Buck Downs’ poetic method has been outlined in
Broken Pencil’s review for “Touch the Donkey #11” [see that review here], as
his work is briefly featured there, but it is worth noting here again for this
interview, where the advantages and disadvantages to this approach are
emphasized more heavily. “Shiftless(Harvester)” is, after all, a
chapbookentirely of Downs’s composition, so when his method of “brute-force
typing,” as he calls it, is tasked with producing the 23 short poems printed
herein, their method of production is much more obvious.
In an interview with publisher rob mclennan, Downs describes his “brute-force”
method as follows: “I have a little box that when I fill it with filled
notebooks, I take the box and type up its whole contents … which I get printed
as a bound galley … and proceed to erase/cut & paste/collage that typing
into drafts.” The advantages to this approach are the same to be found in
more-recognized poets who, to some degree, follow a similar process (Downs
himself cites Ronald Johnson and Jackson MacLow. “Shiftless(Harvester)” does
garner a sort of ‘ghost in the machine’ kind of discombobulated affect,
examples in such passages as “pee shy/& asking/for money/it’s hard to
feel/sad when your mouth is on fire”. The chapbook confronts the issues
associated with the method which produced it. However, some issues remain –
namely, a resistance to settling into anything recognizable as meaning, and
more noticeably a tendency towards shoehorning in association between
dissociated memes to unfortunate melodrama (see: “days when you whisper |
nights when you cry | […] | all the burnt parts | still rule inside. [11]. “Shiftless(Harvester)”
makes for a solid read, but one leaves with little more than what one began
with.
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