river / estuaries
Julie Carr and rob mclennan
$6
river : three
where girls test ice tapping boot heels against fragile shine
where masked they swing
where long fronds bend toward the duckpond’s lip
as if to drink or kiss
I’d been reading about boys online in their secret spaces they
give each other hard-ons talking about raping fat Jews
I’d been thinking about my mother’s face when she was
by something she’d read or remembered made afraid.
when we walked into a crowd
of history’s predatory glances we knew them they were
as if our friends
they stood held the ropes and rocked
until the swings jumped the air their torsos nearly
horizontal like hawks.
estuaries : three
boot heel, marks a question; how this body
crumbles,
through soil erosion, deforestation,
overgrazing, overfishing
, or the filling of wetlands, such fury,
curtailed by dirt,
*
I walk into a crowd , an ocean
of intimate glances, procrastinations
on the edge of; [estuaries: roped and rocked]
how I did not know
how betrayal unfurls, congeals;
, the blue spark, torsos
how one unpacks speech: one lifts
a stone, inspects
and audits every fissure,
*
what is this love? had ever
kissed
, such fundamental action
, such raw, and outward
let’s go down, come on down
until the swings jumped air,
*
to surround yourself with water
does not portray you
, land
we test the ice; and tether,
*
the assumption of the rockface,
scars, a transport
with my mouth
, these horizontal wings; a spread of lilacs,
lilies, intemperate water-fowl,
the mallard’s
green head like a handle,
I could scarcely bid
published in Ottawa by above/ground press
November 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy
Julie Carr’s most recent books are Mud, Blood, and Ghosts: Populism, Eugenics, and Spiritualism in the American West, Real Life: An Installation and the essay collection, Someone Shot My Book. She lives in Denver where she helps to run Counterpath and teaches at the University of Colorado in Boulder.
Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa, where he is home full-time with the two wee girls he shares with Christine McNair. The author of more than thirty trade books of poetry, fiction and non-fiction, his most recent titles include the poetry collections the book of smaller (University of Calgary Press, 2022) and World’s End, (ARP Books, 2023), and a suite of pandemic essays, essays in the face of uncertainties (Mansfield Press, 2022). Fall 2023 also sees the publication of groundwork: The best of the third decade of above/ground press, 2003-2023 (Invisible Publishing). An editor and publisher, he runs above/ground press, periodicities: a journal of poetry and poetics and Touch the Donkey. He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at robmclennan.blogspot.com
This is mclennan’s sixty-eighth above/ground press chapbook, following edgeless : letters, (2023), The Alta Vista Improvements (2023), Autobiography (2022), the collaborative SOME LEAVES (with Gary Barwin; 2020), Twenty-one stories, (2020), Poems for Lunch Poems for SFU (2020), Somewhere in-between / cloud (2019), Study of a fox (2018), snow day (2018) and It’s still winter (2017).
To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com
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