'Meara’s fourth edited title through above/ground press, all part of his tenure as Ottawa’s English-language Poet Laureate, following Verse on the Banks / Poèmes sur le rivage (2025) and Words and Image / Entre mots et images (2026)—both of which were co-edited by Ottawa's French-language Poet Laureate, Véronique Sylvain, with translations by Myriam Legault-Beauregard—as well as Planting Seeds: Fletcher Garden Poems (2026).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, October 16, 2026

new from above/ground press: spectre, by Hassen Saker

spectre
Hassen Saker
$6


the jays kept screaming the jays kept screaming
jays, the jays
jays were screaming







wreckage scattered on the floor
tea cup teacup tea
tea cup  teacup tea
spilt in the forest


published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy


score at https://soundcloud.com/hassensaker/spectre

cover photo by the author

Hassen Saker is a North American experimental poet, documentary filmmaker, and interdisciplinary/transmedia creator working with texts, audio, photography, film, new media, performance, & actions (i.e., forming organizations & activist-art projects). Her written works have been published in various magazines, journals, & anthologies like Rail, Tool, EOAGH, Big Bridge, miniMag, 100 Days Anthology by Barque Press (2001), and End of the World Project by Moria Books (2019). Her published collections of poetry include Salem (belladonna* books, 2005); Crabapples (Furniture Press, 2004), Sky Journal (Dusie Press, 2014); & Consolation Snacks (Furniture Press, 2017). Her poetry films include Waiting (2007); BRUT (2011), a la Muerte de la Muerte (2012), Surge (2012), poiètes + kinesis + grapho (2013), terra lingua: three aspects (2013); Sky Journal (2014); Solastalgia, a poem by Deborah Poe (2017); and Beasts: Rivers (2023). Her transmedia project, Nighttime Physicks, was published as a NFT collection on OpenSea in 2022. Saker’s multimedia & art/poetry film installations have been featured online, over radio, in public art spaces & galleries. She has performed in numerous venues throughout cities in the U.S. including Grand Rapids, Chicago, Philadelphia, New York, Boston, and Washington D.C. 

Saker has also been a sustainable business owner, gallerist, art frame maker, professional organizer, etc, living in Los Angeles, Oakland, Chicago, Philadelphia, & South Jersey. She currently lives in Grand Rapids, Michigan with her partner, Lauren Cavote. More at hassensaker.com

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, October 14, 2026

new from above/ground press: Revelations of divine love, by Katherine DeCoste

Revelations of Divine Love
Katherine DeCoste
$6



published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy

Katherine DeCoste
is an uninvited guest on the unceded land of the Lək̓ʷəŋən (Songhees and Xʷsepsəm) peoples, where they live with their wife and cat. Their poetry has appeared or is forthcoming in SICK Magazine, Grain Magazine, yolk, filling Station, Contemporary Verse 2, The New Quarterly, PRISM International, and elsewhere. They were previously an editorial intern for Sundress Publications and are currently on the poetry editorial board at PRISM International. They are currently working on a full-length collection of poetry.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, October 9, 2026

new from above/ground press: CO—STAR & RESPONSE, by Shelagh Rowan-Legg

CO—STAR & RESPONSE
Shelagh Rowan-Legg
$6

Destroy with purpose


        Or perhaps I will force my heart
        to an earthquake —
        a dismantling that I refuse
        to allow but in a precise
        fissure — a tremulous shift
        that will be brief as possible,
        the musculature will find
        new companions in this
        rearrangement, a necessary
        reshuffling of salvation.

published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy

Shelagh Rowan-Legg
is a writer and filmmaker in Montréal. Her poetry and short stories have been published in numerous journals such as The Windsor Review, The Ampersand Review, and New Poetry. Her short films have screened at festivals around the world, and she is a Contributing Editor at ScreenAnarchy. Find her at shelaghrowanlegg.com and on Bluesky.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, October 1, 2026

above/ground press: 2027 subscriptions now available!

The race to the half-century continues! And with nearly FIFTEEN HUNDRED TITLES produced to date over the past thirty-three years, there’s been a ton of above/ground press activity over the past calendar year, including MORE THAN FIFTY TITLES (so far) produced in 2026 alone, including: poetry chapbooks by Ken Norris, Pete Smith, Peter Carl Anderson, Lori Anderson Moseman, Mark Tardi, Geoffrey Young, Lea Graham, Cara Goodwin, James Spyker, Grant Wilkins, Mark Goldstein, Harold Hoefle, Cary Fagan, Jason Heroux, Ken Norris, Stuart Ross and Jason Camlot, David Currie and IAN MARTIN, Jérôme Melançon, Dag T. Straumsvåg, Mrityunjay Mohan, Jon Cone, Emily Shafer, Derek Beaulieu, rob mclennan, Fred Wah, Daphne Marlatt, J.R. Carpenter, ryan fitzpatrick, Elena Zhang, Sarah Burgoyne and Clara Yeager, Susan Rudy, Shelly Harder, Misha Solomon, Stephanie Bolster, Jennifer Baker, Travis Sharp, John Levy, Christina Wells, Sarah Burgoyne, Ken Sparling, Jake Kennedy, Dawn Macdonald, Noah Sparrow, Glenn Bach, Jon Cone and K.Lipschutz, Robert van Vliet and Rose Maloukis, as well as three (quarterly) issues of Touch the Donkey and an issue of The Peter F. Yacht Club! There’s even two bilingual anthologies co-edited by Ottawa’s two poets laureate, Véronique Sylvain and David O’Meara, as part of their laureate tenures, and a further solo edited by O’Meara (all of which are still in print, at least for the moment).

SLIDING SCALE SUBSCRIPTIONS (AND RESUBSCRIPTIONS): As with last year, I am offering a sliding scale subscription rate; to simultaneously respond to ongoing postal/printing increases, as well as not automatically price everyone out. Honestly, if you are open to subscribing, whatever works within that particular range is completely fine! Not everyone has the same kinds of resources, and the main goal is to have the books available to those who want them. Subscriptions include everything above/ground press makes from the moment you subscribe through to the end of 2027, such as chapbooks, broadsheets, The Peter F. Yacht Club and G U E S T [a journal of guest editors] and quarterly poetry journal Touch the Donkey [a small poetry journal] (and whatever else the press can dream up, obviously):

CANADIAN SUBSCRIPTIONS : $75-$120 (CAN $)
AMERICAN SUBSCRIPTIONS : $75-$120 (US $)
INTERNATIONAL SUBSCRIPTIONS : $100-$140 (CAN $)

As well, anyone who subscribes on or by November 1st will also receive the last above/ground press package of 2026, including those exciting new titles by a number of those folk listed above, plus whatever else the press happens to produce before the turn of the new year.

Why wait? You can either send a cheque (payable to rob mclennan) to 2423 Alta Vista Drive, Ottawa, Ontario K1H 7M9, or send money via PayPal or e-transfer to rob_mclennan (at) hotmail.com (or through the PayPal/donate button at robmclennan.blogspot.com).

Forthcoming items through the press also include individual chapbooks by Ryan Di Francesco, Paul Elter, Laura Carter, Noah Berlatsky, Michelle Lynn Dyrness, Tyler Mills, rob mclennan, Hassen Saker, Lisa Fishman, Shelagh Rowan-Legg, Katy DeCoste + David Phillips, another issue of Touch the Donkey, a further chapbook edited by David O’Meara (a couple of which have already been sent to the printer, by the by), as well as a whole slew of publications that haven't even been decided on yet. Who knows what might happen next.

And don’t forget our glorious substack! I’ve been posting author features/interviews over there for a while now; nearly forty interviews posted so far, most recently with Jennifer Baker, Jason Heroux, Lea Graham, Grant Wilkins and Lori Anderson Moseman. Lots of other cool updates that way, including clusters of new publication announcements every two months or so (because one at a time might be too much).

And don’t forget (also) that groundswell:the best of the third decade of above/ground press, 2013-2023 (Invisible Publishing, 2024) is also still available,

I’m sure you’ve also seen the posts, as well, through the (ottawa) small press almanac? lots of information on above/ground press and everyone else in town who makes chapbooks/ephemera etcetera! And the next edition (32nd anniversary!) of the ottawa small press fair is November 14th! We will see you there, yes?