Friday, February 13, 2015

The Factory Reading Series @ VERSeFest: Armand Garnet Ruffo and Lisa Jarnot, March 28, 2014!

The Factory Reading Series
as part of the fifth annual VERSeFest poetry festival presents:

The Factory Reading Series Lecture Series, two talks and readings by:
Armand Garnet Ruffo (Kingston ON)
Lisa Jarnot (Jackson Heights NY)

lovingly hosted by rob mclennan
Saturday, March 28, 2014
FREE ADMISSION!
2:30pm at Pressed, 750 Gladstone Avenue, Ottawa
check the VERSeFest link for the full schedule of events!
March 24-29, 2015

Armand Garnet Ruffo was born in Chapleau, northern Ontario, with roots to the Sagamok Ojibwe First Nation and the Chapleau Fox Lake Cree First Nation. Ruffo's first collection of poetry, Opening In The Sky (1994), reveals an abiding interest in the complexities of Aboriginal identity in a multi-cultural society. His second book, the acclaimed Grey Owl: the Mystery of Archie Belaney (1997), is a creative poetic biography that further raises difficult questions about voice and identity, Aboriginal culture, human rights and the environment.  Ruffo won the Archibald Lampman Poetry Award for his third collection of poetry, At Geronimo’s Grave (2001), in which he uses Geronimo’s life as a metaphor for resistance and survival.  His latest writing project is the much anticipated Norval Morrisseau: Man Changing Into Thunderbird, a creative biography based on the life of the acclaimed Ojibway painter Norval Morrisseau, which will be released in the fall of 2014 through Douglas & McIntyre; The Thunderbird Poems, based on the paintings of the artist, which will appear in the spring of 2015.

In addition to writing poetry, Ruffo has written plays, short fiction and critical essays on Aboriginal literature, which continues to appear in literary periodicals and anthologies both in Canada and abroad.  His numerous publication credits include editing a collection of critical essays, (Ad)addressing Our Words: Aboriginal Perspectives on Aboriginal Literatures (2001), co-authoring the “Indigenous writing “ entry for The Cambridge History of Canadian Literature (2009) and co-editing the latest edition of Oxford University Press’ An Anthology of Canadian Native Literature in English (2013).

Ruffo returned to filmmaking after making experimental ‘video-poems’ in the 1980s and 1990s, and wrote and directed a feature film about the intergenerational impact of the residential school system. Released in 2010, A Windigo Tale won Best Picture at the American Indian Film Festival in San Francisco, and at The Dreamspeaker’s Film Festival in Edmonton, and went on to screen internationally.

He currently teaches Aboriginal literature and creative writing at Queen’s University in Kingston, Ontario.

Lisa Jarnot was born in Buffalo, New York in 1967 and studied at the State University of New York at Buffalo and Brown University. Since the mid-1990s she has been a resident of New York City.

She has edited two small magazines (No Trees, 1987-1990, and Troubled Surfer, 1991-1992) as well as The Poetry Project Newsletter and An Anthology of New (American) Poetry (Talisman House Publishers, 1997).

She is the author of four full-length collections of poetry: Some Other Kind of Mission (Burning Deck Press, 1996), Ring of Fire (Zoland Books, 2001 and Salt Publishers, 2003), Black Dog Songs (Flood Editions, 2003) and Night Scenes (Flood Editions, 2008). Her biography of the San Francisco poet Robert Duncan was published by the University of California Press in 2012 and was shortlisted for the National Book Critics Circle Award, the Randy Shilts Award for Gay Non-Fiction, and received Honorable Mention in Literature from American Publishers Awards program. A Selected Poems was published by City Lights in May of 2013.

She currently lives in Jackson Heights, New York with her husband and daughter. She works as a teacher, writer, and freelance gardener.

Thursday, February 12, 2015

Call for submissions to the 2015 bpNichol Chapbook Award

Interested authors or publishers should submit three copies of a chapbook of poetry in English published in Canada.

Chapbooks should be not less than 10 pages and not more than 48 pages. The chapbooks must have been published between January 1st and December 31st of the previous year (2014), and the poet must be Canadian.

Submissions must be sent by Canada Post or courier (and not hand-delivered to a Meet The Presses collective member) and include a completed submission form or accurate facsimile (download the 2015 Submission Form), a brief C.V. of the author, including address, telephone number, and email address. Publisher contact information (contact person, mailing address, e-mail address, telephone contact) must also be included. Incomplete submissions will not be considered.

The closing date for the 2014 bpNichol Chapbook Award is May 29, 2015
. Submissions must be received by this date. If submission confirmation has not been received by e-mail by June 30, 2015, please send a query to Beth Follett at: feralgrl@interlog.com.

Send submissions to:
Meet the Presses / bpNichol Chapbook Award
113 Bond Street, St John’s NL A1C 1T6

For more information and to download a submission form, please visit the Meet The Presses website: https://meetthepresses.wordpress.com/

Wednesday, February 11, 2015

"poem" broadside #331 : "Has-Been" by Chris Johnson



I am a has-been, and I am for the weak and the masculine, the women, the groups who made new names just so they could fit in, and I can talk about sex and not blush, just like them, and sound smart and stand tall and move to Sweden with Cameron, and I don’t need to be ashamed of being another English grad who learned nothing about Milton (John)… because, fuck, I’m a Canadian and read Acorn (Milton, also), and I just saw that Book Bazaar has for $1700 the first book by Layton (Irving), and there’s a moment in time coming up or in the past when I will see my cock and think “I can be human,” and that might mean eating meat or breaking up or searching “Feminism” on TheGoodMenProject.com, and I can shave or not shave and still appreciate Dylan (Bob) and Personism, which is, as we both know, that ethical philosophy Wikipedia says was typified by Seeger (Pete, not spelled like Seger, Bob) but I best know of via O’Hara (Frank)… or was it him… but, anyway, he’s someone I tell my lover to read, because, though Frank was gay, his love poems are just fucking brilliant, and if my lover is nude and descending a staircase I won’t be able to stop myself from thinking about that New York poet (?)… well, and Duchamp (Marcel, born Henri-Robert-Marcel), but maybe after a minute, because, unless my back is sore or I’m tired, the first thing I want to do when I see breasts is… something with my hands, and there’s not enough to do with my hands, and I still want to stitch books and talk about rhyme and the necessity of political poetry, those things that kept fuelling the Modernists (Canadian), but there’s not enough money in my bank account to pay for that Scott (F.R.) book printed by Contact Press in 1957, but I’m still in, if you’re still in?

Setting straight the ‘Shwa,
driving through, reading Wah and
haibun for the view


Has-Been
by Chris Johnson
produced for The Factory Reading Series,
Ottawa, January 9, 2015
above/ground press broadside #331

Chris Johnson is a has-been. He used to be an editor at In/Words Magazine & Press. He used to be a student at Carleton University. His poetry has previously appeared on bywords.ca, The Steel Chisel, The Peter F. Yacht Club and in a few nice little zines.

Sunday, February 8, 2015

Scott Bryson reviews Megan Kaminski’s Wintering Prairie (2014) in Broken Pencil #66



Scott Bryson was good enough to review Megan Kaminski’s Wintering Prairie (2014) in Broken Pencil #66. Thanks, Scott! This is the third review of Kaminski’s chapbook, after a mention of such by Jim McCrary, and a more formal review by Ryan Pratt.

There’s a preparatory tone in the first page of this long poem that lends itself well to the images of wintering conjured by its title (wintering: to lodge, keep, or care for during the winter). “This poem will be a long one,” warns Megan Kaminski, “will widen will drift like snow.”
            That drifting is accomplished in a literal sense through an absence of capitalization, and symbolically via Kaminski’s subject matter. Movement permeates nearly every line in Wintering Prairie: “Long shadows and sun melt spread / across lawns across asphalt / neighborhood strip mall and shop.” If it weren’t for the occasional interjection that reads like a prayer – “I carry absence / I carry want / I carry body ache / on this bright day” – Wintering Prairie might be the print version of an episode of The Nature of Things; it glides across the landscape and zooms in on a particular scene for a few moments, before flying away again.
            A few cringe-worthy misspellings of “arctic” (as “artic”) aside, Wintering Prairie is a slick and evocative read. It delivers on its promise to drift, but Kaminski’s reluctance to focus for very long on any singular sketch occasionally leads to large chunks of text blowing by with little absorption. It covers a lot of ground in a short time.

Monday, February 2, 2015

The Factory Reading Series: Paige, Sheppy + Thomas, February 20, 2015

span-o (the small press action network - ottawa) presents:

The Factory Reading Series presents:

Abby Paige (Ottawa)
Nikki Sheppy (Calgary)
+ Hugh Thomas (Fredericton)
lovingly hosted by rob mclennan
Friday, February 20, 2015;
doors 7pm; reading 7:30pm
The Carleton Tavern,
223 Armstrong Street (at Parkdale; upstairs)

Abby Paige
is a writer and performer whose work has been published in the US and Canada, recently including Room, Ottawater, Arc, and the Montreal Review of Books. Her chapbook, Other Brief Discourses, was published by Ottawa’s above/ground press in 2013. Abby was born and raised in Northern Vermont, and her solo show, Piecework: When We Were French, explores the legacy of French-Canadian immigration to northern New England. She has toured with the show throughout New England, and it is now available on DVD.

Nikki Sheppy is a poet, editor and arts journalist. She has a doctorate in English literature from the University of Calgary. Her book reviews have appeared in Uppercase Magazine, Alberta Views, and Lemon Hound, and her poetry in Event and Matrix. She serves as President of the Board of filling Station, Calgary’s experimental literary and arts magazine, and is the author of the poetry chapbook, Grrrrlhood: a ludic suite (Kalamalka 2014).

Hugh Thomas is a poet and translator living in Fredericton, where he teaches mathematics at the University of New Brunswick.  His most recent chapbook, Albanian Suite, was published by above/ground press in 2014.  His previous chapbook, Opening the Dictionary, also published by above/ground press, was shortlisted for the 2012 bpNichol chapbook award.