Showing posts with label David Gaffney. Show all posts
Showing posts with label David Gaffney. Show all posts

Tuesday, March 17, 2026

Adrian Slatcher reviews an above/ground press launch: Tom Jenks, Lydia Unsworth + David Gaffney,

Adrian Slatcher was good enough to offer his thoughts on a recent above/ground press launch in Manchester, England by Tom Jenks (launching Chimneys), Lydia Unsworth (launching Gag) and David Gaffney (launching Lakes of Titan). Thanks so much! You can see his original post here, or excerpted, below:

The Scene that Celebrates Itself

In the post-Xmas quiet there isn’t much going on literature wise, which may explain the packed house for the above/ground press launch on Thursday. Most of the literary folks in Manchester that I know were at Saul Hay Gallery for David Gaffney, Tom Jenks and Lydia Unsworth. I arrived on time, yet was one of the last ones there, which prompted an early start.

above/ground is a Canadian press publishes small pamphlets, and via some transatlantic links, reminiscent of the old mail-art networks of the sixties and seventies, has found a home for a number of Manchester-adjacent writers. David Gaffney’s stories lean into his earlier “sawn-off tales” but began as explorations of the similarities/differences between prose poetry and flash fiction. If there’s a difference between these, and his earlier work, I think its that it is in the ever-more deadpan absurdity, and embracing of surrealism. In some ways, it was as much a Dada-esque happening as a reading, though without the silly hats. (Maybe, next time.) Despite the humour of the pieces, there’s always a nugget of dark truth in David’s work. The first story, about a next generation of Arts Council staff being grown as clones, was a perfect example. In David’s work the mundane, is never mundane - whether a train journey across a Lincolnshire landscape that looks as if its been “photocopied”, or the absurdity of office politics. The book “Lakes of Titan” is available here.

Tom Jenks can sometimes seem like a P.T. Barnum of contemporary writing, and all he needs is a big coat with his bric-a-brac for sale to complete the image. The “badge” he was flogging for those of us who spend too much time in pointless meetings, “i’m an artist and you’re lucky i’m even here” sold like hotcakes. Tom’s work veers between the minimal (the badges, his posters of famous literary works) and the durational (projects mapping everything he has done in a year around a particular theme.) Yet here he engages with a range of pithy word-pictures, poignant yet funny.

Lydia Unsworth has slightly different tone than the other two. She has four pamphlets from above/ground and a recent publication just out from Knives, Forks and Spoons. It is a free spirited observational poetry that is probably at its best in the longer piece where she lists all the mundane but beautiful things that she experiences with her children on the everyday walk to school. Her books can be bought here.

Monday, December 8, 2025

new from above/ground press: Lakes of Titan, by David Gaffney

Lakes of Titan
David Gaffney
$6

Colony

Row upon row of small people in pods lay perfectly still as if they were asleep. They were small, about the size of ventriloquist dolls, but I was assured that they would grow to become full-sized members of staff. They all looked a little like Melvyn Bragg, even the female ones, with thick ruffled hair and an expression on their faces that suggested they had thought of something droll and would tell you later. Soon the entire company would be run by the creatures they were growing here. Small fans stirred the air about the staff member’s faces to help them get used to adversity, which they may meet in the real world. Lights were low, yet now and again, bursts of colour and fragments of film flashed across the walls and ceiling. Music and podcasts played to ensure that the subjects were equipped with good humour and imagination so they wouldn’t sound robotic like some of the earlier versions. I was told this was top secret. What was even more top secret was which previous members of staff had been computer-powered hybrids of machine and flesh, who had since been decommissioned while we waited for this new batch. Maybe this was something we already knew, but weren’t aware that we knew, like the way the Chuckle Brothers entered our consciousness long before they appeared on our screens. Mahler’s fifth was playing quietly out of the speakers and it reminded me that Mahler’s wife once worked as a lab assistant over-seeing a colony of praying mantis.
published in Ottawa by above/ground press
December 2025
a/g subscribers receive a complimentary copy


cover artwork by Gary Fisher

David Gaffney is the author of the novels Never Never (2008), All The Places I’ve Ever Lived (2017) and Out Of The Dark (2021), and the flash fiction and short story collections Sawn-Off Tales (2006), Aromabingo (2007), The Half-Life of Songs (2010) and More Sawn-Off Tales (2013). He has published two graphic novels with Dan Berry – The Three Rooms In Valerie’s Head (2018) and Rivers (2021) – and is working on a third. His short story collection Concrete Fields (Salt Publishing 2023) was long listed for the Edgehill Short Story Prize and his latest collection, Whale, was published by Osmosis in 2024. He is Senior Manager for literature at Arts Council England.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com