Monica Mody has a substack now, and has work featured at Scroll India; five fleas has published a short poem by Noah Berlatsky; Chris Johnson is interviewed by Andrew French for the Page Fright Podcast; Stan Rogal, Colin Morton and Frances Boyle each have new work in the latest issue of Pinhole Poetry; and Jennifer Kronovet has new work up at Zocalo: Public Square.
Showing posts with label Colin Morton. Show all posts
Showing posts with label Colin Morton. Show all posts
Saturday, December 9, 2023
Saturday, November 25, 2023
some author activity: Unsworth, Weaver, Bell, Morton, Bowering, Hogg + mclennan,
Lydia Unsworth has a poem up as part of the Tuesday poem series; Andy Weaver is interviewed over at Touch the Donkey; Wade Bell, Colin Morton, George Bowering and others all have new pieces as part of the "Remembering Bob Hogg" feature at The Typescript; and rob mclennan answers one question for Hollay Ghadery at River Street Writing.
Saturday, August 22, 2020
some author activity: Paige, Morton, Beaulieu, Ross, Dennis + Earl,
Abby Paige participates in the "Six Questions" interview series over at Chaudiere Books; Colin Morton responds to same; Derek Beaulieu has a new essay in the "Talking Poetics" series over at the ottawa poetry newsletter; Stuart Ross interviews Michael Dennis; and Amanda Earl has a photo essay at Watch Your Head.
Saturday, December 8, 2018
“poem” broadside #346 : “Riposte” by Colin Morton
Right
here in the middle of the street,
the
passenger door slamming shut on his gun hand
as
the car sped away.
Right
here on the white solid line,
blood
pooling around the base of his skull.
Here,
years ago, beneath the new interchange,
waiting
at the parkway’s one red light.
With
a pistol brought in by diplomatic bag,
rushed
out of the country hours later.
Right
here face down in the November slush.
Here
on the strip while leaving a bistro.
In
a scuffle at this tavern door.
In
a downtown crosswalk with a crossbow.
With
a nine-inch blade across the bar.
The
city remembers its private scars.
For
others there’s a plaque – one on the mall
where
an MP took a bullet in the head.
Another
at the jail where someone swung for it.
A
stone laid for workers killed on the job.
Statues
for those in uniform.
Monuments
uncounted, all to the dead.
Heroes’
highways, walks of fame, listed houses
reassure
that some are kept in mind.
Even
poets have their garden and their path,
echoes
nearly lost in corridors of the dead.
Right
here, right now, we persist, we speak.
While
we can, we have our day.
And
in a lab beside the rushing river
someone’s
plotting to kill you, death.
We’ve
seen the impossible happen before.
Riposte,
by Colin Morton
produced in part as a handout
during the sixth Arc Poetry Walk, curated and
hosted by rob mclennan, walking around the Byward
Market, December 8, 2018
above/ground
press broadside #346
Twice
winner of the Archibald Lampman Award for poetry, Ottawa poet Colin Morton has published more than
ten books, ranging from visual and sound poetry (Printed Matter; Two Decades) to historical narratives (The Merzbook: Kurt Schwitters Poems; The
Hundred Cuts: Sitting Bull and the Major). His other work includes a novel,
an animated film, and many reviews and essays. He has collaborated with poets,
artists, and musicians in the poetry performance group First Draft and with
film-maker Ed Ackerman in the award-winning animated poetry film Primiti Too Taa. www.colinmorton.net
Labels:
Arc Poetry Magazine,
Colin Morton,
poem broadside
Friday, March 23, 2018
above/ground press 25th anniversary essay: Colin Morton
This is the eleventh in a series of short essays/reminiscences by a variety of authors and friends of the press to help mark the quarter century mark of above/ground. See links to the whole series here.
Staying above/ground
Around 1993,
the books editor of the Citizen
phoned me to ask, for an article, who were to most promising Ottawa poets under
25. I waffled a minute, saying that 25 is young to be judging a poet, it takes
years to develop, then named the most active young poet I knew, rob mclennan.
“But isn’t he mainly an impresario?” replied the editor, who had been talking
to others before me. I admitted that may be true, but rob got his own back a
few years later, winning a national award as most promising under 30. He has
not slowed down since, showing what I’ve always said: that persistence,
stubbornness, is half of what it takes to be any kind of artist.
I don’t
remember at what Ottawa reading or literary event I first met rob, but first he
wasn’t there, and then he was everywhere, organizing readings, handing out
poems on single sheets of folded coloured paper, publishing magazines and
chapbooks, often of his own lines and verses, but including everyone from the
established and the iconic (George Bowering) to the newly arrived (Stephanie
Bolster) and the aspiring student at Canterbury high school.
On the tenth
anniversary of above/ground press, rob organized a reading and asked those of
us reading to write a poem for an instant anthology. My poem was called “Ten
Reasons for Staying Above Ground” and included, among the ten, “to see what rob
gets up to next.” He hasn’t disappointed. There’s always something new, and the
Internet has only amplified the range of his hyperactivity.
Mainly an impresario?
It’s hard to maintain that about a writer with such a bibliography, but even if
so, isn’t that great for the many he has helped? I’m still curious about what
he’ll do next.
Ottawa poet Colin Morton [photo credit: Pearl Pirie] has published over a
dozen books and chapbooks (including Coastlines,
above/ground, 1999) ranging from visual and sound poetry to historical
narratives. His other work includes stories and reviews, a novel (Oceans Apart) and an animated film (Primiti Too Taa). www.colinmorton.net
Morton is the author of the above/ground press chapbook COASTLINES (1999). He also appeared in two issues
of the long poem magazine STANZAS—issue
#4 with Shannon Cowan (October 1994) and issue #11 with Aiden Baker (February
1997).
His poem
“Ten Reasons for Staying Above Ground” appeared in the above/ground press
anthology TEN (August 28, 2003),
produced for the tenth anniversary reading/launch/party at 3 Kings Pub, Holland
Avenue, Ottawa (other contributors included Eleni Zisimatos Auerbach, Aidan
Baker, John Barton, John M. Bennett, Stephen Brockwell, George Elliott Clarke,
Shannon Cowan, Michael Dennis, Anita Dolman, Susan Elmslie, m erskine, Jon Paul
Fiorentino, ryan fitzpatrick, Natalie Hanna, Matthew Holmes, Warren Layberry,
A.J. Levin, Gil McElroy, rob mclennan, Sheila E. Murphy, Sharon H. Nelson, Ken
Norris, Meredith Quartermain and Andy Weaver).
Saturday, September 16, 2017
some author activity: Abel, McCann, Morton, mclennan + Archer,
Jordan Abel is part of a new editorial board at Wolsak and Wynn; Marcus McCann has a poem, "Sex at thirty-one," over at Lemonhound; Colin Morton and rob mclennan participate in "my (small press) writing day"; and Sacha Archer has a new visual poem up at h&.
Tuesday, June 28, 2016
Anstee, Hogg, Folsom, Morton, Praamsma, Best etc at Kingston, Ontario's Artfest, July 1-3, 2016
above/ground press authors Cameron Anstee, Robert Hogg, Eric Folsom, Colin Morton, Wanda Praamsma and Ashley-Elizabeth Best, among a mound of others, perform as part of "Poets at Artfest II" at Kingston, Ontario's Artfest, from July 1 to 3, 2016. For more information, check out the Facebook event page, here.
Wednesday, April 23, 2014
Amanda Earl reviews ottawater #10
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