some author activity: Hawes, Mody, Robinson + Berlatsky,

The Encore Poetry Project includes a poem by James Hawes; Monica Mody now has a substack; Elizabeth Robinson has new work up at Posit; forthcoming author Noah Berlatsky has a poem up at New Feathers Anthology.

new from above/ground press: Toothache, by Joseph Donato

Toothache
Joseph Donato
$5

I’m Scared of the Tooth Fairy
 
 
Dentist in the orchard
trades pennies for apples,
plucks the branches bare
 
Liquorice gums and
milk teeth,
burnt matches
on latex fingers
 
Caramel leaks
through gaps in my smile,
pillowcase stained
gold
 
My treasure chest empties
but its ghost weight lingers,
candies and apple seeds
in my mouth
 
I want my cavities back.

published in Ottawa by above/ground press
May 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy

Joseph Donato’s Toothache yanks sense by the root. In this collection of taut, imagistic poems, Donato laces things tight, wiggling short character studies out of drippy cavities. Toothache pours the surrealism of Richard Brautigan or Stuart Ross through their own caramel. Toothache leaves your cheeks stuffed.  
    — ryan fitzpatrick, publisher of Model Press
    
as someone with teeth, i can say that toothache hurts just as it should.
    — Isla McLaughlin, author of girl, online

Toothache is a hit, a masterpiece. The author should be praised and adored and given money.
    — Joseph Donato, author of Toothache

Joseph Donato is super cool and popular. He is the Co-Founder and Editor-in-Chief of Block Party, a Toronto-based magazine and press. Apart from writing, Joseph enjoys illustrating, buying CDs, and Tic Tacs. Toothache is his debut chapbook publication. 

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

ANNOUNCING: the above/ground press 30th anniversary fundraiser

Across the thirty years-to-date of my poetry chapbook publisher above/ground press (b. July 9, 1993) I’ve worked hard to engage with numerous threads of literary activity, from multiple elements of poetic form (prose poems, long poems, visual poems, lyric forms, etcetera) to different geographies and communities, and a whole slew of individual writers across North American and beyond in their ongoing works. Centred in the Ottawa literary community, above/ground press publishes single-author poetry chapbooks as well as a handful of ongoing journals (Touch the Donkey [a small poetry journal], GUEST [a journal of guest editors] and The Peter F. Yacht Club), and has published chapbook debuts alongside works by award-winning authors and produced works in translation and collaborative efforts, running the gamut between wildly experimental works and more traditional forms. Last year, above/ground press started producing a series of festschrifts, celebrating the works of individual poets from across North America, attempting to find a spark of positive throughout the weight of the Covid-era.

The very nature of chapbook publishing is both ephemeral and immediate, and able to take a particular kind of risk that almost refuses anything commercial. Unfortunately, of course, publishing is an expensive enterprise, and subscriptions alone provide far less than half of publishing costs. I’ve long resisted increasing my subscription rates, precisely due to not wishing to outprice anyone who wishes to engage with the work.

While the pandemic years managed with roughly the same amount of annual above/ground press subscribers overall, the press saw severely reduced individual sales, as well as wiping out in-person readings and small press fair possibilities (from the ottawa small press book fair to Toronto’s Meet the Presses), so there hasn’t been the same ability to replenish the financial coffers to feed back into production. My personal Public Lending Rights and Access Copyright monies have also fed directly into the press, but it still hasn’t been enough to not worry about how one might keep the lights on. Given the enormous backlist the press holds, much of which is still in print (although half of the titles I’m listing include some of the final copies), I thought this might be an opportunity to offer a series of curated packages of titles, many of which highlight a variety of threads the press has deliberately attended.

Fully aware that chapbook publishing, especially poetry chapbook publishing, is inherently a not-for-profit enterprise, I’d like to keep moving forward, otherwise I might have to seriously reassess how best to keep publishing, if at all.

The opening salvo of available perks have been posted, and I’m aiming to announce further perks over the following weeks, including more bundles (a second Brooklyn Poets bundle, for example), as well as bundles featuring the work of Amanda Earl, Derek Beaulieu and Ken Norris. There will probably be others, naturally.

The goals for this fundraiser are to keep going. See the link to the campaign here.

some author activity: mclennan, Boyle, Johnson, Houbolt + Armantrout,

rob mclennan, Frances Boyle and Chris Johnson, along with Sadiqa de Meijer and Katia Grubisic, join Susan Johnston on CKCU to discuss Arc Poetry Magazine #100; forthcoming author Kyla Houbolt has a poem in the "Tuesday poem" via the dusie blog; and Rae Armantrout is part of a round-table conversation, "On Poetry and Complexity: A Conversation at the Interface of Art and Science" at Rungh, alongside Madhur Anand, Roald Hoffman, Sarah Tolmie and Osheen Harruthoonyan.

some author activity: fitzpatrick, Ballard, Jahn, Armantrout + Smith,

ryan fitzpatrick has a poem online at We Did It!; forthcoming author Micah Ballard is interviewed over at Touch the Donkey; Ben Jahn has a new poem up at Hobart; Rae Armantrout has a new poem in The New Yorker; and Pete Smith has a poem online at Arc Poetry Magazine.

Poetry at the Avant-Garde (Ottawa, June 1st): Jessi MacEachern, Stuart Ross, & William Vallières

Join us at the Avant-Garde Bar to see Stuart Ross (Cobourg), Jessi MacEachern (Montréal), and William Vallières (Montréal) read from their new poetry chapbooks from above/ground press.
Hosted by Bardia Sinaee.

Thursday, June 1, 2023 : Avant-Garde Bar, 135 Besserer Street, Ottawa
Event starts at 7:30pm.
Admission is free.
Chapbooks will be available for sale.
See the Eventbrite link here

About the readers:

Jessi MacEachern is a poet who lives in Tiohtià:ke/Montréal where she teaches English literature. She is the author of A Number of Stunning Attacks. Her chapbook When a Folk, When a Sprawl is her second chapbook with above/ground press.

Stuart Ross, winner of the 2019 Harbourfront Festival Prize, is the author of over twenty full-length books of poetry, fiction, and essays. Bird Snow on Hard Tracks is his third above/ground press chapbook. Stuart’s work has been translated into French, Norwegian, Slovene, Russian, Spanish, and Estonian. He lives in Cobourg, Ontario.

William Vallières is a Montreal poet. His work has appeared in The Walrus, Best Canadian Poetry, Event, Grain, and Plenitude. His first book of poetry, Versus (2019), is out with Véhicule Press. His chapbook, Poor Rutebeuf (2023), a translation of the French medieval poet Rutebeuf, is out now with above/ground press.

Event banner artwork by Barbara Caruso.

some author activity: Reid, Beaulieu + Betts, mclennan, Schmaltz + O'Reilly,

Monty Reid has new work up at The Typescript; Derek Beaulieu and Gregory Betts recently collaborated on a review of Jean-Luc Champerret's The Lascaux Notebooks for Dublin journal Gorse; rob mclennan's archived zoom-reading, featured at Vancouver's Poets Corner Reading Series, is now online; Eric Schmaltz is featured in the Spotlight series; and Nathanael O'Reilly has new work up in The Bookends Review.