Monday, November 2, 2026

The Factory Reading Series pre-small press book fair reading, November 13, 2026: Andrews, Fishman, Moran, Stepanic + Thomas,

span-o (the small press action network - ottawa) presents:

The Factory Reading Series
the pre-small press book fair reading

featuring readings by:
Kimberly Quiogue Andrews (Ottawa ON)
Lisa Fishman (Canada/US)
James K. Moran (Ottawa ON)
Matthew Stepanic (Edmonton AB)
+
Rob Thomas (Ottawa ON)
lovingly hosted by rob mclennan
Friday, November 13, 2026
doors 7pm; reading 7:30pm
Anina’s Café, 280 Joffre-Bélanger Way


[And don’t forget the ottawa small press book fair, held the following day at the Tom Brown Arena]

author biographies:

Kimberly Quiogue Andrews
is an American poet and literary critic. She is the author of A Brief History of Fruit, winner of the Akron Poetry Prize, and two chapbooks, most recently Animals I Never Saw, winner of the Flume Press Prize. She teaches creative writing and English literature at the University of Ottawa. 

Lisa Fishman’s newest books are the novel, Write Back Now! (1366 Books, Guernica Editions, 2026) and the chapbook What! (above/ground press, 2026). She’s also the author  of the fiction collection, World Naked Bike Ride (Gaspereau Press, 2022) and eight books of poetry, most recently One Big Time (Wave Books, 2025). Several earlier chapbooks include Deer 1 (Oxeye Press, 2015, 2017).

James K. Moran writes across the genres about grief, love, nomadic superheroes and drag-queen warlocks. His poetry and speculative fiction have appeared in Another Dysfunctional Cancer Poem Anthology, Burly Tales: Fairy Tales for the Hirsute and Hefty Gay Man, Bywords, Glitterwolf, On Spec, and elsewhere. Moran’s fiction collection Fear Itself and horror novel Town & Train were published by Lethe Press. His reviews appear in Arc Poetry Magazine, Plenitude and Strange Horizons. In 2012, Moran founded the Little Workshop of Horrors, an Ottawa writers’ group that carves speculative and literary work into the shape it is meant to be. He also runs Queer Speculations, which workshops LGBTQIA+ or queer-themed stories from far and wide. His debut chapbook is Identities (above/ground press, 2026). Findable at jameskmoran.blogspot.ca, jamestheballadeer.bsky.social on Bluesky and jamestheballadeer on Instagram. 

Matthew Stepanic is a queer writer who lives and works on Treaty 6 territory in Edmonton. They are a co-author of the collaborative novel Project Compass (Monto Books, 2017) and the author of Relying on that Body (Glass Buffalo, 2018), a poetry chapbook about the queens of season 10 of RuPaul's Drag Race. They edit and design chapbooks for Agatha Press, and they host and co-organize VERS/E, a monthly queer poetry open mic. 

Rob Thomas [pictured] used to do a decent impression of Stuart McLean. He won the John Newlove Poetry Award in 2013 and lives, works, and writes in Ottawa. 

Friday, October 30, 2026

new from above/ground press: Silent the Decadent Terror, by Michelle Lynn Dyrness

Silent the Decadent Terror
Michelle Lynn Dyrness
$6

published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy

Michelle Lynn Dyrness is an artist and residential designer. Born in France and raised in the Philippines and Berkeley, California, she now lives in Sacramento. Publications include Night for Day (JackPine Press, 2025), Midnight Grotesques, a collaborative work with Tristan Foster (Sublunary Editions, 2023), and Square Confits (Overground Underground Books, 2022). Her work has appeared in Mogadored (Tangerine Press), Firmament Magazine (Sublunary Editions), Inside the Outside Journal’s Right to Roam, and psw gallery’s ToCall magazine and elsewhere.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, October 29, 2026

Lisa Fishman, Jason Heroux + Renée Sarojini Saklikar read online at H of a Night 2026: Celebrating 40 Years of the bpNichol Chapbook Award,

Three above/ground press authors read as part of Meet the Presses' H of a Night 2026 - Celebrating 40 Years of the bpNichol Chapbook Award! Catch it online here, this coming Monday, 2 Nov, 6:30pm - 8:30pm EST: forthcoming author Lisa Fishman (her above/ground press debut out very very soon), Kingston writer Jason Heroux + Vancouver poet Renée Sarojini Saklikar. 

As they write: We're so excited to announce our readers for our first "Small Press Showcase" a curated virtual reading highlight small press publications!

The Small Press Showcase will take place during our H of a Night festivities on November 2nd at 6:30pm 

Join us as we celebrate the 40th anniversary of the bpNichol Chapbook Award at this year's H of a Night. We'll announce the finalists of the award and celebrate all things small press, with readings by Ruth Taylor, Jack Daniel Christie, Allegra Kaplan, Jaeyun Yoo, Katherine Mitchell, Antony Di Nardo, Lisa Fishman, Salma Hussain, Jason Heroux and Renée Sarojini Saklikar.

Monday, October 19, 2026

new from above/ground press: Thresholds: Words and Images, ed. David O’Meara

Thresholds: Words and Images
Ottawa poets respond to works by Enriched Bread Artists
edited by David O’Meara
$6

Susan J Atkinson 
responding to Svetlana Swinimer

Manahil Bandukwala 
responding to Katherine Zarull

nina jane drystek
responding to Yvonne Wiegers 

Matthew Firth 
responding to Daniel Sharp 

Cara Goodwin 
responding to Christos Pantieras 

Chris Johnson 
responding to Cindy Stelmackowich 

Colin Morton 
responding to Jennifer Macklem 

Sandra Ridley 
responding to Sandra Gregson 

Ian Roy 
responding to Joyce Westrop 

Deborah-Anne Tunney
responding to Bozica Radjenovic

Introduction
David O’Meara,
Poet Laureate (anglophone) of the City of Ottawa (2024-2027)

I’ve always loved the idea of the artists’ studio, ideally of high walls, in paint-spattered warehouse dimensions, often repurposed from spaces too difficult to make residential. Above all, they are workplaces, locations of thought, attention, and experiment. They value solitude and reflection, but can also be social with robust discussion. The rooms at the Enriched Bread Artist’s studios exemplify this spirit. Repurposed from The Standard Bread Company, a bread factory built in 1924, the studios have served numerous local visual artists since the not-for-profit collective was founded in 1991. Each year, the EBA hosts an Open Studio when the Ottawa art audience is invited to visit the studios to view completed and ongoing projects in situ. In the past I have attended some of these weekends and always felt inspired by the rich variety (yes, breadth) of creativity in process there. This year, as a Poet Laureate of the City of Ottawa, I approached the EBA’s Cindy Stelmackowich and Christos Pantieras with the idea of bringing some Ottawa poets and EBA visual artists together for a conversation, in an ekphrastic vein, to extend one domain of artfulness into two. Poets were invited to talk about themes, mediums, and process with the artists, and write something in response. This chapbook is the result of that collaboration. I encourage you to visit the artists' websites and immerse yourself in their dynamic and wide-ranging approaches to expression, then return to the poems for each nuanced interpretation. Thank you to all the collaborating poets and artists, to Cindy and Christos for their enthusiastic partnership. Many thanks to Nik Ives-Allison and the City of Ottawa for support with its ongoing Laureate program, VERSeFest, Frances Boyle, rob mclennan and Allison Armstrong.

published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy
produced for an event at Enriched Bread Artists Studio (951 Gladstone Avenue, Ottawa), Saturday, October 24, 2026 from 2-4pm. follow a studio tour in the EBA building where each poet will read their poem adjacent to the artist' work. A limited number of copies of the chapbook will be provided free at the event.


cover image design: Leigha Stiles (Instagram @artbystiles)

Poets/artists:

Susan J Atkinson
is the author of two full length collections. Her latest publication, Alice In The City was published by Anstruther Press in 2025. Visit www.susanjatkinson.com to find out more.

Manahil Bandukwala is the author of Heliotropia and MONUMENT. She was selected as a Writer’s Trust of Canada Rising Star in 2023. See her work at manahilbandukwala.com.

nina jane drystek is a poet, writer and performer based in Ottawa, unceded Algonquin Anishinaabe territory. she is the author of the chapbooks missing matrilineal (above/ground press, 2023), a : of : in (Gapriot Press, 2021) and knewro suite (Simulacrum Press, 2019), co-founder of Riverbed Reading Series and an alumnus of the Banff Centre for the Arts. she writes collaboratively with VII – authors of holy disorder of being (Gap Riot, 2022) and Towers (Collusion Books, 2021) – and performs sound poetry with a rotating group of collaborators. you can find her and her sound poetry recordings online as textcurious. 

Matthew Firth lives in Ottawa. Anvil Press published his first full-length poetry collection Asking for Directions in 2023. Prior, he had four short story collections published, including Shag Carpet Action (Anvil Press, 2011). He is a regular contributor to subTerrain magazine. Firth plays hockey, tennis, and lacrosse and likes birds, books and beer. 

Cara Goodwin is a white settler and Cree, Ottawa-based poet and proud off-reserve member of Fort McMurray 468 First Nation. Her above/ground press debut, Map of What Was Taken (2026), was recently launched at the publisher's 33rd anniversary party on August 22 at Anina’s Café.

Sandra Gregson is based in Ottawa, Canada. Her work includes drawing, painting, sculpture and video. She holds an MFA from York University and a BFA from Nova Scotia College of Art and Design. Sandra has participated in art residencies in Canada and Europe; her artwork has been exhibited throughout Canada and her videos have been screened nationally and internationally. Her work is included in public and private collections including the Canada Council Art Bank, City of Ottawa, and McMaster University. In 2024, the National Capital Commission, Official Residences, purchased her painting Mother Tree. 

Chris Johnson (he/him) was born in Scarborough, ON, and currently lives on unceded, unsurrendered territory of the Anishinaabe Algonquin Nation (Ottawa). His latest chapbook is after (Paper Bill Press, 2026).
 
Jennifer Macklem is a visual artist who has lived along the shore of the St. Lawrence River for much of her life, in rural Ontario and Montréal. The material explorations in her practice is speculative, imagining the subjectivities of other living organisms while engaging with uncertainty and risk. She is a full Professor of Visual Art at the University of Ottawa.

Colin Morton has twice received the Archibald Lampman Award for poetry. His most recent book, Scar Atlas, was longlisted for the Al and Eurithe Purdy Prize.

Christos Pantieras is from Ottawa, Ontario. He received an M.F.A. in sculpture from York University, and a B.F.A. from the University of Ottawa. Pantieras explores themes of communication, relationships, autobiography, and intimacy. Sourcing online language from emails, text messages, and gay hook-up apps, he manipulates the digital word through analog processes. His work amplifies the resonance of a lost connection while blurring the boundaries between virtual space and physical space. 

Bozica Radjenovic was born and educated in Belgrade, Serbia. She received her BFA and MFA from the Faculty of Fine Arts in Belgrade. In 1993 she moved to Canada. Radjenovic’s work has been featured in many solo and group exhibitions. Her work is included in the collections of the Museum of Contemporary Art in Belgrade, the Zepter Museum in Belgrade, the City of Ottawa Fine Art Collection and Scotiabank Fine Art Collection as well as in various private collections in Canada and Europe. She is represented by Central Art Garage.

Sandra Ridley is the author of three chapbooks and five books of poetry, the most recent of which is Vixen (Book*hug Press), winner of the 2024 Pat Lowther Award, Ottawa Book Award, and Archibald Lampman Award.

Ian Roy is the author of six books, including a new collection of stories called Astrid, Aghast. He lives in Ottawa.

Daniel Sharp is a painter, a recreational hockey player, and a shambolic reader of poetry. He has maintained a studio at Enriched Bread Artists for many years. He also works part-time as a project team administrator for some public art commissions for phase 2 the Ottawa light rail transit. Sharp paints abstract compositions which are meditations on daily experience, and explorations of symbols and metaphors. Some of his paintings veer into the fields of landscape and portraiture.

Cindy Stelmackowich is a visual artist, curator and academic. She works within the boundaries of art and science, exploring the materiality of the body and the natural world through digital photography, sculpture and installations. She a long-term member at the Enriched Bread Artists studios.

Svetlana Swinimer is a Russian born artist internationally known for her paintings and sculptures.

Deborah-Anne Tunney’s short story collection, The View from the Lane, and novel, Winter Willow, were published by Great Plains Publications. Her collection of poetry, A Different Wolf, was published by McGill-Queen's University Press and won the Archibald Lampman award in 2021. She has lived in Ottawa most of her life.

Joyce Westrop is an Ottawa-based contemporary artist who transitioned from a career in the federal government to earn her BFA with top honors from the University of Ottawa in 2001. A long-time member of the Enriched Bread Artists collective, her award-winning drawings and sculptures have been widely exhibited and acquired by major public collections, including the Art Bank of Canada and the City of Ottawa. She is currently represented by galerie St Laurent + Hill.

Yvonne Wiegers
examines her curiosity about the world through drawing, painting, and sculpture. She has exhibited in Canada, United States, Sri Lanka and Russia. Her work is in public and private collections. She has a B.A. (University of Guelph) and an MFA (University of Calgary) garnering the department’s nomination for the Governor General’s Medal. 

Katherine Zarull, CSPWC, SCA, a painter and printmaker, is currently developing environmental works using hand made papers and natural fibres.

David O’Meara is the author of five collections of poetry, most recently A Pretty Sight and Masses On Radar (Coach House Books, 2013, 2021). His novel, Chandelier, is published by Nightwood Editions (2024). He is the current Poet Laureate (Anglophone) of the City of Ottawa.

This is David O'Meara’s fourth edited title through above/ground press, all part of his tenure as Ottawa’s English-language Poet Laureate, following Verse on the Banks / Poèmes sur le rivage (2025) and Words and Image / Entre mots et images (2026)—both of which were co-edited by Ottawa's French-language Poet Laureate, Véronique Sylvain, with translations by Myriam Legault-Beauregard—as well as Planting Seeds: Fletcher Garden Poems (2026).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, October 16, 2026

new from above/ground press: spectre, by Hassen Saker

spectre
Hassen Saker
$6


the jays kept screaming the jays kept screaming
jays, the jays
jays were screaming







wreckage scattered on the floor
tea cup teacup tea
tea cup  teacup tea
spilt in the forest


published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy


score at https://soundcloud.com/hassensaker/spectre

cover photo by the author

Hassen Saker is a North American experimental poet, documentary filmmaker, and interdisciplinary/transmedia creator working with texts, audio, photography, film, new media, performance, & actions (i.e., forming organizations & activist-art projects). Her written works have been published in various magazines, journals, & anthologies like Rail, Tool, EOAGH, Big Bridge, miniMag, 100 Days Anthology by Barque Press (2001), and End of the World Project by Moria Books (2019). Her published collections of poetry include Salem (belladonna* books, 2005); Crabapples (Furniture Press, 2004), Sky Journal (Dusie Press, 2014); & Consolation Snacks (Furniture Press, 2017). Her poetry films include Waiting (2007); BRUT (2011), a la Muerte de la Muerte (2012), Surge (2012), poiètes + kinesis + grapho (2013), terra lingua: three aspects (2013); Sky Journal (2014); Solastalgia, a poem by Deborah Poe (2017); and Beasts: Rivers (2023). Her transmedia project, Nighttime Physicks, was published as a NFT collection on OpenSea in 2022. Saker’s multimedia & art/poetry film installations have been featured online, over radio, in public art spaces & galleries. She has performed in numerous venues throughout cities in the U.S. including Grand Rapids, Chicago, Philadelphia, New York, Boston, and Washington D.C. 

Saker has also been a sustainable business owner, gallerist, art frame maker, professional organizer, etc, living in Los Angeles, Oakland, Chicago, Philadelphia, & South Jersey. She currently lives in Grand Rapids, Michigan with her partner, Lauren Cavote. More at hassensaker.com

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, October 14, 2026

new from above/ground press: Revelations of divine love, by Katherine DeCoste

Revelations of Divine Love
Katherine DeCoste
$6



published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy

Katherine DeCoste
is an uninvited guest on the unceded land of the Lək̓ʷəŋən (Songhees and Xʷsepsəm) peoples, where they live with their wife and cat. Their poetry has appeared or is forthcoming in SICK Magazine, Grain Magazine, yolk, filling Station, Contemporary Verse 2, The New Quarterly, PRISM International, and elsewhere. They were previously an editorial intern for Sundress Publications and are currently on the poetry editorial board at PRISM International. They are currently working on a full-length collection of poetry.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, October 9, 2026

new from above/ground press: CO—STAR & RESPONSE, by Shelagh Rowan-Legg

CO—STAR & RESPONSE
Shelagh Rowan-Legg
$6

Destroy with purpose


        Or perhaps I will force my heart
        to an earthquake —
        a dismantling that I refuse
        to allow but in a precise
        fissure — a tremulous shift
        that will be brief as possible,
        the musculature will find
        new companions in this
        rearrangement, a necessary
        reshuffling of salvation.

published in Ottawa by above/ground press
October 2026
a/g subscribers receive a complimentary copy

Shelagh Rowan-Legg
is a writer and filmmaker in Montréal. Her poetry and short stories have been published in numerous journals such as The Windsor Review, The Ampersand Review, and New Poetry. Her short films have screened at festivals around the world, and she is a Contributing Editor at ScreenAnarchy. Find her at shelaghrowanlegg.com and on Bluesky.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, October 1, 2026

above/ground press: 2027 subscriptions now available!

The race to the half-century continues! And with nearly FIFTEEN HUNDRED TITLES produced to date over the past thirty-three years, there’s been a ton of above/ground press activity over the past calendar year, including MORE THAN FIFTY TITLES (so far) produced in 2026 alone, including: poetry chapbooks by Ken Norris, Pete Smith, Peter Carl Anderson, Lori Anderson Moseman, Mark Tardi, Geoffrey Young, Lea Graham, Cara Goodwin, James Spyker, Grant Wilkins, Mark Goldstein, Harold Hoefle, Cary Fagan, Jason Heroux, Ken Norris, Stuart Ross and Jason Camlot, David Currie and IAN MARTIN, Jérôme Melançon, Dag T. Straumsvåg, Mrityunjay Mohan, Jon Cone, Emily Shafer, Derek Beaulieu, rob mclennan, Fred Wah, Daphne Marlatt, J.R. Carpenter, ryan fitzpatrick, Elena Zhang, Sarah Burgoyne and Clara Yeager, Susan Rudy, Shelly Harder, Misha Solomon, Stephanie Bolster, Jennifer Baker, Travis Sharp, John Levy, Christina Wells, Sarah Burgoyne, Ken Sparling, Jake Kennedy, Dawn Macdonald, Noah Sparrow, Glenn Bach, Jon Cone and K.Lipschutz, Robert van Vliet and Rose Maloukis, as well as three (quarterly) issues of Touch the Donkey and an issue of The Peter F. Yacht Club! There’s even two bilingual anthologies co-edited by Ottawa’s two poets laureate, Véronique Sylvain and David O’Meara, as part of their laureate tenures, and a further solo edited by O’Meara (all of which are still in print, at least for the moment).

SLIDING SCALE SUBSCRIPTIONS (AND RESUBSCRIPTIONS): As with last year, I am offering a sliding scale subscription rate; to simultaneously respond to ongoing postal/printing increases, as well as not automatically price everyone out. Honestly, if you are open to subscribing, whatever works within that particular range is completely fine! Not everyone has the same kinds of resources, and the main goal is to have the books available to those who want them. Subscriptions include everything above/ground press makes from the moment you subscribe through to the end of 2027, such as chapbooks, broadsheets, The Peter F. Yacht Club and G U E S T [a journal of guest editors] and quarterly poetry journal Touch the Donkey [a small poetry journal] (and whatever else the press can dream up, obviously):

CANADIAN SUBSCRIPTIONS : $75-$120 (CAN $)
AMERICAN SUBSCRIPTIONS : $75-$120 (US $)
INTERNATIONAL SUBSCRIPTIONS : $100-$140 (CAN $)

As well, anyone who subscribes on or by November 1st will also receive the last above/ground press package of 2026, including those exciting new titles by a number of those folk listed above, plus whatever else the press happens to produce before the turn of the new year.

Why wait? You can either send a cheque (payable to rob mclennan) to 2423 Alta Vista Drive, Ottawa, Ontario K1H 7M9, or send money via PayPal or e-transfer to rob_mclennan (at) hotmail.com (or through the PayPal/donate button at robmclennan.blogspot.com).

Forthcoming items through the press also include individual chapbooks by Ryan Di Francesco, Paul Elter, Laura Carter, Noah Berlatsky, Michelle Lynn Dyrness, Tyler Mills, rob mclennan, Hassen Saker, Lisa Fishman, Shelagh Rowan-Legg, Katy DeCoste + David Phillips, another issue of Touch the Donkey, a further chapbook edited by David O’Meara (a couple of which have already been sent to the printer, by the by), as well as a whole slew of publications that haven't even been decided on yet. Who knows what might happen next.

And don’t forget our glorious substack! I’ve been posting author features/interviews over there for a while now; nearly forty interviews posted so far, most recently with Jennifer Baker, Jason Heroux, Lea Graham, Grant Wilkins and Lori Anderson Moseman. Lots of other cool updates that way, including clusters of new publication announcements every two months or so (because one at a time might be too much).

And don’t forget (also) that groundswell:the best of the third decade of above/ground press, 2013-2023 (Invisible Publishing, 2024) is also still available,

I’m sure you’ve also seen the posts, as well, through the (ottawa) small press almanac? lots of information on above/ground press and everyone else in town who makes chapbooks/ephemera etcetera! And the next edition (32nd anniversary!) of the ottawa small press fair is November 14th! We will see you there, yes?

Wednesday, September 30, 2026

new from above/ground press: Spirit House, by Ken Norris

Spirit House
Ken Norris
$6


Being me, it’s hard
to believe. Faith

so often seems like
a scam. Forget

about this life. Be humble,
be poor, don’t delve

into revolution.
The orthodox stories

are so lame, smell strongly
of lying. Priests

in black gowns
always have a lot to say

about renunciation. They
gave up on living years ago.

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover drawing: Marlene Konyves
Cover graphic design: Janet Kennedy

Ken Norris was born in New York City in 1951. He came to Canada in the early 1970s, to escape Nixon-era America and to pursue his graduate education. He completed an M.A. at Concordia University and a PhD in Canadian Literature at McGill University. He became a Canadian citizen in 1985. Norris is Professor Emeritus at the University of Maine, where he taught Canadian Literature and Creative Writing for thirty-three years. He currently resides in Toronto.

This is Ken Norris’ fifteenth above/ground press chapbook, after Windward – St. Lucia Poems (1995), The Commentaries (1999), Songs For Isabella (2000), Green Wind (2010), Looking Into It (2011), Hong Kong Blues (2019), Hawaiian Sunrise (2021), Stray Dog Café (2021), The Traveling Wilburys Collection (2021), False Narratives (2022), Echoes (2023), Broken River (2024), What’s Left (2025) and Traveller (2026). See his 2025 above/ground press substack interview here.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, September 28, 2026

new from above/ground press: Self-Portrait in a kaleidoscope, by Pete Smith

Self-Portrait in a kaleidoscope
Pete Smith
$6

SELF-PORTRAIT IN A KALEIDOSCOPE.

I, clad
in clown-costume:
down-turned, exaggerated 
white lips glabbering
with the antiphrastic glow of sadness.
It isn't the spotlight, the ring or the whoopie cushion;
it isn't the kinder section letting rip
tides of guffaws and rippled applause;
it's the geometry of the trapeze artists,
the arcs and loops and dissected sectors,
fallen angles, the gibbous death pinch
mirroring an unself 
filled with true/false sequinned memories,
light-years from any known galaxy,
that calls me
home. 

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Bio. Born in Coventry, England, & raised there during its post-war boom years. Worked for forty years in institutional & community settings with people dually diagnosed with intellectual & psychiatric issues. They taught him a lot. A piece of slow writing under the working title Among Us is in progress.

Has lived in & around Kamloops, BC, since emigrating from England in 1974. Poetry is what he thinks he thinks & feels with. A ListServ of poets with closely shared interests revived his writing practice in the late 1990s. Agenda, Wild Honey Press, Poetical Histories, the Gig, Oystercatcher, Great Works, Alterran Poetry Assemblage, fortnightly review, Dispatches from the Poetry Wars, Capilano Review, W, Shearsman Books (Bindings with Discords) in 2015, & the various outposts of the whirlwind known as rob mclennan, are among the places he has published poems, essays & reviews. A comprehensive list is found at peripetyandortronies.blogspot.com in the October 2025 archive.

This is Pete Smith's fifth chapbook with above/ground press, after Strum Of Unseen (2008), A New Love/ An Aching Stone (2016), Sing . . . Despite (2019) and Some Failed Eternity (2024).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Friday, September 25, 2026

new from above/ground press: MUTTER, by Peter Carl Anderson

MUTTER
Peter Carl Anderson
$6

CONCEPTION

We could not conceive of such a thing and yet it came to be, carrying its own luggage with it. A tray of seedlings from the windowsill of a past life, flowers of reincarnation blooming but once a century. The desert deep inside us waits for an opening in the conversation to spread across the landscape and soak up rivers until the fish are left nowhere to spawn. Each day’s count less than the day before. Numbers falling like dandruff. We try to understand but we’re like one-armed backstrokers swimming in circles. Maybe a rise in screen time is yoking us to a downward trend. Maybe our underwear’s too tight, our cycles not monthly enough. We adopt an air of resignation, bury our miscarried explanations and try to look satisfied.

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover design: S. Grand Black / Alias Ink

Peter Carl Anderson is an actor and writer, author of the chapbook Indistinct Chatter & Character Breakdown (our teeth imprint) and a finalist in the 2023 Raven Chapbook contest. He has written more than twenty plays, available on the Canadian Play Outlet, and is the recipient of multiple awards for his acting and playwriting. He lives in Vancouver with his wife, artist and playwright Melody Anderson.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, September 24, 2026

report: Fisher Small and Fine Press Fair 2026

This past Saturday, above/ground press participated, once more, in the Fisher Small and Fine Press Fair in the Thomas Fisher Rare Book Library at the University of Toronto, which was pretty cool. I mean, I've been there a few times [see my report on the 2022 fair here], but this is my first visit since Star Trek: Discovery filmed part of an episode in this space, which made it far cooler (naturally). They've been holding small press fairs in the space every two years or so since 2013, and I think this either my third or fourth fair, after the first, the 2022 event and now (I think I also attended the 2015 fair, but I can't find a record for such).


The fair leans into more letterpress works, so publishers such as myself have been invited on more of a rotating basis, given the space is only so large, but this time around, the first floor space was held as an overflow, featuring more of the small chapbook presses, including myself, Knife Fork Book [above], Anstruther Press [above] and Proper Tales Press (Gap Riot Press had been scheduled, but they were unable). The main floor, below us, held many of the usual suspects, including Flycatcher Press, Book*hug Press, Wesley Bates, Grayweathers Press/The MacOdrum Library Book Arts Lab at Carleton University, George A. Walker and Coach House Books.


There was even Jason Dewinetz [above; above/ground press author of a quarter century back] of Greenboathouse Press, who I hadn't seen in person in some two decades-plus, so that was quite nice.

It was good to see above/ground press author Ken Norris (one of the most published authors through the press, at this point; his new title is forthcoming momentarily) and Toronto writer, artist and lawyer Kate Sutherland [above], who I hadn't seen in a while. Poet and critic Bruce Whiteman came by, briefly, as did Canadian poet Sheila Stewart, Victoria writer/editor Kathryn Mockler, former Ottawa-based poet Barâa Arar, above/ground press authors Cary Fagan and Lillian Nećakov and Mark Goldstein and plenty of others. It was far busier than I might have thought, given the small press material was a bit of a side-bar for the letterpress publishers, but there was a consistent crowd most of the day. above/ground press author Conal Smiley (with a new title with Anstruther, by the way) came by to introduce himself, which I appreciated. Always good to actually meet my own authors, face to face. Although it was rather odd to have a couple of tour groups float through, twenty-plus circling our tables, taking photos of the space. Keep moving, keep moving. But an impressive day, all in all.

[Jay MillAr, Book*hug]
A young person floated through, introducing themselves as the partner of above/ground press author Noah Sparrow (I didn't catch his name), in Toronto for two years for school; we ended up in a half-hour long conversation on late 1980s Montreal punk bands, which was cool. As well, Brendan Allen introduced himself as a long-time admirer of the press, having been mentored by above/ground press author Megan Kaminski in Kansas, as well as spending time at Temple University, interacting with such as Philadelphia poet Pattie McCarthy and above/ground press author Kevin Varrone, among others. Clearly this fella, in Toronto studying digital poetics, has some very good taste in mentors.



Wednesday, September 23, 2026

new from above/ground press: ignite, by Lori Anderson Moseman

ignite
Lori Anderson Moseman
$6

dismantling the trebuchet


we must save the flywheel
the sling

boulders can be guest stones
in memorial gardens

scaffolding can become ladders

the counter weight?
is it immovable enough 
to tether oligarchs’ greed?

an anchor we can corral
on neutral ground

measured stillness
as hope

published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy

Lori Anderson Moseman’s
earlier chapbooks from above/ground press include: Whittle Gristle (2025) plus Okay and Too Few Words (2023). Quietly Between, a 2022 poetry/photography collaboration, is available from A Viewing Space. Her experimental poetry collections include Darn (Delete Press, 2021) and Y (Operating System, 2019). For her earlier prose poems see Full Quiver (Propolis Press, 2015) and Flash Mob (Spuyten Duyvil, 2016). She lives on Kalapuya Ilihi, the traditional indigenous homeland of the Kalapuya people whose descendants are citizens of the Confederated Tribes of the Grand Ronde Community of Oregon and the Confederated Tribes of the Siletz Indians of Oregon.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, September 14, 2026

above/ground press participates in the Fisher Fine and Small Press Fair at the University of Toronto, Sept 19, 2026

Given the success of their prior small press book fairs, The Thomas Fisher Rare Book Library is once again holding a small press fair in their space! See my report on their 2022 fair (I wasn't able to make their 2024 event).

Come by and see what above/ground press (and numerous other publishers) have been up to lately. I mean, there's a lot happening, quite honestly (and watch soon for 2027 subscription information).
"The Fisher Library will again be hosting some of Canada's finest book and print makers and artists when it hosts the 2026 Fisher Small & Fine Press Fair. A biennial event since 2013, this year's fair will be larger than ever, with plans to use the library's seminar room, the Maclean Hunter Room, as well as the exhibition area."

The date: Saturday September 19, 2026
The time: 10am-5pm

Location: Thomas Fisher Rare Book Library, University of Toronto, 120 St. George St. (corner of St. George and Harbord)

https://library.utoronto.ca/event/fisher-small-fine-press-fair


Tuesday, September 8, 2026

new from above/ground press: The Thought Lawn, by Mark Tardi

The Thought Lawn
Mark Tardi
$6

Cztery Kwartety


1.
As close as 
we are I 
don’t remember 

what you look like


2.
Calm 
does not come 
every day

Lamps are calm


3.
Even if I’m no longer 
sure what 

Craig meant 
by “life raft in Hell”


4.
Wiosna lato jesień 

zima part 
blue sky part 

cretaceous coyote
published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy


Cover art by Małgorzata Myk, from Duration Series (2024).  

Mark Tardi is a writer, runner, and translator whose awards include a 2023 PEN/Heim Translation Grant and a 2022 National Endowment for the Arts Translation fellowship. His translations include Viscera: Eight Voices from Poland (Litmus Press, 2024), Unsovereign by Kacper Bartczak (above/ground press, 2024), The Squatters' Gift by Robert Rybicki (Dalkey Archive, 2021), and Faith in Strangers by Katarzyna Szaulińska (Toad Press, 2021). Recent writing and translations have appeared in Conjunctions, Poetry, Poetry Northwest, MAYDAY, Ilanot Review, Denver Quarterly, Interim, Cagibi, Full Stop, and elsewhere. His newest book, Recapitulation in the Wrong Key, is out from BlazeVOX Books. He is on faculty at the University of Lodź.

This is Tardi’s second title from above/ground press, after his translation of Kacper Bartczak’s Unsovereign (2024).

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Wednesday, September 2, 2026

Montreal chapbook launch! Sept 10: Sarah Burgoyne and Clara Yeager,


above/ground press authors Sarah Burgoyne and Clara Yeager are launching their collaborative chapbook, TAKE COVER EVERYONE (2026), at Pulp Books in Montreal, 7pm on Thursday, September 10th! If you can go to this, you should go to this.

Tuesday, September 1, 2026

Words on the Water / Murmures sur l’eau, eds./dir. David O’Meara and/et Véronique Sylvain,

Words on the Water / Murmures sur l’eau
eds./dir. David O’Meara and/et Véronique Sylvain
Poète officielle francophone et poète officiel anglophone de la Ville d’Ottawa
Poets Laureate, Francophone and Anglophone, The City of Ottawa
translations by/traductions de Myriam Legault-Beauregard
$10
including new poems in English (alongside French translation) and new poems in French (alongside English translation) by:

Jean Marc Dalpé
David Galvaude
Harold Hoefle
Christine McNair
Sarah Migneron
stephanie roberts
Alexis Rodrigue-Lafleur

Mahaila Smith


Introduction

J’ai la conviction que la poésie peut nous inciter à regarder les lieux qui nous entourent et à prendre conscience des liens (précieux) qui nous unissent. De l’enfance, à l’adolescence, jusqu’à l’âge adulte, la nature a toujours occupé une place importante dans ma vie (et dans ma poésie !). 

Des lacs et des rivières du Nord de l’Ontario, au fleuve Saint-Laurent, jusqu’à la rivière des Outaouais, ces éléments naturels nourrissent, depuis longtemps, mon paysage intérieur et mon écriture. 

Ces exemples de cours d’eau sont essentiels dans l’équilibre des écosystèmes. La poésie, je crois, peut contribuer à sensibiliser toutes et tous à la grande beauté, à la fragilité palpable de ces écosystèmes.

Après le succès, en 2025, de la première édition du projet que David O’Meara et moi avons coordonné avec Garde-rivière des Outaouais, nous avons eu l’idée de replonger dans l’aventure et d’inviter à nouveau huit poètes – quatre francophones et quatre anglophones – à créer un poème original inspiré du bassin versant de la rivière des Outaouais.

Ces voix poétiques retentiront comme un écho, d’une rive à une autre...

Introduction

I strongly believe that poetry can make us observe our surroundings and notice the invaluable relationships between us all. As a child, as a teenager, and still as an adult, I always reserved a special place for nature in my life (and in my poetry!)

From the lakes and rivers of Northern Ontario to the Saint-Lawrence River, with the Ottawa River in between, these natural features have—for a long time—nourished my inner landscape, and the way I write.

These waterways are essential to the balance of our ecosystems. Poetry, I think, can make us all aware of the great beauty, as well as the utmost fragility of these ecosystems.

Building on the success of the first edition of the project David O’Meara and I coordinated in 2025 with Ottawa Riverkeeper, we decided to dive anew in this adventure and to invite eight other poets—four francophones and four anglophones—to create an original poem inspired by the Ottawa River watershed.

These poetic voices will resonate, like echoes, from one shore to the other…
published in Ottawa by above/ground press
September 2026
a/g subscribers receive a complimentary copy
produced for an event at the Ottawa River Boathouse, September 2, 6-8pm [see ticket information here]


Ce recueil est le troisième ouvrage collectif bilingue dirigé par David O’Meara et Véronique Sylvain à paraître chez above/ground press dans le cadre de leur mandat comme poètes officiels de la ville d’Ottawa. Il fait suite à Verse on the Banks / Poèmes sur le rivage (2025) et à Words and Image / Entre mots et images (2026), avec des traductions réalisées par Myriam Legault-Beauregard. À cette sélection s’ajoute également Planting Seeds : Fletcher Garden Poems (2026), en anglais seulement, qui a été dirigé par David O’Meara.

This is David O’Meara’s and Véronique Sylvain’s third bilingual edited title through above/ground press, all part of their tenure as Ottawa’s English-language and French-language Poet Laureates, following Verse on the Banks / Poèmes sur le rivage (2025) and Words and Image / Entre mots et images (2026), both of which included translations by Myriam Legault-Beauregard. Also available is David O’Meara’s Planting Seeds: Fletcher Garden Poems (2026), in English only.

Author biographies/Notices biographiques:

Jean Marc Dalpé
est auteur dramatique, romancier, poète, scénariste, traducteur et comédien. Trois fois lauréat du Prix du Gouverneur général, il a traduit des œuvres contemporaines ainsi que Shakespeare, Brecht et des œuvres autochtones majeures. Codirecteur artistique du Wild West Show de Gabriel Dumont, il est l’auteur de nombreuses pièces marquantes. Docteur honoris causa de l’Université d’Ottawa, il est membre de l’Ordre du Canada et de l’Ordre des francophones d’Amérique.

A playwright, novelist, poet, scriptwriter, translator and actor, Jean Marc Dalpé is a three-times winner of the Governor General’s Literary Awards. He has translated contemporary works, as well as Shakespeare, Brecht and major Indigenous voices. He was one of the artistic directors of the Wild West Show de Gabriel Dumont, and has authored many remarkable plays. He holds an Honorary Doctorate from the University of Ottawa, and he is a member of the Order of Canada and of the Ordre des francophones d’Amérique.

David Galvaude a déjà habité en face de la rivière Kitchissippi. Il a publié deux recueils de poésie (Démonologie de jardin, La Note Verte, 2022, et Pigeon rouge, La Maison en feu, 2025). Il a aussi été publié dans Estuaire et a autopublié plusieurs zines. Depuis 2024, il co-organise la soirée poésie Une pinte ou un vers à la brasserie À la Dérive à Gatineau.

David Galvaude used to live right in front of the Kitchissippi River. He is the author of two poetry collections (Démonologie de jardin, La Note Verte, 2022, and Pigeon rouge, La Maison en feu, 2025). His poetry is also featured in the magazine Estuaire, and he is the creator of several zines. Since 2024, he co-organizes the monthly Une pinte ou un vers poetry readings in Gatineau, at the brewery À la Dérive.

Harold Hoefle's debut collection of poems, The Night Chorus, was published by McGill-Queen's University Press.  His chapbook, Leaning In, has just been published by above/ground press.  Harold lives in Ottawa.

Le premier recueil de poèmes d’Harold Hoefle, The Night Chorus, est paru aux presses universitaire McGill-Queen’s. Son court recueil Leaning In vient d’être publié chez above/ground press. Harold vit à Ottawa.

Christine McNair is the author of two books of poetry and a hybrid poetic memoir, Toxemia (2024). Her work has been shortlisted for the Archibald Lampman award, the City of Ottawa book award, the Robert Kroetsch award for innovative poetry, and the Relit award. Her book Charm (2017) won the Archibald Lampman award. She works as a book doctor in Ottawa.

Christine McNair est l’autrice de deux livres de poésie et de Toxemia, des mémoires poétiques hybrides. Ses livres ont été finalistes au prix Archibald-Lampman, au Prix du livre d’Ottawa, au prix Robert-Kroetsch pour la poésie innovante ainsi qu’au prix Relit. Son œuvre Charm (2017) a remporté le prix Archibald-Lampman. Son travail consiste à soigner des livres, à Ottawa.

Sarah Migneron est une autrice et traductrice d’Ottawa. Elle écrit pour les publics de tous âges. Ses textes de théâtre jeunesse comprennent Mots de jeux (VOX Théâtre, 2017), Dans tous les sens (VOX Théâtre, 2019 ; Prise de Parole, 2025), Jaune comme joie (VOX Théâtre, 2025) et Quand maman sourit (Le Théâtrophone, 2024; L’UniThéâtre, 2025). Pour les adultes, elle signe À tu et à moi (L’Atelier, 2013 ; Prise de parole, 2015) et Maman bleue (Prise de Parole, 2025).

Sarah Migneron is an author and translator from Ottawa who writes for people of all ages. Her plays for young audiences include Mots de jeux (VOX Théâtre, 2017), Dans tous les sens (VOX Théâtre, 2019 ; Prise de Parole, 2025), Jaune comme joie (VOX Théâtre, 2025) and Quand maman sourit (Le Théâtrophone, 2024; L’UniThéâtre, 2025). For older audiences, she wrote À tu et à moi (L’Atelier, 2013 ; Prise de parole, 2015) and Maman bleue (Prise de Parole, 2025).  

stephanie roberts is the prize-winning author of UNMET and rushes from the river disappointment. She has never been featured in Best Canadian Poetry.

stephanie roberts est une autrice primée à qui l’on doit les recueils UNMET et rushes from the river disappointment. Elle n’a jamais fait partie de l’anthologie Best Canadian Poetry.

Né à Montréal, Alexis Rodrigue-Lafleur a fait des études en muséologie et en français écrit, a habité en Bolivie, au Maroc et au Vietnam. Il réside actuellement en Outaouais et travaille au Musée des beaux-arts du Canada. Il a publié deux romans, L’odeur du gruau (2018) et Rêve-creux (2021), aux Éditions L’Interligne. Sa poésie émerge ici et là sous différents formats au gré des saisons.

Born in Montréal, Alexis Rodrigue-Lafleur has an academic background in French and Museum Studies. He has lived in Bolivia, Morrocco and Vietnam. He now lives in the Outaouais region and works for the National Gallery of Canada. He is the author of two novels: L’odeur du gruau (2018) and Rêve-creux (2021), published by the Éditions L’Interligne. His poetry emerges here and there, in different forms, throughout the seasons.

Mahaila Smith (they/them) is the author of the speculative novelette-in-verse, Seed Beetle, published by Stelliform Press in 2025. You can find more of their work on their website: mahailasmith.ca.

Mahaila Smith (iel/ellui) a écrit Seed Beetle, une novella en vers publiée chez Stelliform Press en 2025. Pour en savoir plus sur ses œuvres, visitez le site mahailasmith.ca.

David O’Meara is the author of five collections of poetry, most recently A Pretty Sight and Masses On Radar (Coach House Books, 2013, 2021). His novel, Chandelier, is published by Nightwood Editions (2024). He is the current Poet Laureate (Anglophone) of the City of Ottawa.

David O’Meara est l’auteur de cinq recueils de poésie, dont les plus récents sont A Pretty Sight et On Radar (Coach House Books, 2013 et 2021). Son roman, intitulé Chandelier, a été publié chez Nightwood Editions en 2024. Il est actuellement le poète officiel anglophone de la Ville d'Ottawa.

Véronique Sylvain habite à Ottawa, où elle travaille dans le milieu de l’édition. Ses poèmes ont paru dans plusieurs revues de création littéraire, ainsi que dans des collectifs. Son premier recueil, Premier quart (Prise de parole, 2019), lui a permis de remporter le Prix de poésie de Trillium, le Prix du livre d’Ottawa, en 2020, le prix Champlain et le Prix littéraire émergence AAOF 2021. Son plus récent recueil de poésie, En terrain miné, est paru en septembre 2024 chez Prise de parole. Elle occupera, jusqu’à l’automne 2027, le poste de poète officielle francophone de la Ville d’Ottawa

Véronique Sylvain lives in Ottawa, where she works in the publishing sector. Her poems appear in several literary journals and collectives. Thanks to her first collection, Premier quart (Prise de parole, 2019), she was rewarded with the Prix de poésie Trillium and the Prix du livre d'Ottawa, in 2020, as well as the prix Champlain and the Prix littéraire émergence AAOF, in 2021. Her most recent collection, En terrain miné, also published by Prise de parole, was launched in September 2024, She will be, until fall 2027, the Francophone Poet Laureate of the City of Ottawa.

Myriam Legault-Beauregard est traductrice, poète et slameuse. Elle termine actuellement son doctorat à l’Université d’Ottawa. Ses propres créations et certaines de ses traductions ont été publiées dans diverses revues, et son premier recueil de poésie, intitulé Comme un myosotis, est paru en septembre 2023. Sa première traduction de roman, De plâtre et de platine (version française de The Most Precious Substance on Earth de Shashi Bhat), a été finaliste au prix John-Glassco. Elle vit à Gatineau avec son conjoint et leurs deux filles.

Myriam Legault-Beauregard
is a translator, a poet and a spoken-word artist. She is currently completing her PhD at the University of Ottawa. Her own works and shorter translations have been published in various magazines and journals, and her first poetry collection, Comme un myosotis, was launched in September 2023. Her first book-length translation, De plâtre et de platine (French version of Shashi Bhat’s The Most Precious Substance on Earth), was a finalist to the John-Glassco prize. She lives in Gatineau with her partner and their two children.

To order, send cheques (add $2 for postage; in US, add $3; outside North America, add $7) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com