Gwen Aube is a plucky upstart. You don’t generally hear much talk about a poet’s “pluck” in more formal reviews. Reviewers love to say things like, “the poet brings a radical softness to spaces of violence that leavens their inherently traumatic qualities” or “the poet has a writing practice attuned to affect, absurdity, and community struggle” or whatever. If labouring under a strict wordcount, they might settle for simply calling the poet “brave.” But the “pluck” of Aube’s poetry—that endearing, good-humoured courage of the small carrying on in the shadow of long odds—is a welcome tonic in these times of paralysis and dread. And look, I know plucky is an adjective usually reserved for like, a stocky mutt that wins the tricounty openweight barking contest or whatever, but I promise it isn’t a way for me to say, “Aube technically sucks but in a charming way.” She’s good.
Wednesday, September 24, 2025
Gwen Aube's pulp necrosis (2025) is reviewed at Discordia Review
Whoever runs Discordia Review, presumably, was good enough to provide a first review of Gwen Aube's pulp necrosis (2025). Thanks so much! You can read the original post here. As the rather hefty review includes, to begin:
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