There must be an angst category in poetry called urban angst poetry when you realize you live in a city but have been feeling and acting like you are in the countryside. Maybe that’s not the case, here, exactly. More like pandemic angst, which the entire planet can relate to. rob mclennan’s Alta Vista Improvements is a place where such a realization occurs and is one of above/ground press’ unique pamphlets churned out in Canada. Here are a few lines in the titular poem in Section 5, which I loved reading:
[. . . ] this through-line
of patchwork housing, outcrop. A craft
of optimism, ignorance. The internet
equally bears each alphabet.
This is delicious writing! mclennan highlights the loss of the family goldfish through multiple fish, multiple losses; something is wrong in the picture of domesticity. What is it? We don’t exactly find out, yet travel the off-road territory with mclennan and enjoy every moment. In “Summer, pandemic,” as he waits for us in the car, his loyalty goes above and beyond to the complicated:
[. . . ] I perch in precooked car
awaiting our cat, in his follow up appointment
to recent dental extraction [. . . ]
Will life get itself all sorted out? In The Alta Vista Improvements, we sit and ponder (and hope) in all the wreckage.
founded July 1993 : CELEBRATING THIRTY YEARS OF CONTINUOUS ACTIVITY IN 2023 + MORE THAN 1200 PUBLICATIONS TO DATE! Ottawa-based poetry chapbook + broadside publisher; publisher of The Peter F. Yacht Club (a writer's group magazine) + Touch the Donkey (a small poetry magazine) + G U E S T [a journal of guest editors] + periodicities: a journal of poetry and poetics, as well as home of The Factory Reading Series (founded January 1993); edited/published/curated by rob mclennan
Wednesday, November 22, 2023
Susan Kay Anderson reviews rob mclennan's The Alta Vista Improvements (2023)
Susan Kay Anderson was good enough to provide the first review of my own chapbook The Alta Vista Improvements (2023) over at NewPages; thanks so much! See the original post here. Although: is it angsty to consider the countryside? As she writes:
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