Saturday, November 8, 2014
some author activity: Smith, Anstee, Hancock, Abel, McNair + mclennan,
Jessica Smith answers the "My Writing Process: Blog Tour" questions over at her blog, as does Cameron Anstee, over at his; Brecken Hancock gets interviewed over at Maisonneuve, and shares "Some thoughts on reading 'An Interview with Larissa Lai'" over at CWILA: Jordan Abel is interviewed over at Event magazine; and part of the work-in-progress collaboration between Christine McNair and rob mclennan appears up at BALDHIP magazine.
Friday, November 7, 2014
new from above/ground press: Cursed Objects, by Jason Christie
Cursed Objects
Jason Christie
$4
November 2014
a/g subscribers receive a complimentary copy
Author’s Note:
The poems in Cursed Objects take our involvement with objects across the line of usability into a realm where objects reach back and affect us in ways we can neither foresee nor control. These objects are cursed in that they deviate from the use we prescribed for them and have achieved an uncomfortable new role, namely that of reflecting our twisted sense of dominion.
Jason Christie is the author of i Robot, Canada Post, and Unknown Actor. His chapbook, Government, published by above/ground press, was shortlisted for the 2014 bpNichol Chapbook Award. Jason lives in Ottawa with his wife and their one-year old son.
This is Jason Christie’s third above/ground press chapbook, after 8th Ave 15th St NW. (2004) and Government (2013).
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Jason Christie
$4
Bell, book and candlepublished in Ottawa by above/ground press
ringing or unrung
a bell announces
the wilderness
rhythmic unbounding
of tone to source
an unhinged spillage
echoing without
what sounded deep
from within
paging or unpaged
a book announces
an interiority
covers flung askance
as though darkness
itself acted a doorway
as if patience guaranteed
a solipsistic frame
of mind or beams and lintel
as if waiting accrued pages
dust gathering time
with each mote latching
one second to the next
waxing or waning
a candle announces
darkness, only darkness
closed book, silent bell
unlit candle and doorway
silent page, muted metal
wax with no wick and
waste accumulates
under the nails
between the teeth
waiting until the flash
of light ignites each
page, melts wax, sets
a vacuum to ringing
November 2014
a/g subscribers receive a complimentary copy
Author’s Note:
The poems in Cursed Objects take our involvement with objects across the line of usability into a realm where objects reach back and affect us in ways we can neither foresee nor control. These objects are cursed in that they deviate from the use we prescribed for them and have achieved an uncomfortable new role, namely that of reflecting our twisted sense of dominion.
Jason Christie is the author of i Robot, Canada Post, and Unknown Actor. His chapbook, Government, published by above/ground press, was shortlisted for the 2014 bpNichol Chapbook Award. Jason lives in Ottawa with his wife and their one-year old son.
This is Jason Christie’s third above/ground press chapbook, after 8th Ave 15th St NW. (2004) and Government (2013).
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Labels:
bpNichol chapbook award,
chapbook,
Jason Christie
Wednesday, November 5, 2014
new from above/ground press: today’s woods, by Pearl Pirie
today’s woods
Pearl Pirie
$3
published in Ottawa by above/ground press
November 2014
a/g subscribers receive a complimentary copy
Pearl Pirie’s next collection, Pet Radish, Shrunken is with BookThug, Spring 2015. Host of Literary Landscape on CKCUfm.com, she has organized Ottawa’s Tree Seed Workshops since 2009 and gives workshops and talks on poetry for various organizations. She blogs and photographs Ottawa’s rich, amazing literary scene. www.pearlpirie.com
This is Pearl Pirie’s fifth above/ground press publication and third chapbook, after vertigoheel for the dilly (2014) and oath in the boathouse (2008).
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Pearl Pirie
$3
the male is usually bigger with a head proportionally smaller.
females grizzlies usually have a shorter "wheel base”
in the mating season, May and June, the males (boars) often walk
with their hind legs farther apart than normal, a bow-legged sway
while the females (sows) are more likely riverside digging clams.
Robert Southey’s three bears were originally bachelors
a Little, Small, Wee Bear,
a Middle-sized Bear,
and a Great, Huge Bear
invaded by a cussing old trespassing vagrant woman.
before that, it was Eleanor Mure’s tale of 3 friendly bears
and an invading vixen, meaning mea vulpes, not woman.
18 years after her published 1831 tale—
about which Robert said
he’s been telling it since 1813
and his uncle told it to him,
but who can tell once the fairies have taken a tale for their uses—
the fox lost its tail and silver hair was shed to reveal a little girl.
since then the fox has a conservation status of safe but a sub-species
of bear has gone extinct. and at risk. iterations ran with sis & bro bear
and little bear friend then parents and boy bear. in 1918
Flora Annie Steel dubbed the child something that stuck: Goldilocks
a feminization of history: the baby bear became a girl too.
and that is where I entered the tale. proto-grrrl era.
published in Ottawa by above/ground press
November 2014
a/g subscribers receive a complimentary copy
Pearl Pirie’s next collection, Pet Radish, Shrunken is with BookThug, Spring 2015. Host of Literary Landscape on CKCUfm.com, she has organized Ottawa’s Tree Seed Workshops since 2009 and gives workshops and talks on poetry for various organizations. She blogs and photographs Ottawa’s rich, amazing literary scene. www.pearlpirie.com
This is Pearl Pirie’s fifth above/ground press publication and third chapbook, after vertigoheel for the dilly (2014) and oath in the boathouse (2008).
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Monday, November 3, 2014
new from above/ground press: Who Let the Mice in Brion Gysin, by Gregory Betts
Who Let the Mice in Brion Gysin
Gregory Betts
$3
published in Ottawa by above/ground press
November 2014
a/g subscribers receive a complimentary copy
Gregory Betts is a poet-professor in St. Catharines, Ontario. His most recent book is Boycott (Make Now Books), available through spdbooks.org.
This is Gregory Betts’s third above/ground press chapbook, after curse of canada (2008) and The Cult of David Thompson (2005).
Produced in part for the Avant Canada: Artists, Prophets, Revolutionaries conference in St. Catharines, Ontario, November 5-7, 2014. avantcanada.ca
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Gregory Betts
$3
One
one can be generous, one can give things to people, and sometimes this is called teaching
turn the boys over is one way of teaching
knowledge is stolen
I assassinate You
I Hassan-i-Sabbahthe desert is stolen
nothing is true everything is permittedknowledge is stolen
permitted is true nothing is everything
nothing is permitted everything is true
permitted is true everything is nothing
nothing is true permitted is everything
permitted is everything true is nothing
nothing is permitted true is everything
permitted true is everything is nothing
nothing everything is is permitted true
nothing everything is true is permitted
published in Ottawa by above/ground press
November 2014
a/g subscribers receive a complimentary copy
Gregory Betts is a poet-professor in St. Catharines, Ontario. His most recent book is Boycott (Make Now Books), available through spdbooks.org.
This is Gregory Betts’s third above/ground press chapbook, after curse of canada (2008) and The Cult of David Thompson (2005).
Produced in part for the Avant Canada: Artists, Prophets, Revolutionaries conference in St. Catharines, Ontario, November 5-7, 2014. avantcanada.ca
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com
Saturday, November 1, 2014
some author activity: Robinson, Earl, Armantrout, McNair + beaulieu,
Elizabeth Robinson responds (as do many others) to a request to reflect on "The Work of Poetry" for the 25th issue of Free Verse: A Journal of Contemporary Poetry and Poetics; Amanda Earl has a new visual poem up at Truck: a small article on Rae Armantrout's poetry appears in The Portland Mercury; there is now a video online of Christine McNair's reading in Vancouver as part of the Real Vancouver Writers' Series Third Anniversary Celebration, May 24, 2013; and Vancouver poet Kevin Spenst's performance of derek beaulieu visual poetry suite "quartet for 6 voices" is now up at soundcloud, as is Spenst's nephew's sound response "quartet for kevin."
Wednesday, October 29, 2014
above/ground press at the ottawa small press book fair!
We will once again be participating in the semi-annual ottawa small press book fair, which will be held on Saturday, November 8, 2014 at the Jack Purcell Community Centre with plenty of items we haven't even told you about yet! (why miss out? subscribe!) Also, our own Jennifer Baker will be launching her chapbook, Abject Lessons (2014), as part of The Factory Reading Series' pre-fair event on the evening of November 7th!
Saturday, October 25, 2014
some author activity: mclennan, Anstee, Simpson, Earl + Christie,
rob mclennan participates in the "Blog Hop" self-interview; Cameron Anstee and Rachael Simpson, along with Jeff Blackman, Justin Million and jesslyn delia smith, are interviewed over at Open Book: Ontario on their "An Accords of Poets" tour; Amanda Earl responds to Susan M. Toy's book-meme questions over at Reading Recommendations; and Jason Christie has an essay in the "On Writing" series over at the ottawa poetry newsletter.
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