rob mclennan reads in Kingston as part of the Modern Fuel Artist-Run Centre 40th Anniversary.
Poetry Evening with an Open Mic
Common Market Café
136 Ontario St, Kingston, ON K7L 2Y4
http://www.thecommonmarket.ca/
7-9pm on 24 October 2017
On Tuesday, October 24 we are pleased to present an evening of poetry organized by Eric Folsom.
Featured poets will include Elizabeth Greene, rob mclennan and Susan McMaster.
More information is promised soon, via their website: http://www.modernfuel.org/news/835
Showing posts with label Susan McMaster. Show all posts
Showing posts with label Susan McMaster. Show all posts
Wednesday, October 11, 2017
Monday, June 10, 2013
rob mclennan's The underside of the line, (2011) is reviewed online at The League of Canadian Poets' review site
Ottawa poet and editor Susan McMaster reviews The underside of the line, (2011), over at the new reviews site as part of The League of Canadian Poets website. See the original review here. There was even a previous review of the same chapbook, by Megan Burns in Rain Taxi, here.
rob mclennan, The underside of the line, (above/ground press, 2011)
reviewed by Susan McMaster
One of a series from rob mclennan’s above/ground press, this chapbook opens with a quote from Cara Benson that start, “the story goes like this: I made a poem….”We can count on rob mclennan to read and mine texts from many sources as guideposts to his own explorations — and clues for us. underside features three poems punctuated only by section numbers and commas, on his father”‘s cancer:
have tried to understand death
a step
dying isn’t
on a 41st birthday:
What stays a marvel
and for the birthday of “C”:
lived, a day
…
wet pools of paper
soft vehicles of travel,
The comma, that appears sometimes in odd places such as at the beginning of a line, acts as a soft exhale, a lyrical pause and gesture forward.
I like these poems. mclennan’s language is assonant, rhythmic, full of unexpected word conjunctions that carry readers around the idea of an emotion without forcing it on us. Although sometimes his allusions are too obscure, too self-referential — my mind drifts — when rob steps closer, he writes very well.
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