some author activity: Armantrout, Browne, Turner, Stebner, Dean, Barwin, Nichol + Heroux,

Rae Armantrout discusses two poems from her latest collection with Laynie Browne, Julia Bloch and Al Fireis as part of PoemTalk #207 at Jacket2; Michael Turner has a new poem up at the Chaudiere Books blog for National Poetry Month, as does Kevin Stebner, and even Leesa Dean; Gary Barwin has posted new music over at bandcamp, "I before H: music after bpNichol"; and Jason Heroux has a new poem up at unbroken.

some author activity: Abel, Bowering, mclennan, Dean + Young,

Jordan Abel has won the 2024 Banff Mountain Book Competition Prize for Mountain Fiction and Poetry; The George Bowering Collection and Reading Room is scheduled to be installed in Special Collections at the University of British Columbia in Vancouver in 2025; rob mclennan was interviewed by Alan Neal for CBC Radio's All In A Day; and Leesa Dean is interviewed over at Touch the Donkey ; and did you see this interview with American poet Geoffrey Young?

Susan Kay Anderson reviews Leesa Dean's Apogee/Perigee (2023)

Susan Kay Anderson was good enough to provide the first review of Leesa Dean's Apogee/Perigee (2023) over at NewPages; thanks so much! See the original post here. As she writes:

Apogee/Perigee by Leesa Dean is about relationships near and far. What is the poet’s relationship to situations, people, and other everyday items? I see Dean’s poems in a creative, concrete way; and see them as points on an astrology chart, which is circular and the connecting points to various houses/states of being. This is a sacred, esoteric book of poems not to be approached offhandedly. Slowly, by studying these dialed-up, circles of potency, there is a lot revealed, as in these lines from “House of Values”:

[. . . ] movies
on repeat. ice cream on repeat.
dinner at bedtime. toys kept in
Crown Royale bags.

At first, I did not get that these were astrology charts. They looked like maps with scroll and script writing. When I went back and examined them, it was plain as can be. In these lines, Dean remembers her grandmother’s teachings:

[. . . ] her eyes lit like
bright swans when her mouth
formed the words.

I love, “her eyes lit like bright swans” so much. I can see and feel this image. The mystery, the sacred, and the overcoming of what was endured make for careful reading. If I read nothing else, I would be satisfied.

new from above/ground press: Apogee/Perigee, by Leesa Dean

Apogee/Perigee
Leesa Dean
$5

published in Ottawa by above/ground press
April 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy

design by Nathan Vyklicky

Leesa Dean is a graduate of the University of Guleph’s Creative Writing MFA program and an instructor at Selkirk College. Her first book, Waiting for the Cyclone, was a finalist for the 2017 Trillium and Relit Awards. Her novella-in-verse, The Filling Station, was recently published by Gaspereau Press and is based on the poetry of Elizabeth Bishop. She lives in Krestova, BC (unceded Sinixt territory), with her artist husband Matty Kakes and their daughter Scarlett Heart.

This is Dean’s second above/ground press chapbook, after The Desert of Itabira (2020)

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

poetry pause : the league of canadian poets

Thanks to The League of Canadian Poets' "poetry pause" series for helping celebrate twenty-seven years of above/ground press! The series allowed me to curate ten authors for recent slots, all of whom are Canadian (and/or Canadian-based) authors with 2020 above/ground press publications. Most of the poems included in the series are reprinted from their collections, but a few even provided new poems! Here are the authors' names, with the links to their "poetry pause" poems: Dani Spinosa, George Stanley, Khashayar Mohammadi, kevin mcpherson eckhoff, Sarah Burgoyne, Lance La Rocque, J.R. Carpenter, Leesa Dean, Razielle Aigen and Dale Tracy. Can you believe we're twenty-seven years deep? What might the rest of the year bring? We are so close to thirty!

Amanda Earl reviews chapbooks by Irwin, Lea, Baus, Dean and Kasimor,

beloved above/ground press author Amanda Earl was good enough to provide first reviews for a small handful of above/ground press titles, including Marilyn Irwin's the day the moon went away (2019), N.W. Lea's Five Mothers (2019), Eric Baus' Euphorbia (2020) and Lessa Dean's The Desert of Itabira (2020), as well as a second review (after John C. Goodman discussed such over at Otoliths) of Mary Kasimor's disrobing iris (2019), among some other titles discussed, in her "a few notes on some recent chapbooks" over at her blog. Thank you! You can see her original review here. As she writes:

Marilyn Irwin – the day the moon went away (above/ground press, August, 2019)

I am a fan and a dear friend of Marilyn’s so it comes as no surprise that I enjoyed this chapbook, from the snail on the cover to its reappearance in a poem, to the poems on not having a baby. there’s a sweet sadness to the work, mixed with a practicality about life and a concern for the environment. there’s concern. I have several favourites in the collection, but I’m particularly fond of “hum,” which begins “the first definition/of suicide/begins/with monks/robes/indistinguishable/from/skin cinder”—an unusual and memorable image. I want a book by Marilyn soon please, publishers. and so should you.

N.W. Lea - Five Mothers (above/ground press, October 2019)

I am a big fan of Lea’s writing. It’s contemplative, unusual and minimal. There is humour, playfulness, unique and powerful imagery and a consistency of tone throughout the chapbook.

Mary Kasimor - disrobing iris (above/ground press, November 2019)

I began reading these poems and then got so excited by the incantatory and exquisite imagery and sound play that I had to read them aloud. the poem “dropped stiches” stayed with me long after I read it the first time. This is a symphony of melancholy and grief, rebellion. I loved them.

Eric Baus – Euphorbia (above/ground press, January 2020)

i enjoyed these microscopic observations and musings of/on nature. These are powerful prose poems that delighted and fascinated me. The only thing I didn’t like was the font, which could have been Futura or Arial, I’m guessing but probably wrong, and what appears to be boldface for the entire collection. It is the opposite of the work for me. It is shouty and brash. That’s not what I’m reading. I’m reading softer, more subtle and delicate observations and musings.

Here are two of the poems that resonated greatly with me:

Pattern Anguish

Hawks glide above other hawks to kill escaping sky, a faraway star burning their faces.
Hum, Hurts

So the rosin, as the rain was, flowered its watts, precipitates a leaf, has been one, exhausts the teeth of animal speech, a siren under wool, hums, hurts.

Lessa Dean – the Desert of Itabira (above/ground press, January 2020)

This is an excerpt from a novella in verse entitled Manuelzimbo; a found poetry project based on the work of Elizabeth Bishop. I can’t wait to read the entire novella. The excerpt is mesmerizing. It evokes the desert paintings of Georgia O’Keeffe for me, extremely visual and startling: “We are taken to a red temple/a woman in a cloak of bones/greets us in a language/none of us know”.

I am in love with the dark imagery of this work: “The dynasty of violence threads our sleep/leaves bruises each night we shower ourselves/in superstitious rituals drink snake blood/   leave on the drowned green light”

This work also evokes the haunting imagery of the poetry of Sandra Ridley. I envisage a collaboration between Dean and Ridley. I think it would be wing-swept and haunting.

new from above/ground press: The Desert of Itabira, by Leesa Dean

The Desert of Itabira
Leesa Dean
$5

In the desert of Itabira
time gnaws ruined houses
these walls know nothing of rain
nor hail the size of pearls
       no grass
no bromelias or ferns
      only sand
more sand

Of course Carlos would live here
a village lost in time
where servant girls patter
like birds between market stalls

He has two himself
bloodshot beauties
who call him master

There is a party to welcome us—
      hens
            cuchaca
meat cloaked in herbs
from some other kingdom
where soil allows life
           to flourish

published in Ottawa by above/ground press
January 2020
a/g subscribers receive a complimentary copy

cover art: Matty Kakes

Leesa Dean is a graduate of the University of Guelph's MFA program and a creative writing instructor at Selkirk College. Her first book, Waiting for the Cyclone (Brindle and Glass) was nominated for the 2017 Trillium and Relit Awards and her fiction, essays, poetry and interviews have been published in numerous magazines and anthologies. She is a co-founder of the literary journal Black Bear Review and has served as the interviews editor of the Humber Literary Review in the past. She lives on an acreage in Krestova, BC with her artist husband Matty Kakes and daughter Scarlett Heart, surrounded by crashed cars and fruit trees.

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com