While we usually hold a Christmas reading/party/regatta, hosted by The Peter F. Yacht Club, somewhere between Christmas and New Year, this year Christine and myself hosted a small pot-luck. In part to show off the house and our new five-week-old Rose, it was also a sign of our inability to easily leave the house; we thought, why not bring the party to us, instead?
With roughly a third of those invited unable to make it, we still managed to host some twenty people or more in our little house, as I spent the day baking in preparation. Pearl Pirie posted photos of the cake I made for such over at her food blog, as well as the creamy spaghetti squash primavera and the asparagus and white bean salad I prepared (the fourth photo of her quartet I wasn't responsible for). Given that at least one of our group is vegan and has a gluten allergy, I spent more than a week online seeking out recipes.
During the day, I also prepared a lovely beef stew, and an apple/pear (Japanese pear) crisp. And why is there a cow on the cake? Well, I couldn't find any yacht/nautical cake-y decorations at any of the dollar-stores I visited; and who doesn't love cows?
[A lovely wooden item gifted to us by the Piries] We were able to host a ton of Yacht Club regulars and irregulars, including Monty Reid, Sarah Hill and their Frances, Brecken Hancock, Amanda and Charles Earl, Pearl and Brian Pirie, Sandra Ridley, Roland Prevost and Janice Tokar, Vivian Vavassis, Rhonda Douglas, Marilyn Irwin and plenty of others. I could barely keep track! And, given the distraction of food, house and baby, I took barely any photographs. We stayed up far too late, had so much food and wine that we ended with more than we began, and never even got to the readings. Perhaps next year we'll be able to be public again, and Rose will allow us out of the house long enough to host our regular reading/regatta/party back at The Carleton Tavern!
And who knows -- now that we have a house and are beginning to settle, we may even be gearing up for regular meetings again in 2014; perhaps even a new issue? I'm already gearing up to a whole slew of new above/ground press chapbooks by Camille Martin, Nicholas Lea, Hugh Thomas, David Phillips and more; keep watching this space!
founded July 1993 : CELEBRATING THIRTY YEARS OF CONTINUOUS ACTIVITY IN 2023 + MORE THAN 1200 PUBLICATIONS TO DATE! Ottawa-based poetry chapbook + broadside publisher; publisher of The Peter F. Yacht Club (a writer's group magazine) + Touch the Donkey (a small poetry magazine) + G U E S T [a journal of guest editors] + periodicities: a journal of poetry and poetics, as well as home of The Factory Reading Series (founded January 1993); edited/published/curated by rob mclennan
Tuesday, December 31, 2013
Saturday, December 28, 2013
some author activity: beaulieu, Barwin, Smith, L'Abbe, McCann, Francheteau, Reid, Hall, Greenstreet, Hancock,
derek beaulieu offers his 'most engaging books of 2013' list over at his blog; Amanda Earl offers not one but two lists of 'chapbook love' over at her blog; Gary Barwin is interviewed over at papirmas; Jessica Smith reads a poem over as part of day eighteen of delirious hem; Sonnet L'Abbe receives some impressive coverage in the Toronto Star; Marcus McCann introduces crowdsourcing for the sake of a specific battle for human rights ; and JM Francheteau offers his list of 'A Year of Pretty Worthwhile Readings and Stuff,' including Factory and non-Factory readings by Monty Reid, Phil Hall, Gary Barwin, Kate Greenstreet, Brecken Hancock, Marilyn Irwin and the last ottawater launch (watch for the new issue to launch on January 24, 2014 at The Carleton Tavern!)
Wednesday, December 25, 2013
Saturday, December 21, 2013
some author activity: Abel, Armantrout, Massey, mclennan + Cooley,
Jordan Abel participated in the "12 or 20 questions" interview series; Dee Morris contributes the third in a series of five of "first readings" on Rae Armantrout's poem "Spin" over at Jacket2 (see the series page here); the first two are by Jennifer Ashton and Katie Price; Karen Massey has a poem in the new issue of Bywords; rob mclennan has two new poems from the suite "Glossary of Musical Terms" now up in the first issue of Posit; and Dennis Cooley has a new poem up as part of the "Tuesday poem" series on the dusie blog.
Wednesday, December 18, 2013
"poem" broadsheet #323: Husha, by Brecken Hancock
Some animals eat their young.
Animals sweet on their young.
Sh shh, sleep, little ones.
Carson says foetal sharks scarf
each other to abortion. Yum yum
in Mom’s womb. It’s on YouTube.
Lance says male dolphins will gang
rape a lady dolphin to death. Stuff her
blow hole, can’t take a breath.
Tucker whispers, your cousin fucked
a bunny. But I can’t imagine
enough room in her tummy.
HushaBrecken Hancock’s poetry, essays, interviews, and reviews have appeared in Riddle Fence, Event, CV2, Grain, and Studies in Canadian Literature. She is Reviews Editor for Arc Poetry Magazine and Interviews Editor for Canadian Women in the Literary Arts. The Art of Plumbing, her most recent chapbook, is out with above/ground press and her first full-length manuscript of poems, Broom Broom, is forthcoming with Coach House Books. She lives and walks dogs in Ottawa.
by Brecken Hancock
above/ground press broadside #323
Saturday, December 14, 2013
some author activity: Armantrout, Smith, Barwin, Paige, beaulieu + McCann,
Rae Armantrout lists her 'Best Books of 2013" over at The Volta; Jessica Smith's chapbook-length The Fortune-Teller appears in The Chapbook: Volume 2; Gary Barwin recently posted a poem for Toronto Mayor Rob Ford; Abby Paige has a new poem featured in the new issue of Room magazine (including online); Calgary Herald does an interesting write-up on derek beaulieu; and Marcus McCann has a poem reprinted on the véhicule press blog as part of their Sunday poem feature, selected by Carmine Starnino.
Wednesday, December 11, 2013
now available! Ground Rules: the best of the second decade of above/ground press 2003 - 2013
Ground Rules: the best of the second decade of above/ground press 2003-2013
ed. rob mclennan
published by Chaudiere Books
poetry / $24.95
ISBN 978-0-9783428-7-6
In August, 2013, Ottawa's Apt. 9 Press published the limited-edition chapbook (click to read the excerpt - I simply began: above/ground press at 20 [an interview with rob mclennan]) a lengthy interview with rob mclennan on the beginnings and history of the press conducted by Cameron Anstee.
to order: add $5 for postage, and paypal (here) or cheque to Chaudiere Books, 2423 Alta Vista Drive, Ottawa Ontario Canada K1H 7M9
ed. rob mclennan
published by Chaudiere Books
poetry / $24.95
ISBN 978-0-9783428-7-6
Working out of Ottawa, poet and publisher rob mclennan's baby, above/ground press, marks a second decade of the production of broadsheets, chapbooks, magazines, and anthologies that trace out the best shapes of the best of contemporary Canadian (and, increasingly, international) poetry. From the span of that second ten of years, he has compiled this book of traceries: a selection of work by writers ranging from the likes of the late Artie Gold, and Robert Kroetsch, to the living derek beaulieu, Rachel Zolf, Eric Folsom, Natalie Simpson, etc., all collected here as representative of a decade's aesthetic count.Edited by rob mclennan, with an introduction by Gil McElroy, Ground Rules features writing from the second decade of one of the most active micro publishers in Canada, selected from a series of hundreds of publications lovingly edited, produced and distributed by editor/publisher rob mclennan. A follow-up to Groundswell: best of above/ground press, 1993-2003 (Broken Jaw Press, 2003), Ground Rules includes a wide range of work by Artie Gold, Mark Cochrane, Suzanne Zelazo, derek beaulieu, Stephanie Bolster, Amanda Earl, Nathanaël, Lisa Samuels, Rachel Zolf, Sharon Harris, D. G. Jones, Julia Williams, Eric Folsom, Gregory Betts, Natalie Simpson, Aaron Tucker, Monty Reid, William Hawkins, Emily Carr, Cameron Anstee, Helen Hajnoczky, Marilyn Irwin, Stephen Brockwell, Robert Kroetsch and rob mclennan.
from Gil McElroy's "Introduction: An Integral"
TABLE OF CONTENTS:
Artie Gold, “doublet”
Mark Cochrane, “Rotator Cuff at 33 1/3,”
Suzanne Zelazo, “SUIT”
derek beaulieu, dream poem for dieter roth #1
derek beaulieu, untitled #3
Stephanie Bolster, “Night Zoo,”
Amanda Earl, "ivre,"
Nathanaël, “what exile this”
STANZAS magazine, volume 1, issue #29
Lisa Samuels, "The Museum of Perception”
STANZAS magazine, volume 1, issue #33
Rachel Zolf, "the naked & the nude”
STANZAS magazine, volume 1, issue #40
Sharon Harris, “more fun with 'pataphysics”
STANZAS magazine, volume 1, issue #43
D. G. Jones, standard pose
Julia Williams, MY CITY IS ANCIENT AND FAMOUS
Eric Folsom, NORTHEAST ANTI-GHAZALS
Gregory Betts, The Cult of David Thompson
Natalie Simpson, The writing that should enter into conversation
Monty Reid, cuba A book
William Hawkins, the black prince of bank street
Emily Carr
]
& look there goes a sparrow transplanting soil
] [3 eclogues]
Cameron Anstee, Frank St.
Helen Hajnoczky, A history of button collecting
Marilyn Irwin, for when you pick daisies
Stephen Brockwell, Impossible Books
(the Carleton Installment)
Robert Kroetsch, Further to Our Conversation
rob mclennan, The creeks,
In August, 2013, Ottawa's Apt. 9 Press published the limited-edition chapbook (click to read the excerpt - I simply began: above/ground press at 20 [an interview with rob mclennan]) a lengthy interview with rob mclennan on the beginnings and history of the press conducted by Cameron Anstee.
to order: add $5 for postage, and paypal (here) or cheque to Chaudiere Books, 2423 Alta Vista Drive, Ottawa Ontario Canada K1H 7M9
Monday, December 9, 2013
Michael Dennis reviews Rae Armantrout's Rituals (2013)
Ottawa poet and blogger Michael Dennis was good enough to review Rae Armantrout's Rituals (2013) over at his blog. This is the second review of Armantrout's Rituals, after Joseph LaBine wrote on such over at the Flat Singles Press blog.
Saturday, December 7, 2013
some author activity: de Meijer, Smith, Robertson, Francheteau, Jacobs + Hancock
Sadiqa de Meijer has both a new poem and an interview over at Susan Gillis' Concrete & River blog; Jessica Smith has some new work up at Cordite Poetry Review; Lisa Robertson's "Hotel Couplets" is now up at Poets.org; and Pearl Pirie was good enough to write up a post-reading report on the recent JM Francheteau, Danny Jacobs and Sadiqa de Meijer event (lovingly guest-hosted by Brecken Hancock) as part of The Factory Reading Series.
Saturday, November 30, 2013
some author activity: Mangold, Carr, Hall, Dennis, Robertson + O'Connor,
Sarah Mangold has a new poem up in the Tuesday poem series at dusie; Emily Carr wraps up her OSU-Cascades residency with a final blog post, "Back From The Woods!"; Phil Hall has a new poem up on Susan Gillis' Concrete & River blog, as well as a short interview; Amy Dennis has new work in the sixth issue of Amanda Earl's experiment-o; Lisa Robertson responds to Rachel Levitsky's The Story of My Accident Is Ours over at Futurepost; and Wanda O'Connor has a new poem in the The Puritan: Issue XXIII.
Wednesday, November 27, 2013
Ryan Pratt reviews Marcus McCann's Labradoodle, An Essay on David McGimpsey (2013) and rob mclennan and Christine McNair's The Laurentian Book of Movement (2013)
Our pal Ryan Pratt was good enough to review Marcus McCann's Labradoodle, An Essay on David McGimpsey (2013) and rob mclennan and Christine McNair's The Laurentian Book of Movement (2013) over at the ottawa poetry newsletter. Thanks, Ryan! This is the second review for The Laurentian Book of Movement, after Pearl Pirie's write-up here. Both chapbooks are still very much available.
Monday, November 25, 2013
"poem" broadside #322: The Key of N, by rob mclennan
Dividends, bewildered powers. Stretch-marks, nursery. Secondary heart-beat. Listen: blood pools, pulse, the powdered structure. Spilling forth. Grammatic, slowness. Slowness of the ground, the passage, seasons’ fall. Belonging to. Fragments, disappear. The sun sometimes divides, a music. Pressure points. Take pleasure in, a run-on, run-off. Sentenced. Is the theme of voice. Montage, a vessel. What, you hold her. Listen, pulse. Attention, all. As if to recognize.
The Key of NBorn in Ottawa, Canada’s glorious capital city, rob mclennan’s most recent titles include the forthcoming notes and dispatches: essays (Insomniac press, 2014) and The Uncertainty Principle: stories, (Chaudiere Books, 2014), as well as the poetry collection Songs for little sleep, (Obvious Epiphanies, 2012), and a second novel, missing persons (2009). He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at robmclennan.blogspot.com
from Glossary of Musical Terms
by rob mclennan
above/ground press broadside #322
produced as above/ground press’
700th publication, October 2013
Saturday, November 23, 2013
some author activity: Earl, Brockwell, Pirie, Reid, Ladouceur + Prevost,
Ottawa videographer Liana Vioa conducts a comprehensive interview with poet, editor and blogger Amanda Earl on, as she says, "my poetry, her VERSeOttawa Hall of Honours, my erotica, death & the colour grey"; an interview with Stephen Brockwell, conducted by Pearl Pirie on CKCU's Literary Landscapes, is now online as well; Pearl Pirie discusses Garden: November Unit (Sidereal Press, 2013), the most recent (published) installment of Monty Reid's "garden" series over at her blog (above/ground press produced the September unit back in 2011); the poem "Gran Vals" by Ben Ladouceur wins the Earle Birney Poetry Prize, hosted by PRISM International; and Roland Prevost has a new essay posted on the ottawa poetry newsletter blog as part of the ongoing "On Writing" series.
Friday, November 22, 2013
The Reading Series Presents Amanda Earl, Wednesday, November 27, 2013
above/ground press author and AngelHousePress (as well as Bywords.ca) editor/publisher Amanda Earl [to be inducted into the 2014 VERSeFest Hall of Honour] (photo credit: Charles Earl) reads this month as the feature at The Reading Series (the reading series of In/Words), hosted by Chris Johnson. Earl has published a small handful of chapbooks, including three with above/ground press: E l e a n o r (2007), The Sad Phoenician’s Other Woman (2008), and Sex First & Then A Sandwich (2012), all of which are possibly (most likely) still available. She may even have a new small item for this reading as well (sometimes she produces small publications for readings).
The Reading Series Presents: Amanda Earl
Wednesday, November 27 at 9:00pm
Clock Tower Brew Pub (basement), 575 Bank Street, Ottawa, Ontario
See the facebook event here:
The Reading Series Presents: Amanda Earl
Wednesday, November 27 at 9:00pm
Clock Tower Brew Pub (basement), 575 Bank Street, Ottawa, Ontario
See the facebook event here:
Wednesday, November 20, 2013
Joseph LaBine reviews Brecken Hancock's The Art of Plumbing (2013), Rae Armantrout's Rituals (2013) and Carrie Olivia Adams' An Overture in the Key of F (2013)
Our pal Joseph LaBine reviews Brecken Hancock's The Art of Plumbing (2013), Rae Armantrout's Rituals (2013) and Carrie Olivia Adams' An Overture in the Key of F (2013) over at the Flat Singles Press blog. Thanks, Joseph! This is actually the fourth review of Brecken's chapbook, after recent reviews by JM Francheteau (here), Michael Dennis (here) and Ryan Pratt (here). All three chapbooks are very available.
Monday, November 18, 2013
book launch! Ground rules: the best of the second decade of above/ground press 2003-2013
Produced
to begin the re-launch of Ottawa literary publisher Chaudiere Books,
co-publishers rob mclennan and Christine McNair invite you to the launch of Ground Rules: the best of the second decade
of above/ground press 2003-2013.
Co-sponsored
by our friends at the Ottawa International Writers Festival and The Manx Pub,
the event will feature readings by three of the book’s contributors: Sharon
Harris (Toronto), Marilyn Irwin (Ottawa) and Stephen Brockwell (Ottawa). The
event will be (lovingly) hosted by Chaudiere Books co-founder, editor and
co-publisher rob mclennan.
5pm,
Saturday, December 7, 2013
The
Manx Pub
370
Elgin Street, Ottawa
Sharon Harris is a Toronto
artist/writer whose poems have been anthologized in The Broadview Introduction to Literature, The Last Vispo, and Shift
& Switch: New Canadian Poetry. She is the author of chapbooks from
bookthug, In Case of Emergency Press, and above/ground, and her first
full-length collection, Avatar, was
published by The Mercury Press. She has written articles for Geist, The Globe & Mail, and Open Book Toronto; is a past contributor to Torontoist and Word
Magazine; and her work has been published in The National Post, dANDelion,
The Capilano Review, Drunken Boat, The Volta, broken pencil,
and Vallum. I Love You Toronto, her exhibition of photographs, appeared in
newspapers, magazines, and on radio and television across Canada.
Marilyn Irwin’s work has been published
by above/ground press, Arc, Bywords, and New American Writing. A graduate of Algonquin College’s Creative
Writing program, she has three chapbooks: for
when you pick daisies (2010), flicker
(2012), and little nothings
(2012). She won Arc Poetry Magazine’s
Diana Brebner Prize this year.
Stephen Brockwell cut his writing teeth
in the eighties in Montreal, appearing on French and English CBC Radio and in
the anthologies Cross/cut: Contemporary
English Quebec Poetry and The Insecurity of Art (both VéhiculePress, 1982).
George Woodcock described Brockwell's first book, The Wire in Fences (Balmuir, 1987) as having an extraordinary range
of empathies and perceptions. Harold Bloom wrote that Brockwell's second book, Cometology (ECW Press, 2001), held rare
and authentic promise. Fruitfly
Geographic won the Archibald Lampman award for best book of poetry in
Ottawa in 2005. His Complete Surprising
Fragments of Improbable Books is newly out from Mansfield Press. Brockwell
currently operates a small IT consulting company from the 7th floor of the
Chateau Laurier and lives in a house perpetually under construction.
Working out of Ottawa, poet and publisher rob
mclennan’s baby, above/ground press,
marks a second decade of the production of broadsheets, chapbooks, magazines,
and anthologies that trace out the best shapes of the best of contemporary
Canadian (and, increasingly, international) poetry. From the span of that
second ten of years, he has compiled this book of traceries: a selection of
work by writers ranging from the likes of the late Artie Gold, and Robert
Kroetsch, to the living derek beaulieu, Rachel Zolf, Eric Folsom, Natalie
Simpson, etc., all collected here as representative of a decade’s aesthetic
count.
from Gil McElroy’s
“Introduction: An Integral”
Edited
by rob mclennan, with an introduction by Gil McElroy, Ground Rules features writing from the second decade of one of the
most active micro publishers in Canada, selected from a series of hundreds of
publications lovingly edited, produced and distributed by editor/publisher rob
mclennan. A follow-up to Groundswell:
best of above/ground press, 1993-2003 (Broken Jaw Press, 2003), Ground Rules includes a wide range of
work by Artie Gold, Mark Cochrane, Suzanne Zelazo, derek beaulieu, Stephanie
Bolster, Amanda Earl, Nathanaël, Lisa Samuels, Rachel Zolf, Sharon Harris, D.
G. Jones, Julia Williams, Eric Folsom, Gregory Betts, Natalie Simpson, Aaron
Tucker, Monty Reid, William Hawkins, Emily Carr, Cameron Anstee, Helen
Hajnoczky, Marilyn Irwin, Stephen Brockwell, Robert Kroetsch and rob mclennan.
Copies
of the book will be available at the event. See the OIWF link to the event here.
Saturday, November 16, 2013
some author activity: Bolster, Abel, Dolman, Dennis, hastain, Hall + Wilkinson;
Stephanie Bolster is interviewed by Montreal poet and blogger Susan Gillis; the website CanLit Guides writes on "Visual Poetry and Indigenous-Settler Issues: Shane Rhodes and Jordan Abel"; Anita Dolman reads at The TREE Reading Series, Ottawa, on December 10, 2013 alongside Mike Caesar and Peter Richardson; and above/ground press authors Amy Dennis, j/j hastain, Phil Hall and Joshua Marie Wilkinson each have new work up in the 8th issue of seventeen seconds: a journal of poetry and poetics.
Tuesday, November 12, 2013
new from above/ground press: @BillMurray in Purgatorio, by nathan dueck
@BillMurray in Purgatorio
nathan dueck
$4
Dante Alighieri @DanteAlighieripublished in Ottawa by above/ground press
May these hashtags thy tune accompany:
#nicktheloungesinger croons show whilst I troll
#toddthenerd with mockery virtual.
November 2013
a/g subscribers receive a complimentary copy
Produced, in part, as a handout for Meet the Presses, November 16, 2013 in Toronto (while supplies last). Thanks much to Gary Barwin for his help and support.
The last two letters of nathan dueck’s first name & the first letter of his last spell “and.” only, he prefers writing it “&.” He is the author of king’smère (Turnstone Press, 2004) and he’ll (Pedlar Press, forthcoming).
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 [NEW ADDRESS!] or paypal at www.robmclennan.blogspot.com
Saturday, November 9, 2013
some author activity: Hajnoczky, mclennan, Barwin, Tucker + Wilkinson,
[the writer at work] Helen Hajnoczky discusses her work-in-progress Magyarazni, of which her recent above/ground press title is but a part, with Gary Barwin over at Jacket2; both rob mclennan and Gary Barwin have new work up in the new issue of otoliths; Aaron Tucker has an essay in the "On Writing" series over at the ottawa poetry newsletter; "An Interview About Contemporary Poetry-Reviewing With Poet, Editor, and Critic Seth Abramson" by Joshua Marie Wilkinson at The Huffington Post; and Wilkinson also gets some props over at Harriet.
Monday, November 4, 2013
Jordan Abel's chapbook, Scientia, is reviewed in Broken Pencil #61
Alma Talbot was good enough to review Jordan Abel's chapbook, Scientia (2013) in Broken Pencil #61. Thanks, Alma! Although why is the reviewer obsessed with calling such a small publication a 'zine? As though there is no other lens through which to consider small publishing. This is the second review of Abel's chapbook, after our pal Ryan Pratt discussed such, here. Copies of Scientia are still available, here.
Jordan Abel's Scientia had me thinking for a long time before I actually sat down to write this review. The eight poems and their corresponding images work together in dealing with negative space and absent language. This zine seemed to rely more on what was missing than what was given. For example, each of the images is the white block figure of an insect--the insect for whih the corresponding poem is titled--against the scattered text of the poem. "The author", who appears sporadically within the poetry, is hidden amongst the scientific language of the words. The mind-tangling author/subject/poem relationship is almost like a code, and had me succumbing to the powers of Google as I hit a brick wall at names like, "Pterophylla atlanta". This is one of the more complex zines I've read recently, with a lot to mull over in the language of this zine.
Saturday, November 2, 2013
some author activity: Grayhurst, Cochrane, Reed, Barwin, Poe, Graham, Adams + Earl,
Allison Grayhurst has two poems in the new issue of Ann Arbor Review; Mark Cochrane has a new poem posted as part of the "Tuesday poem" series on the dusie blog; Marthe Reed has "Five Poems from Binx's Blues, with a Note on the Process (On Lines from Walker Percy)" over at Jacket2, alongside a short piece Gary Barwin wrote on the visual poetry of Karl Jirgens; Deborah Poe is all over Atticus Review lately, with new poems, an essay and an interview conducted by Lea Graham; Carrie Olivia Adams is one of five poets reading on November 8 at a Rescue Press anthology launch in Iowa City, Iowa, a reading to be live-streamed online; and Amanda Earl also has a new poem up in the "Tuesday poem" series up at the dusie blog.
Friday, November 1, 2013
Amanda Earl to be inducted into the 2014 VerseOttawa Hall of Honour!
above/ground press author Amanda Earl (see information on her three above/ground press titles here and here and here) is one of two inductees in the 2014 VerseOttawa Hall of Honour, following the announcement of William Hawkins (another above/ground press author) and Greg "Ritalin" Frankson for 2013. Congratulations, Amanda!
The VERSeOttawa Hall of Honour is an independent body with close to ties to VERSeOttawa and VERSeFest. It was formed to recognize the important contributions of individuals to the Ottawa poetry community.
An induction ceremony will be held on March 30th, 2014 – the final day of VERSeFest ’14.
As the press release begins:
Amanda Earl will also be doing a lecture as part of The Factory Reading Series' VERSeFest fundraiser later this month!
The VERSeOttawa Hall of Honour is an independent body with close to ties to VERSeOttawa and VERSeFest. It was formed to recognize the important contributions of individuals to the Ottawa poetry community.
An induction ceremony will be held on March 30th, 2014 – the final day of VERSeFest ’14.
As the press release begins:
It is with great pleasure that the VERSeOttawa Hall of Honour announces the two inductees for 2014: Amanda Earl and Danielle K.L. Gregoire.See the entire press release here.
Amanda Earl is a fearless and supportive promoter of poetry and poets in Ottawa, and she is a long-time poet herself. She is a very visible and active member of the community. Through her organizational work, she promotes and encourages poets — emerging and established, and of diverse styles. The Ottawa poetry community would not be what it is without Amanda’s contributions through Bywords and her many other important contributions. In these activities, Amanda Earl is vital in keeping the poetic arts alive and thriving in the Capital.
Amanda Earl will also be doing a lecture as part of The Factory Reading Series' VERSeFest fundraiser later this month!
Wednesday, October 30, 2013
new from above/ground press: tones employed as loss, by lary timewell
tones employed as loss
(a section from molecular hyperbole)
lary timewell
$4
October 2013
a/g subscribers receive a complimentary copy
lary timewell is a North Vancouver writer recently returned from 20 years in Fukushima. The co-founder and publisher of the late 1980s and early 90s Tsunami Editions, he has published a number of titles, including two recent chapbooks from Obvious Epiphanies.
The author would like to thank Pierre Coupey and Renee Saklikar for their encouragement in the writing of this piece.
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 [NEW ADDRESS!] or paypal at www.robmclennan.blogspot.com
(a section from molecular hyperbole)
lary timewell
$4
… and, as Ezra Pound’s eyebrows crept ever closer,published in Ottawa by above/ground press
the outlaw reunion came to an abrupt end, the
I-vow-my-Troth recurring dream
hung on for dear laugh, went eventually
belly-dancing out of the room,
much to the dismay of
poets in their
heated nests
eating enchiladas, face up on the sofa like
flappers in repose. Now all that this
lights out in the bungalow means
is another possible brush with self-realization.
As the work goes on
a few perfect notes taking form within
the unshaven limits of formality,
an eternally Al Neil squeals across
the real room, the room itself
takes on the form of
a glassworks, a conversation.
May I have a word with you?
Poetry: the equivalence that licks
the baby-spoon, the scurry
of mnemonic mice, a mass of restless
piecemeal motives. The dumb
goat that bleats, that will eat
anything.
October 2013
a/g subscribers receive a complimentary copy
lary timewell is a North Vancouver writer recently returned from 20 years in Fukushima. The co-founder and publisher of the late 1980s and early 90s Tsunami Editions, he has published a number of titles, including two recent chapbooks from Obvious Epiphanies.
The author would like to thank Pierre Coupey and Renee Saklikar for their encouragement in the writing of this piece.
To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 [NEW ADDRESS!] or paypal at www.robmclennan.blogspot.com
Tuesday, October 29, 2013
Helen Hajnoczky's chapbook, The Double Bind Dictionary, is reviewed in Broken Pencil #61
Scott Bryson was good enough to review Helen Hajnoczky's chapbook, The Double Bind Dictionary (2013) in Broken Pencil #61 (despite mangling the book's title). Thanks, Scott! This is the second review of Helen's chapbook, after this one by our pal Ryan Pratt, and Broken Pencil was good enough to review the previous chapbook above/ground press produced of hers as well. Copies of The Double Bind Dictionary are still available, here.
The nine poems in this experimental collection are culled from a larger project -- called Magyarazni -- in which Helen Hajnocsky chose a Hungarian word to represent each letter of the Hungarian alphabet, then wrote a poem in English "about that word." In The Double Blind Dictionary, we get poems for all the multi-character letters: cs, dz, dzs, gy, ly, ny, sy, ty, and zs.
Most of these poems are, fittingly, about language: the unpronouncable, the ixnexpressible and, understandably, frustration. Tongues go numb, throats are swollen, voices are "stuck in tar" and "clogged with muck." The Double Blind Dictionary thus functions like a literary quicksand pit, where deep-seated fears bubble to the surface -- like the physical manifestation of a recurring teeth-falling-out dream. There are a couple of poems about drinking, as well; it's the cure, perhaps -- the medicine that might loosen the tongue.
It's inevitable that readers not fluent in Hungarian will be missing a piece of Hajnoczky's puzzle. That grievance aside, there are some clear successes here, most notably when Hajnoczky manipulates syllable count and near-rhyme to create the illusion of rhythmic real-rhyme. The result is a laid-back and effortless style; the words cascade down the page. There are, unfortunately, nearly as many instances where a complete absence of capitalization and frequent awkward pauses turn poems into clunky excursions.
Monday, October 28, 2013
The Factory Reading Series : Jacobs, de Meijer + Francheteau, November 29, 2013;
with
readings by:
JM Francheteau (Ottawa ON)Danny Jacob (Riverview NB)+ Sadiqa de Meijer (Kingston ON)
lovingly hosted by guest-host Brecken
Hancock
Friday,
November 29, 2013;
doors
7pm; reading 7:30pm
The
Carleton Tavern,
223
Armstrong Street (at Parkdale; upstairs)
JM Francheteau is a rural transplant based
in Ottawa. In 2013 he released a chapbook, A pack of lies, and his writing has
appeared in CV2, The Steel Chisel and Bywords. He has five wisdom teeth.
Danny Jacobs grew up in Riverview, NB. His poems
have been published in a variety of journals across Canada, including ARC, Event,
The Antigonish Review, Riddle Fence, The Malahat Review, The
Fiddlehead, Grain and CV2. After living in a number of cities
and towns in the Maritimes, Danny is back in Riverview and works as the
librarian in the village of Petitcodiac, NB. Songs That Remind Us of Factories is his first book.
Sadiqa de Meijer [pictured] [see her '12 or 20 questions' here] was born in Amsterdam and
moved to Canada as a child. Her poetry, short stories and essays have been
published in a range of journals and anthologies, including The Malahat Review, Geist, Riddle Fence and Poetry Magazine. Her first book of poems
is Leaving Howe Island (Oolichan
Books). A selection from the manuscript won the CBC Poetry Prize in 2012.